Disability and Contemporary Performance: Bodies on Edge, by Petra Kuppers. 2004. New York: Routledge. 155 pp., photographs, notes, bibliography, index. $26.95 paper, $70.00 cloth. - Bodies in Commotion: Disability and Performance, edited by Carrie Sandahl and Philip Auslander. 2005. Ann Arbor: University of Michigan Press, 318 pp., photographs, notes, index. $46.95 paper, $125.00 cloth.

2007 ◽  
Vol 39 (2) ◽  
pp. 110-113
Author(s):  
Amanda Hamp
2016 ◽  
Vol 34 (2) ◽  
pp. 84-105
Author(s):  
Klaus Berghahn ◽  
Russell Dalton ◽  
Jason Verber ◽  
Robert Tobin ◽  
Beverly Crawford ◽  
...  

Michael J. Bazyler and Frank M. Tuerkheimer, Forgotten Trials of the Holocaust (New York: New York University Press, 2014) - Reviewed by Klaus BerghahnMary Fulbrook and Andrew Port, eds. Becoming East German: Socialist Structures and Sensibilities after Hitler (New York: Berghahn Press, 2013) - Reviewed by Russell DaltonNina Berman, Klaus Mühlhahn, and Patrice Nganang, ed. German Colonialism Revisited: African, Asian, and Oceanic Experiences (Ann Arbor: University of Michigan Press, 2014) - Reviewed by Jason VerberAndrew Wackerfuss, Stormtrooper Families: Homosexuality and Community in the Early Nazi Movement (New York: Harrington Park Press, 2015) - Reviewed by Robert TobinHans Kundnani, The Paradox of German Power (Oxford: Oxford University Press, 2014) - Reviewed by Beverly CrawfordGavriel D. Rosenfeld, Hi Hitler! How the Nazi Past is Being Normalized in Contemporary Culture (Cambridge: Cambridge University Press, 2015) - Reviewed by Jeffrey Luppes


2000 ◽  
Vol 18 (3) ◽  
pp. 157-170
Author(s):  
Laurence McFalls ◽  
Jeffrey J. Anderson ◽  
Vanessa Beck

Jennifer A. Yoder, From East Germans to Germans? The New Postcommunist Elitesn(Durham: Duke University Press, 1999)Review by Laurence McFallsHölscher, Jens and Anja Hochberg, eds., East Germany’s Economic Development Since Unification: Domestic and Global Aspects (New York: St. Martin’s Press, 1998)Review by Jeffrey J. AndersonBrigitte Young, Triumph of the Fatherland. German Unification and the Marginalization of Women (Ann Arbor: University of Michigan Press, 1999) Review by Vanessa Beck


2005 ◽  
Vol 46 (2) ◽  
pp. 337-339
Author(s):  
Ellen Donkin

Margaret Webster's struggles and triumphs as a professional director in New York and London are not cited by theatre historians—especially feminist theatre historians—as often as they should be. Before her death in 1972, she had become the first woman director ever to work on Broadway, founded the American Repertory Theatre with her lifelong partner and colleague Eva Le Gallienne, directed a groundbreaking production of Othello with Paul Robeson in 1942, faced Joe McCarthy and the House Un-American Activities Committee, and she had published several wonderful books about theatre (the best known are Shakespeare Without Tears, The Same Only Different, and Don't Put Your Daughter on the Stage).


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