Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing

AbstractThe community singing movement was a distinctive feature of English popular musical life in the mid-1920s. Although initiated by individuals who saw it as essentially educational, it was rapidly appropriated by sections of the press, and especially the Daily Express, as an instrument in the circulation wars of the period. It was typified by a restricted range of music comprising ‘national’ songs, hymns (with the performance of ‘Abide with Me’ at the FA Cup Final singing particularly important), and songs of the First World War. This mixture and the concomitant neglect of modern popular song reflects the rather nostalgic thrust behind activities, with calls for community singing to recreate a ‘Merrie England’ that would heal the deep social divisions of the 1920s. Whether the singers were fully aware of these various musical and socio-political agendas is unclear, but community singing undoubtedly enjoyed a period of considerable popularity, with the music appreciated for allowing displays of individual and collective emotion.

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“We’re pushing back”: Group singing, social identity, and caring for a spouse with Parkinson’s

Psychology of Music ◽

10.1177/0305735620944230 ◽

2020 ◽

pp. 030573562094423

Author(s):

Melissa Forbes

Keyword(s):

Social Identity ◽

Interpretative Phenomenological Analysis ◽

Cost Effective ◽

Psychological Needs ◽

Basic Psychological Needs ◽

Care Recipient ◽

Structured Interviews ◽

Effective Community ◽

Spouse Caregivers ◽

Community Singing

This article explores spouse caregivers’ experiences of a community singing group for people with Parkinson’s disease and their carers. Previous studies have demonstrated the health and wellbeing benefits of group singing for a range of populations including people with Parkinson’s, however, caregivers’ experiences of these same groups remain under-researched. Semi-structured interviews were conducted with six spouse caregivers who regularly attended a joint caregiver/care recipient Parkinson’s singing group for a minimum period of 18 months. Interpretative Phenomenological Analysis (IPA) was used to explore and interpret caregivers’ experiences of group singing. Using the “social cure approach” as a theoretical lens in the later stages of analysis, findings demonstrated that group singing created a social identity which helped fulfill caregivers’ basic psychological needs for belonging, meaning and purpose, social support, and agency within the marital relationship. Caregivers’ new and valued social identity helped counteract the diminishing effects of life impacted by Parkinson’s. These findings support the recognition and further understanding of group singing as an accessible and cost-effective community-based psychosocial intervention for Parkinson’s spouse caregivers.

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