Book Illustration

1975 ◽  
pp. 101-124
Author(s):  
Hendrik D. L. Vervliet
Keyword(s):  
Book Illustration

The Art of Hokusai in Book Illustration.

1981 ◽  
Vol 36 (2) ◽  
pp. 216
Author(s):  
Kenneth Gardner ◽  
Jack Hiller
Keyword(s):  
Book Illustration

The 'Vereeniging Joan Blaeu' 26 May 1916-11 March 1938

Quaerendo ◽  
1992 ◽  
Vol 22 (2) ◽  
pp. 97-128
Author(s):  
Anna E. C. Simoni ◽  
Marieke Van Delft
Keyword(s):  
The Netherlands ◽  
Annual Reports ◽  
Book Illustration ◽  
Fine Printing ◽  
Book Exhibition

AbstractOn 26 May 1918 a group of printers and publishers founded the Joan Blaeu Society. Its aim was 'the promotion of printing and book illustration in the Netherlands'. The committee was formed, among others, by men like S.H. de Roos and J.F. van Royen. The most productive years were the early ones: three books were published, a book exhibition was organised and three annual reports appeared. Gradually activity declined. There were no more annual reports and only one further booklet came out (1929). In March 1938 the Joan Blaeu Society was dissolved. At the same time a new society was founded: the Dutch Fine Printing Society, which was to be its successor of sorts.

scholarly journals The Construction of Pious Children in Serial Salman Dan Hamzah

2019 ◽  
Author(s):  
Muhammad Deden Purnama ◽  
Dhita Hapsarani
Keyword(s):  
Qualitative Research ◽  
Children's Literature ◽  
Children’S Literature ◽  
Religious Values ◽  
Research Approach ◽  
Main Character ◽  
Book Illustration ◽  
Textual Study ◽  
Children's Book ◽  
Religious Ideal

Children’s literature is often used as a medium for teaching values, for example religious values, in order to shape children’s character based on the understanding or ideology of certain groups. Through religious-based children’s literature, the figure of a religious ideal child was created and called a pious child. This example is applied by Salafi Islamic groups in Indonesia. The group that bases its teachings from the Salaf creates Islamic children’s book genre called ”Sunna children’s book”. The method used in this article is library-based qualitative research. Studies of pious character in European minority Muslim children’s literature have been widely carried out by Green-Oldendorf (2011), Shavit (2016) and Janson (2017), while studies of pious children in Indonesian contexts have only been done little, including this article. Textual study on the construction of pious children character is carried out according to the concept of ideal child in children’s literature by Purbani (2009), children book illustration and visual by Nodelman (2004), and pious Muslim child and childhood by research approach (Hendra-Priadi, 2019 and Scourfield et. al., 2013). The result of the research shows that pious children are represented through the main character who is very diligent in worshiping, behaving well, and obedient to parents. In addition, the construction of pious children in Serial Salman dan Hamzah is based on Salafi ideology concept of tarbiyah (education) that textually refers to the Quran and Hadith.

FEATURES OF COMPOSITION IN THE ART OF CHILDREN’S BOOKS BY ARTHUR RACKHAM

2020 ◽  
pp. 131-149
Author(s):  
Anna O. Bel'skaya ◽  
Keyword(s):  
20Th Century ◽  
Research Interest ◽  
Early 20Th Century ◽  
Children's Books ◽  
Art Nouveau ◽  
Children’S Books ◽  
Book Design ◽  
Book Illustration ◽  
Medieval Manuscripts

The article studies the book illustration by the English artist Arthur Rackham (1867–1939), the features of his work in the context of time and the experience that can be used in the process of teaching the book design and illustration. Here, research interest is focused on six main techniques that the artist actively used when illustrating in the children’s books in England in the late 19 – early 20th century. The name of A. Rackham and his graphics, are entirely associated with the English Art Nouveau. Having studied the graphic heritage of A. Rackham, on the example of his seven illustrations for children’s books, one can trace how A. Rackham’s creative credo was formed. The artist managed to move away from imitation of the English Victorian style, the Eastern and Western charts, medieval manuscripts and came to his own version of the Neo-Gothic in the art of the English book

Caricature

2017 ◽  
Author(s):  
Catherine J. Golden
Keyword(s):  
Nineteenth Century ◽  
Lewis Carroll ◽  
William Makepeace Thackeray ◽  
Book Illustration ◽  
Vanity Fair ◽  
Alice In Wonderland ◽  
Full Page ◽  
Book Illustrations

In its theatricality, caricature-style book illustration approximates the tableau style popular in the nineteenth century. This chapter examines book illustrations by George Cruikshank, Phiz, Richard Doyle, John Leech, and Robert Cruikshank that, like tableaux, capture a dramatic moment in works by Dickens, Ainsworth, and Thackeray. With lighting, props, clever casting, and detail-laden backdrops, the caricaturists staged scenes ranging from the sensational to the sentimental, from the deeply psychological to the broadly comic. “Caricature: A Theatrical Development” adds two Victorian author-illustrators to this list of recognized caricaturists. Better known as an author than an illustrator, William Makepeace Thackeray designed theatrical pictorial capital letters, vignettes, tailpieces, and full-page engravings for his best-known Vanity Fair (1848) and cast his heroine Becky Sharp in various stage roles. To dramatize Alice’s transformations, Lewis Carroll recalled popular caricature techniques in his illustrations for the first version of Alice in Wonderland (1865) entitled Alice’s Adventures Underground(1864) at a time when realistic illustration held sway. This chapter also examines artistic limitations and scandals (e.g. Robert Seymour’s suicide, Cruikshank’s claim of authoring Dickens’s works) that led to a dismissal or devaluation of the caricaturists and a privileging of the Academy trained artists who entered the field of illustration in the 1850s.

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