This book explores the confluence of decadence and Orientalism since the mid-nineteenth century in French and Arabic writing. It demonstrates how French Orientalism set the terms of modernity for Arab and Muslim thinkers and writers, but also how the latter responded to and transformed these terms. The book argues that Orientalism is doubly decadent: it describes the supposedly inherent degeneration of the Semitic and the “Oriental,” and in so doing Orientalism attempts to contribute to the decay of these societies. Through comparative close readings of French, Francophone, and Arabic texts, the author outlines how notions and representations of decadence and decay during the colonial and postcolonial periods have in fact produced symbolic and social disintegration in parts of the Arab world. Part 1 of the book examines the role of philology, secularism, Islamic reformism, and colonial policy in the configurations of colonial modernity during the second half of the nineteenth century, focusing on the Arab East (or Mashreq) and Algeria. Part 2 turns to Maghreb to explore the ways that loss becomes nationalized and gendered in the postcolonial era and how Maghrebi writers engage with the legacy of Orientalist decadence to find ways beyond it. In the context of these questions, it offers analyses of work by a wide range of writers, including Ernest Renan, Jamal al-Din al-Afghani, Ahmed Faris al-Shidyaq, Farah Antun, Céline, Tahar Wattar, Tahir Djaout, Ahlam Mosteghanemi, Yamina Méchakra, Assia Djebar, Hélène Cixous, Abdelwahab Meddeb, and Abdelkebir Khatibi.
Reconciling Arabo-Islamic culture and feminist consciousness in North African women's writing: Silence and voice in the short stories of Alifa Rifaat and Assia Djebar