scholarly journals Imagination and Reality

2021 ◽  
Vol 1 (139) ◽  
pp. 1-10
Author(s):  
Median Mashkoor Hussein
Keyword(s):  
National Identity ◽  
Personal Identity ◽  
Human Life ◽  
National Identities ◽  
The Other ◽  
Western World ◽  
John Millington Synge ◽  
Critical View ◽  
Irish People ◽  
The One

This paper investigates how John Millington Synge uses the theme of imagination in his play The Playboy of the Western World to introduce a critical view of the construction of personal and national identities of those people, Irish people. It argues that the play juxtaposes two contradicted images of the construction of personal and national identities. On the one hand, the play satirizes the way that the villagers use their imagination to create their own hero to help them revive their primitive national identity. On the other hand, it emphasizes the importance of imagination in creating personal identity. The play questions the authenticity of the notion of national identity by depicting it as a human-made phenomenon, but at the same time it makes use of it by showing how imagination helps to change human life.

Reading The Time of Trimming under the Desk of Religious Zionism: Haim Beʾer and National-Religious Identity

Zutot ◽  
2014 ◽  
Vol 11 (1) ◽  
pp. 6-17
Author(s):  
Yael Shenker
Keyword(s):  
National Identity ◽  
Religious Identity ◽  
Mirror Image ◽  
Religious Discourse ◽  
Religious Community ◽  
National Identities ◽  
The Other ◽  
Other Hand ◽  
The One ◽  
The Relationship

This article addresses Israeli novelist Haim Beʾer’s relation to national-religious identity and the rifts and the pain it causes him, as can be discerned from his fiction and journalism, and certainly from interviews with him. His relation to national-religious identity also reflects a sort of mirror image, at times inverted, of the relationship between religious and national identities. Beʾer’s movement between religious community and nation criticizes on the one hand prevalent conceptions of secularization and national identity in Zionist discourse, and, on the other hand, conceptions of redemption in religious discourse.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Der Erzieher als Manager

2019 ◽  
Vol 95 (4) ◽  
pp. 517-530
Author(s):  
Diana Lohwasser
Keyword(s):  
Educational Process ◽  
The Other ◽  
Critical View ◽  
Other Hand ◽  
The One ◽  
Short Time ◽  
Time Diagnosis

Abstract The Educator as a Manager. A Critical View In the following article tasks and motifs of the educator as manager are described. It is clear that there are other educator metaphors and associated behaviors. To some extent, the actions of the different educator metaphors overlap, but they differ in their purpose and perspective on the educational process and the person to be educated. First, a short time diagnosis is made, which describes the context of this metaphor of the educator as manager. Subsequently, on the one hand, the various motifs, tasks and objectives of an educator as manager are discussed. On the other hand, it is asked if it is possible in the current discourse to take a different perspective on the educational process.

Multicultural and Transnational Novels

2018 ◽  
Author(s):  
James Meffan
Keyword(s):  
National Identity ◽  
New Zealand ◽  
The Other ◽  
Colonial History ◽  
History Of ◽  
Return Home ◽  
Access Rights ◽  
The One

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).

Rag Doll Nations and the Politics of Differentiation on Arbitrary Borders: Karelia and Moldova*

2004 ◽  
Vol 32 (2) ◽  
pp. 457-496 ◽  
Author(s):  
Mark Lawrence Schrad
Keyword(s):  
National Identity ◽  
The State ◽  
Ethnic Community ◽  
National Identities ◽  
The Other ◽  
Interesting Aspect ◽  
Territorial Boundaries ◽  
Shed Light

“Tell a man today to go and build a state,” Samuel Finer once stated, “and he will try to establish a definite and defensible boundary and compel those who live inside it to obey him.” While at best an oversimplification, Finer's insight illuminates an interesting aspect of state-society relations. Who is it that builds the state? How and where do they establish territorial boundaries, and how are those who live within that territory compelled to obey? Generally speaking, these are the questions that will be addressed here. Of more immediate concern is the fate of peoples located in regions where arbitrary land boundaries fall. Are they made loyal to the state through coercion or by their own compulsions? More importantly, how are their identities shaped by the efforts of the state to differentiate them from their compatriots on the other side of the borders? How is the shift from ethnic to national identities undertaken? A parallel elaboration of the national histories of the populations of Karelia and Moldova will shed light on these questions. The histories of each group are marked by a myriad of attempts to differentiate the identity of each ethnic community from their compatriots beyond the state's borders. The results of such overt, state-initiated efforts to differentiate borderland populations by encouraging a national identity at the expense of the ethnic, has ranged from the mundane to the tragic—from uneventful assimilation to persecution and even genocide. As an illustration of the range of possibilities and processes, I maintain that the tragedies of Karelia and Moldova are not exceptional, but rather are a consequence of their geographical straddling of arbitrary borders, and the need for the state to promote a distinctive national identity for these populations to differentiate them socially from their compatriots beyond the frontier.

Under the Volcano: Media, Ecology and the Crisis of Nature

2012 ◽  
Vol 145 (1) ◽  
pp. 50-63 ◽  
Author(s):  
Jeff Lewis ◽  
Belinda Lewis
Keyword(s):  
Cultural Politics ◽  
Nuclear Power ◽  
Human Life ◽  
Media Ecology ◽  
The Other ◽  
Natural Systems ◽  
Human Interventions ◽  
Under The Volcano ◽  
Crisis Conditions ◽  
The One

The 2011 Japanese earthquake and subsequent malfunction at the Fukushima nuclear power plant occurred at the apex of a complex crisis of nature. While some commentators claim that the Fukushima malfunction was the result of a ‘natural disaster’, others situate the event within a broader context of human interventions in ecological and natural systems. Exercised through the global mediasphere, these environmental language wars are formed within crisis conditions and a crisis consciousness that have extensive genealogical roots. This article examines the crisis of nature in terms of contemporary and genealogical language wars that are embedded in a cultural politics of apocalysm. In particular, the article problematises the concept of ‘nature’ in terms of the disaggregation of human and non-human life systems. It argues that this disaggregation confounds the cultural politics of life (-death) systems, leading to excessive violence on the one hand, and Romantic idealisation on the other. The article recommends a reconceptualisation of nature that implicates all humans and human desires across the global mediasphere.

scholarly journals Universální život a život lidský. K ontologii přírody u Jana Patočky a Maurice Merleau-Pontyho

REFLEXE ◽  
2021 ◽  
Vol 2021 (60) ◽  
pp. 29-63
Author(s):  
Martin Rabas
Keyword(s):  
Present Article ◽  
Human Life ◽  
Descriptive Analysis ◽  
Human Experience ◽  
The Other ◽  
Philosophical Approach ◽  
Other Hand ◽  
Inorganic Matter ◽  
The World ◽  
The One

The present article has two objectives. One is to elucidate the philosophical approach presented in the so-called Strahov Systematic Manuscripts of Jan Patočka in terms of consciousness and nature. The other is to compare this philosophical approach with Maurice Merleau-Ponty’s theses on nature, as elaborated in 1956–1961, and to point out some advantages and limitations of both approaches. In our opinion, Patočka’s philosophical approach consists, on the one hand, in a descriptive analysis of human experience, which he understands as a pre-reflective self-relationship pointing towards the consciousness of the world. On the other hand, on the basis of this descriptive analysis Patočka consequently explicates all non-human life, inorganic matter, and finally the whole of nature as life in its own right, the essence of which is also a certain self-relation with a tendency towards consciousness. The article then briefly presents Merleau-Ponty’s theses on nature, and finally compares them with Patočka’s overall theses on nature. The advantage of Patočka’s notion of nature as against Merleau-Ponty’s is that, in Patočka’s view, nature encompasses both the principle of unity and individuality. On the other hand, the advantage of Merleau-Ponty’s understanding of nature as against Patočka’s lies in the consistent interconnectedness of the infinite life of nature and the finite life of individual beings.

The Philebus

2008 ◽  
pp. 483-503 ◽  
Author(s):  
Constance C. Meinwald
Keyword(s):  
Human Life ◽  
The Other ◽  
Extended Treatment ◽  
The One

Plato's brainchild, the Philebus discusses the good human life and the claims of pleasure on the one hand and a cluster containing intelligence, wisdom, and right opinion on the other in connection with that life. The article talks about the notions of good human life and the pleasures surrounding it. Plato includes extended treatment of metaphysics and methodology: this is his typical supplement to the procedure of his own Socratic dialogues, which considered human questions in isolation from other issues. Despite several interpretations, the text remains largely elusive. After a long discourse, both Socrates and Philebus arrive at a conclusion that a mixed life, containing both reason and pleasure is what we all should desire and it is the best option for all.

ANTHROPOLOGICAL IDEAS OF CARL DU PREL AND ITS RECEPTION BY RUSSIAN SPIRITUALISTS IN THE LATE 19TH - EARLY 20TH CENTURY

2020 ◽  
pp. 58-68
Author(s):  
Tikhon V. Spirin ◽  
Keyword(s):  
20Th Century ◽  
Human Life ◽  
Science And Religion ◽  
The Other ◽  
Early 20Th Century ◽  
Human Being ◽  
Perception Threshold ◽  
New Era ◽  
The Core ◽  
The One

The article addresses the core anthropological concepts of Carl Du Prel’s philosophy and explores the significance of those concepts for the Russian spiritualism of the late 19th – early 20th century. The Du Prel’s theory built up upon the concept of Duality of the Human Being. Du Prel insisted on simultaneous co-existence of two subjects – one pertaining to the sensible world and the other related to the extrasensory (‘the transcendental subject’) – that are divided by the ‘perception threshold’. He argued that in dormant and somnambular state the threshold would shift and thus enable the Transcendental Subject to act in the Extrasensory World. Du Prel believed that the human evolution is not over yet. He suggested that one could estimate what the new form of the human life would be judging by the conditions in which the transcendental subject comes out. Like many other spiritualists, Du Prel foretold the upcoming dawn of a new era where the boundary between science and religion on the one part and the Sensible and Extrasensory World on the other part will vanish. Anthropological doctrine of Du Prel correlated well with the views on the future human being held by the Russian spiritualists, and therefore he became one of the most reputable authors for them

French Impressions: The Transnational Afterlives of Verlaine’s ‘La lune blanche’ in Song

2021 ◽  
pp. 150-152
Author(s):  
David Evans
Keyword(s):  
Art Song ◽  
National Identities ◽  
The Other ◽  
Mode I ◽  
Source Text ◽  
The Real ◽  
Art Form ◽  
The One

In this chapter I compare settings of Verlaine’s ‘La Lune blanche’ (‘The White Moon’) by composers of different nationalities (Delius, Webern, Sorabji, Loomis, Nevin, Loeffler, Hennessy, Poldowski, McEwen, Szulc, Stravinsky) in order to show how different ideas of French song – and of art song itself – emerge through the multiple dialogues of its transnational crossings. Two opposing approaches become clear: on the one hand, songs which maintain a reverence towards the source text as a symbol of the cultural cachet which French mélodie has enjoyed since its 1880-1930 heyday; and on the other, songs which offer a curiously unplaceable musical material, staking a claim for music as an mode of articulation which functions independently from language and, indeed, from national identities which are always in danger of falling into repetition, cliché, and pastiche. This latter mode, I suggest, comes closest to the real heart of mélodie as understood by its foremost French purveyors, Fauré and Debussy, and which composers like Stravinsky draw out of Verlaine’s text: a conception of song as an art form uniquely placed to offer a critique of fixed national paradigms and stable interpretative systems, by constantly calling into question, through their formal complexities, the very processes by which meaning itself is produced.

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