scholarly journals Dmitrii Blagoev in Russia: An Autobiographical Letter

1964 ◽  
Vol 9 (2) ◽  
pp. 286-297 ◽  
Author(s):  
D. Labelle

A letter from Dmitrii Blagoev, Bulgarian Social Democrat and later leader of the Communist Party of Bulgaria, has been preserved in the archive of A. N. Potresov at the International Institute of Social History in Amsterdam. In reply to an inquiry fromD. Kol'tsov, who was preparing a Russian edition of Alphonse Thun's well-known history of the Russian revolutionary movement, Blagoev wrote twelve pages describing his activity in 1883–85 as a member of the first significant Social Democratic circle in Russia. Kol'tsov published extracts from the letter in his edition of Thun, including the Social Democratic program which Blagoev had published in Bulgaria subsequent to his expulsion from Russia in 1885. Kol'tsov's pen, however, struck out some of the more interesting biographical passages, and corrected Blagoev's good, if somewhat erratic Russian. It is particularly interesting to note Blagoev's references to the intellectual bases for a socialist Weltanschauung in the middle 1880's: Lassalle, Lavrov and Chernyshevskii appear beside Marx in the posts of honor. No less interesting is the question which Blagoev raised in this letter – whether the lack of clarity of Socialist views in 1885 was connected in any way with the rise of Economism among workers and socialist intellectuals in the Russian capital during the closing years of the last century. Literature on the Blagoev circle is not lacking, but there is a shortage of sound studies on the relationships between Marxism and indigenous Russian political philosophies between 1880 and 1895.

1987 ◽  
Vol 17 (2) ◽  
pp. 279-294
Author(s):  
Alfons Labisch

In this article, the author aims to contrast the traditional architecture-oriented history of hospitals with an empirical sociohistorical approach. The main topic discussed is the hospital's role in health policy as seen by German Social Democrats in the late 19th and early 20th centuries. Social democratic hospital policy developed as a compromise between two extreme positions: the party theoretician's abstract ideals on the one side and the rank and file's pragmatic view on the other. Thus, the social history of the hospital can illustrate how, around the turn of the century, the political labor movement in Germany shifted from radical revolutionary aims to pragmatic social reform in everyday political practice. At the same time, the hospital underwent a fundamental social change from a charity institution to a municipal center of modern medical care. This implies that any static or one-sided interpretation of the hospital's history and sociology is inadequate: its social role constantly changes according to broader social change and different interests of social groups and organizations. As for the social history of medicine in general, modern medicine's development can not be adequately understood from the narrow perspective of medical institutions themselves. It has to be seen in the broader context of socioeconomic and sociocultural development.


2021 ◽  
pp. 1-20
Author(s):  
Lonán Ó Briain

This introduction delineates the three main pillars of the book. Red music is defined within the context of the Vietnamese music industry and compared with propaganda music in other communist countries. The concept of a continuous revolution is described through reference to literature from political thinkers in Vietnam and the wider communist world. Radio and the voice are assessed as key themes in recent anthropological studies. This is followed by a review of the social history of sound reproduction, which is considered in the fields of ethnomusicology, sound studies, radio studies, and related fields. After outlining the research methodology (ethnographic and archival approaches) and structure of the book, the introduction concludes with notes on language, recordings, and musical transcriptions.


1938 ◽  
Vol 3 ◽  
pp. 25-88
Author(s):  
Boris Sapir

Aaron Liberman was the first to try to create a socialist movement among the Jews in the seventies of the 19th century. In the history of the social movements he is rightly considered to be the founder of Jewish Socialism. Liberman's views and methods were strongly influenced by Russian Socialism, particularly through Peter Lavrov and his followers, who grouped themselves round the Vperiod (Forewords), the organ edited by Lavrov. Drawing on the archives of the former secretary, later on editor of the Vperiod, Valerian Smirnov, which archives are in the possession of the International Institute for Social History, the author investigates into the main period of Liberman's life, from the beginning of his emigration until his death.The article comprises the following chapters: I. In Russia; II. First Stay in London (1. Growing sympathy with the Vperiod; 2. The Vperiod and Jewish Socialism; 3. The Jewish Socialist Society in London); III. The tiaemes and the Jewish socialist section in Berlin; IV. Tragic End.The author endeavours to determine Liberman's contribution to the Vperiod and other European socialist organs, and deals with the role he played in the working-out of the rules and constitution of the Social Revolutionist Union of the Jews in Russia, and in the foundation of the Jewish Socialist Society in London, 1876. He comes to the conclusion that Lavrov played as prominent a part in the working-out of the rules and constitution as Liberman, and that the London Jewish Socialist Society is greatly indebted to Smirnov. The author further deals with Liberman's stay in Vienna, where he edited his organ Haemes, and with the so-called Nihilist-trial in Berlin, 1879. Finally he sketches Liberman's return to London in the beginning of 1880 and discusses the circumstances which ultimately led to Liberman's suicide.An appendix contains eight letters from Liberman to Smirnov and five from Smirnov and others, bearing upon Liberman. The three most important letters from Liberman to Smirnov are cited in a French translation as well as in their Russian original.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


2008 ◽  
Vol 31 (1) ◽  
pp. 7-7

In this opening issue of volume 31 we are presented with both nuanced and bold entry into several long enduring issues and topics stitching together the interdisciplinary fabric comprising ethnic studies. The authors of these articles bring to our attention social, cultural and economic issues shaping lively discourse in ethnic studies. They also bring to our attention interpretations of the meaning and significance of ethnic cultural contributions to the social history of this nation - past and present.


Author(s):  
Miguel Alarcão

Textualizing the memory(ies) of physical and cultural encounter(s) between Self and Other, travel literature/writing often combines subjectivity with documental information which may prove relevant to better assess mentalities, everyday life and the social history of any given ‘timeplace’. That is the case with Growing up English. Memories of Portugal 1907-1930, by D. J. Baylis (née Bucknall), prefaced by Peter Mollet as “(…) a remarkably vivid and well written observation of the times expressed with humour and not little ‘carinho’. In all they make excellent reading especially for those of us interested in the recent past.” (Baylis: 2)


Author(s):  
Christy Constantakopoulou

This chapter provides a methodological discussion on how to use the evidence included in the Delian inventories in order to write the social history of the dedicants. The inventories were produced by the Delian hieropoioi and recorded on an annual basis the dedications kept in the Delian treasuries. The chapter focuses particularly on dedications which are attached to named individuals and communities. It then discusses the material according to the parameters of gender, individual versus community dedications, elite dedicants, and distance of travel. Using the inventories we are able to reconstruct who came to the Delian sanctuary to dedicate objects.


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