scholarly journals ‘From the Face of My Memory’: How American Women Journalists Covered the Spanish Civil War

Society ◽  
2017 ◽  
Vol 54 (6) ◽  
pp. 549-559 ◽  
Author(s):  
Noël Valis
2001 ◽  
Vol 46 (2) ◽  
pp. 227-255 ◽  
Author(s):  
Manuel Pérez Ledesma

Anticlericalism was a decisive trend in Spanish political, social, and cultural life from the beginning of the nineteenth century until the Spanish Civil War. It is true that anticlerical movements also existed in other European states, but the confrontations were much more intense in Spain. José M. Sánchez recalls this in a concise summary of the violence unleashed by these struggles: from 1822 to 1936, at least 235 members of the clergy were assassinated and around 500 churches and religious centres were burned. In addition, in the three years of the Civil War, almost 7,000 priests, monks and nuns suffered the same fate. Despite this, until a few years ago there were frequent complaints about the scant attention paid by Spanish historians to this trend. Julio de la Cueva Merino referred to this lack of research, and even to the ‘historiographic vacuum’, in a summary of publications on the subject which appeared in 1991. Three years later, Pilar Salomón mentioned the ‘absence of fruitful bibliographic production’, and, as recently as 1997, Rafael Cruz spoke of a ‘shortage of works’, or at least a very scarce production of monographs. Outside the field of history, anthropologists such as David Gilmore and Manuel Delgado have likewise criticized the lack of interest of their colleagues in the face of what Gilmore defined as ‘as powerful a social and ideological phenomenon as devotion’, and which should deserve the same intellectual consideration.


2018 ◽  
Vol 7 ◽  
pp. LWFB80-LWFB87
Author(s):  
Martyn Lyons

In post-Franco Spain, the families of the regime’s victims, as well as other republican supporters, have not only struggled to recover the bodies of victims of the repression, but also have tried to recover a lost historical memory after years of imposed silence. Véronica Sierra Blas’s new study of Franco’s prisoners (there were approximately 280,000 of them) aims to give recognition and some human dignity to their obscure fate. This article offers a critical discussion of her study of a corpus of about 1500 letters written by prisoners during the Spanish Civil War and the subsequent Francoist repression. They include petitions to the authorities, messages secretly smuggled out of jail, and the ‘chapel letters’ written by condemned prisoners on the eve of their execution. Many of the latter were designed to be made public for propaganda purposes. This article suggests that as those condemned to execution reviewed their lives, their final farewells constituted a form of life writing in the face of certain death.


Author(s):  
Ariel Mae Lambe

Vividly recasting Cuba’s politics in the 1930s as transnational, Ariel Mae Lambe has produced an unprecendented reimagining of Cuban activism during an era previously regarded as a lengthy, defeated lull. In this period, many Cuban activists began to look at their fight against strongman rule and neocolonial control at home as part of the international antifascism movement that exploded with the Spanish Civil War. Frustrated by multiple domestic setbacks, including Colonel Fulgencio Batista’s violent crushing of a massive general strike, activists found strength in the face of repression by refusing to view their political goals as confined to the island. As individuals and in groups, Cubans from diverse backgrounds and political stances self-identified as antifascists and moved, both physically and symbolically, across borders and oceans, cultivating networks and building solidarity for a New Spain and a New Cuba. They believed that it was through these ostensibly foreign fights that they would achieve economic and social progress for their nation. Indeed, Cuban antifascism was such a strong movement, Lambe argues, that it helps to explain the surprisingly progressive turn that Batista and the Cuban government took at the end of the decade, including the establishment of a new constitution and presidential elections.


2017 ◽  
pp. 142-155
Author(s):  
I. Rozinskiy ◽  
N. Rozinskaya

The article examines the socio-economic causes of the outcome of the Spanish Civil War (1936-1936), which, as opposed to the Russian Civil War, resulted in the victory of the “Whites”. Choice of Spain as the object of comparison with Russia is justified not only by similarity of civil wars occurred in the two countries in the XX century, but also by a large number of common features in their history. Based on statistical data on the changes in economic well-being of different strata of Spanish population during several decades before the civil war, the authors formulate the hypothesis according to which the increase of real incomes of Spaniards engaged in agriculture is “responsible” for their conservative political sympathies. As a result, contrary to the situation in Russia, where the peasantry did not support the Whites, in Spain the peasants’ position predetermined the outcome of the confrontation resulting in the victory of the Spanish analogue of the Whites. According to the authors, the possibility of stable increase of Spanish peasants’ incomes was caused by the nation’s non-involvement in World War I and also by more limited, compared to Russia and some other countries, spending on creation of heavy (primarily military-related) industry in Spain.


2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.


2018 ◽  
Vol 48 (1) ◽  
pp. 127-142
Author(s):  
Aintzane Legarreta Mentxaka

Convergences in the work of Kate O'Brien and Virginia Woolf range from literary influences and political alignments, to a shared approach to narrative point of view, structure, or conceptual use of words. Common ground includes existentialist preoccupations and tropes, a pacifism which did not hinder support for the left in the Spanish Civil War, the linking of feminism and decolonization, an affinity with anarchism, the identification of the normativity of fascism, and a determination to represent deviant sexualities and affects. Making evident the importance of the connection, O'Brien conceived and designed The Flower of May (1953), one of her most experimental and misunderstood novels, to paid homage to Woolf's oeuvre.


2011 ◽  
Vol 5 (3) ◽  
pp. 265-291
Author(s):  
Manuel A. Vasquez ◽  
Anna L. Peterson

In this article, we explore the debates surrounding the proposed canonization of Archbishop Oscar Romero, an outspoken defender of human rights and the poor during the civil war in El Salvador, who was assassinated in March 1980 by paramilitary death squads while saying Mass. More specifically, we examine the tension between, on the one hand, local and popular understandings of Romero’s life and legacy and, on the other hand, transnational and institutional interpretations. We argue that the reluctance of the Vatican to advance Romero’s canonization process has to do with the need to domesticate and “privatize” his image. This depoliticization of Romero’s work and teachings is a part of a larger agenda of neo-Romanization, an attempt by the Holy See to redeploy a post-colonial and transnational Catholic regime in the face of the crisis of modernity and the advent of postmodern relativism. This redeployment is based on the control of local religious expressions, particularly those that advocate for a more participatory church, which have proliferated with contemporary globalization


Author(s):  
Emily Robins Sharpe

The Jewish Canadian writer Miriam Waddington returned repeatedly to the subject of the Spanish Civil War, searching for hope amid the ruins of Spanish democracy. The conflict, a prelude to World War II, inspired an outpouring of literature and volunteerism. My paper argues for Waddington’s unique poetic perspective, in which she represents the Holocaust as the Spanish Civil War’s outgrowth while highlighting the deeply personal repercussions of the war – consequences for women, for the earth, and for community. Waddington’s poetry connects women’s rights to human rights, Canadian peace to European war, and Jewish persecution to Spanish carnage.


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