scholarly journals Young Children's spelling representations and spelling strategies

2016 ◽  
Vol 46 ◽  
pp. 34-44 ◽  
Author(s):  
Sarah Critten ◽  
Lee Sheriston ◽  
Franceska Mann
Keyword(s):  
1996 ◽  
Vol 17 (1) ◽  
pp. 48-58 ◽  
Author(s):  
CONNIE L WIRTZ ◽  
RALPH GARDNER ◽  
KIMBERLY WEBER ◽  
DANIEL BULLARA

THIS STUDY COMPARED THE EFFECTIVENESS OF TWO SPELLING STRATEGIES (TRADITIONAL VERSUS SELF-CORRECTION) ON THE SPELLING PERFORMANCE OF SIX LOW-ACHIEVING THIRD-GRADE STUDENTS. THIS STUDY EXTENDS THE FINDINGS BY McNEISH, HERON, AND OKYERE (1992), IN WHICH SELF-CORRECTION WAS FOUND TO BE EFFECTIVE IN IMPROVING THE SPELLING PERFORMANCE OF STUDENTS WITH LEARNING DISABILITIES. IN THE CURRENT STUDY, THE TRADITIONAL SPELLING INSTRUCTIONAL STRATEGY CONSISTED OF THE STUDENTS BEING ENGAGED IN SEVERAL DIFFERENT INSTRUCTIONAL TACTICS MONDAYS THROUGH THURSDAYS. THE SELF-CORRECTION METHOD PROVIDED EACH STUDENT AN OPPORTUNITY TO SPELL EACH WORD CORRECTLY ON HIS OR HER SPELLING LIST AND THEN COMPARE HIS OR HER EFFORT TO AN ANSWER KEY. IN THE SELF-CORRECTION CONDITION, EACH OF THE 6 SUBJECTS IMPROVED HIS OR HER MEAN SCORE ON THE WEEKLY SPELLING TESTS OVER HIS OR HER MEAN PERFORMANCE IN THE TRADITIONAL CONDITION. FURTHER, THE SELF-CORRECTION STRATEGY PROVED MORE EFFECTIVE IN HELPING STUDENTS TO MAINTAIN THEIR ABILITY TO CORRECTLY SPELL PREVIOUSLY LEARNED WORDS.


1988 ◽  
Vol 77 (8) ◽  
pp. 52
Author(s):  
Anne Wescott Dodd
Keyword(s):  

1981 ◽  
pp. 363-367 ◽  
Author(s):  
George Marsh ◽  
Morton Friedman ◽  
Peter Desberg ◽  
Kathy Saterdahl

2003 ◽  
Vol 20 (4) ◽  
pp. 411-429 ◽  
Author(s):  
Emilios Cambouropoulos

In this article, cognitive and musicological aspects of pitch and pitch interval representations are explored via computational modeling. The specific task under investigation is pitch spelling, that is, how traditional score notation can be derived from a simple unstructured 12-tone representation (e.g., pitch-class set or MIDI pitch representation). This study provides useful insights both into the domain of pitch perception and into musicological aspects of score notation strategies. A computational model is described that transcribes polyphonic MIDI pitch files into the Western traditional music notation. Input to the proposed algorithm is merely a sequence of MIDI pitch numbers in the order they appear in a MIDI file. No a priori knowledge such as key signature, tonal centers, time signature, chords, or voice separation is required. Output of the algorithm is a sequence of "correctly" spelled pitches. The algorithm is based on an interval optimization approach that takes into account the frequency of occurrence of pitch intervals within the major-minor tonal scale framework. The algorithm was evaluated on 10 complete piano sonatas by Mozart and had a success rate of 98.8% (634 pitches were spelled incorrectly out of a total of 54,418 notes); it was tested additionally on three Chopin waltzes and had a slightly worse success rate. The proposed pitch interval optimization approach is also compared with and tested against other pitch-spelling strategies.


2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Muna Al Bulushi ◽  
Fawzia Al Seyabi

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