Kinesthetic Dialogue: The “Hands-off” Transmission of Embodied Knowledge through Silent Dance Pedagogy

2021 ◽  
pp. 1-12
Author(s):  
Tanya Berg
2014 ◽  
Vol 13 (2) ◽  
pp. 272-284 ◽  
Author(s):  
Tomie Hahn ◽  
J. Scott Jordan

This article represents a collaborative integration of ethnographic techniques and cognitive neuroscience for examining the dynamics of the movement pedagogy that takes place within Japanese traditional dance. The goal is to examine the extent to which the notion of multiscale entrainment, a hallmark assumption of prospective cognition, can enhance our understanding of the movement pedagogy dynamics that emerge during a given pedagogical session and the larger timescale events that come to be learned over sessions (e.g., the student–teacher relationship, the multiple sessions needed to learn an entire dance, and the annual events associated with Japanese dance pedagogy). The analysis will examine the extent to which Japanese dance pedagogy entails embodied anticipation (i.e., movement learning that gives rise to later movement anticipation) and multiscale embodied anticipation (i.e., multiscale events that come to be recursively associated with movement planning and, as a result, appear in one’s later movement planning). In addition, we analyze the extent to which the Japanese dance studio can be conceptualized as an external scaffold that affords (a) a space for student–teacher interactions, (b) the long-term maintenance of a historical–cultural tradition, and (c) the pedagogically driven emergence of a rich phenomenal sense of belonging to something larger than the timescale of one’s immediate movement planning.


APRIA Journal ◽  
2020 ◽  
Vol 2 (1) ◽  
pp. 49-55
Author(s):  
Paris Selinas ◽  
Mark Selby

This contribution describes the motivation for 'Paper Cooking,' a design workshop that took place during the Food Friction conference. We reflect on its outcomes, with a view to future directions for work by creating 'Action Recipes,' a video repository that presents people's favourite cooking actions. The repository aims to draw attention to unrecognised aspects of embodied knowledge.


Journal ◽  
1969 ◽  
Vol 2 (1) ◽  
Author(s):  
Judith Okely

Drawing on a multiplicity of learning, teaching and educational experiences, I argue that understanding positionality, or the specificity of each individual, triggers necessary unlearning. Confronting hitherto hidden, subjective knowledge may be the means to recognize grounded learning as ethnocentric and time and space specific. The individual may learn positionality through unexpected contrast, especially through anthropology. The anthropologist is the participant observer, analyst and writer - no managerial delegator, but directly engaged. Learning through engaged action, anthropologists unlearn what they have consciously and unconsciously absorbed from infancy. New embodied knowledge is often gained through making mistakes in other unknown contexts, thus fostering unlearning. This article explores the above themes through an autobiographical account of experiences of both teaching and learning.


2013 ◽  
Vol 13 (4) ◽  
pp. 402-413 ◽  
Author(s):  
Lydia N Degarrod

I present the installation Geographies of the Imagination, an arts-based ethnography about long-term exile, as a form of public ethnography that unveils the acquisition and transmission of ethnographic knowledge as interactive, emergent, and creative. I will show how the methods of collaboration and art making created bodily forms of knowledge among the participants and the audience at the exhibition of the installation that have the potential for stimulating new thinking. The use of these methods advanced the acquisition of ethnographic knowledge, and heightened the development of empathy among the participants and the researcher. Furthermore, the public exhibition of this installation allowed the participants to exercise social justice, and created a setting for socially experiencing embodied knowledge.


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