What was ‘Indian’ Political Economy? On the separation of the ‘social’, the ‘economic’, and the ‘ethical’ in Indian nationalist thought, 1892–1948

2020 ◽  
Vol 55 (1) ◽  
pp. 75-115 ◽  
Author(s):  
ANIRBAN KARAK
Keyword(s):  
Twentieth Century ◽  
Political Economy ◽  
Social History ◽  
Indian Society ◽  
Late Nineteenth Century ◽  
Economic Management ◽  
State Planning ◽  
Social Forms ◽  
Social Mediation ◽  
The Social

AbstractThis article argues that to gauge the significance of state planning in mid-twentieth century India, it is necessary to study the trajectory of what was called ‘Indian political economy’ during the late nineteenth century and first half of the twentieth. Through a close reading of selected texts, I demonstrate that the transmutation of Indian political economy into an abstract science of economics was a function of Indian nationalists’ inability to hold together the ‘social’, ‘economic’, and ‘ethical’ spheres within a single conceptual framework. The separation of these three spheres was the enabling factor behind the conceptualization of planning as a purely technical process of economic management. Further, the article contends that these conceptual developments cannot be adequately explained with reference to either ‘elite’ interests or the insidious effects of ‘colonial’ discourses. Rather, the narrative demonstrates that economic abstractions can—and must—be grounded in the historical development of capitalist social forms that transformed the internal fabric of Indian society. Drawing on a theory of capitalism as a historically specific form of social mediation, I argue that a Marxian social history of Indian state planning can overcome certain limitations inherent in extant approaches. Finally, the interpretation proposed here opens up the possibility of putting Indian history in conversation with a broader development during the first half of the twentieth century, namely the separation of political economy into economics and sociology.

Music in the British Workplace: From Voice to a Technique of Control?

2020 ◽  
Author(s):  
Marek Korczynski
Keyword(s):  
Twentieth Century ◽  
Social Control ◽  
Social History ◽  
Singing Voice ◽  
Industrial Noise ◽  
The Third ◽  
The Social ◽  
History Of

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.

Italian-Jewish Patrons of Modern Art in Nineteenth- and Twentieth-Century Italy

2020 ◽  
Vol 16 (1) ◽  
pp. 3-29
Author(s):  
Luisa Levi D’Ancona Modena
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Social History ◽  
Modern Art ◽  
European Countries ◽  
The Social ◽  
History Of ◽  
Public Museums

With a focus on art donations, this article explores several case studies of Jewish Italian patrons such as Sforni, Uzielli, Sarfatti, Castelfranco, Vitali, and others who supported artists of movements that were considered modern at their time: the Macchiaioli (1850-1870), the Futurists (1910s), the Metaphysical painters (1920s), the Novecento group (1920-1930s), and several post WWII cases. It reflects on differences in art donations by Jews in Italy and other European countries, modes of reception, taste, meanings and strategy of donations, thus contributing to the social history of Italian and European Jewry and the history of collections and donations to public museums.

The Social Mediation of Economic Discourse

2021 ◽  
pp. 42-74
Author(s):  
Keith Tribe
Keyword(s):  
Nineteenth Century ◽  
Political Economy ◽  
Public Discourse ◽  
Popular Literature ◽  
Academic Journals ◽  
Economic Discourse ◽  
Social Mediation ◽  
The Social ◽  
The Media ◽  
The Creation

In the course of the nineteenth century, political economy shifted from a discourse printed in books and journals and directed primarily at ‘men of affairs’ to a stratified public discourse. Where argument had once appealed to ‘reason’, argument by authority now became more significant in the teaching and publications of academic economists. This chapter shows the media through which this transition was effected—clubs, societies, and associations, adult extension teaching, popular literature, the creation of examinations and professional qualifications, and, in some limited cases, certification for employment, plus the creation of specialised academic journals.

Caribbean and Latin American Reverberations and the First Birth of Latin Jazz

Latin Jazz ◽  
2020 ◽  
pp. 36-63
Author(s):  
Christopher Washburne
Keyword(s):  
Twentieth Century ◽  
New Orleans ◽  
Social History ◽  
Latin American ◽  
Political Development ◽  
Formative Period ◽  
Latin American Music ◽  
The Social ◽  
History Of ◽  
Latin Jazz

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.

‘Our Greatest Riches’: Horses at the Intersection of Settler and Kazakh Society in the Late Imperial Period

2017 ◽  
Vol 3 (2) ◽  
pp. 210-228
Author(s):  
Sean McDaniel
Keyword(s):  
Nineteenth Century ◽  
Land Use ◽  
Twentieth Century ◽  
Seasonal Migration ◽  
Late Nineteenth Century ◽  
Migration Routes ◽  
Late Imperial ◽  
Imperial Period ◽  
The Social ◽  
Late Nineteenth

This article examines interactions between Slavic peasant migrants and mobile pastoralist Kazakhs within the setting of the Kazakh Steppe during the period of heaviest resettlement to the region beginning in the late nineteenth century and continuing into the early twentieth century. It considers how the importance of horses to both settlers and Kazakhs alike dictated these interactions and how the sedentary world of the settlers disrupted the seasonal migration routes of Kazakh horse herders. Particularly with concern to the greatly expanded horse market, issues regarding land use, and increased instances of horse theft throughout the region, the Russian state’s encroachment into the steppe forever altered the social and economic makeup of the region.

Misinformation and Ideology

2021 ◽  
pp. 111-126
Author(s):  
Scott Timcke
Keyword(s):  
United States ◽  
Political Economy ◽  
Ethical Reasoning ◽  
The United States ◽  
Social Hierarchy ◽  
The Other ◽  
Ruling Class ◽  
Social Forms ◽  
The Social ◽  
The One

This chapter applies theoretical insights around misrecognition to better understand the intersection of misinformation and ideology in the United States. It argues that misinformation practices are products of modernity. American modernity is characterized by contradictions between its basic social forms such as the money form, the commodity form, and so on. The contradictions create a bind for rulers. On the one hand, these contradictions mean that their rule is never stable. On the other hand, acknowledging the contradictions risks courting redress that also threatens their minority rule. Due to the imperative to mystify these contradictions, social problems are subsequently treated as anomalies or otherwise externalized; they can never be features of the capitalist political economy itself. Misinformation is a common by-product of this externalization as the capitalist ruling class uses it to weld together pacts and alliances that preserve the social hierarchy. The chapter outlines the broad argumentation offered by securocrats, reactionaries and technologists on Russia-gate. It takes a look at the proof put forward, the ethical reasoning invoked and the emotive appeals employed. It also looks at why these explanations fall short.

Self-Subversion

2019 ◽  
Vol 25 (1-3) ◽  
pp. 45-50
Author(s):  
Albert O. Hirschman
Keyword(s):  
Twentieth Century ◽  
Political Economy ◽  
Social World ◽  
The Social

In a survey spanning over half a century of his own work, Hirschman, among the most influential thinkers of the twentieth century on political economy, celebrates the ability to undermine one’s own claims and theories. Whereas skepticism toward other people’s work is not noteworthy, Hirschman argues, self-critque is crucial in relation “to one’s own generalizations or constructs.” But self-criticism and interpretive changes do “not in the end cancel out or refute the earlier findings”; rather, they help to define domains of the social world where originally postulated relations do not hold. Exercises in “self-subversion,” while often experienced at first as traumatic, are eventually, as Hirschman’s own career attests, “rewarding and enriching.”

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