MODERNITY AGAINST MODERNITY: WANG HUI'S CRITICAL HISTORY OF CHINESE THOUGHT

2006 ◽  
Vol 3 (1) ◽  
pp. 137-165 ◽  
Author(s):  
VIREN MURTHY

In the last fifteen years or so, Chinese intellectuals have been heatedly debating the complex relationships between China's prospects, China's past, and the modern predicament. In this context Wang Hui has emerged as one of China's most challenging and controversial intellectuals. His work is controversial. At a time when intellectuals take modernization as a goal, Wang has consistently voiced reservations. Readers find his works challenging because, instead of criticizing modernity or capitalism from simple moral tenets, Wang has always sought to redefine the terms of the debate through detailed and sensitive historical analysis. Hence amidst his busy life as editor, professor, and polemicist, Wang has devoted more than ten years to writing his magisterial four volume book The Rise of Modern Chinese Thought (Zhongguo sixiang de xingqi), in which he fundamentally rethinks the relationship between modernity and Chinese thought. However, Wang's book is not just an immense contribution to historical and historiographical scholarship; his work is a self-consciously political intervention. Specifically, he highlights the role of intellectual history as critique and attempts to recover repressed elements of the past in order to question the structures that govern the present. In the last line of the conclusion to his book he writes, “the history that modernity loftily and even proudly rejects contains the inspiration and possibilities for overcoming its crisis.” Taking China as his focus, Wang attempts to write this history.

2019 ◽  
Vol 29 (1) ◽  
pp. 189-202

The article advances a hypothesis about the composition of Michel de Montaigne’s Essays. Specialists in the intellectual history of the Renaissance have long considered the relationship among Montaigne’s thematically heterogeneous thoughts, which unfold unpredictably and often seen to contradict each other. The waywardness of those reflections over the years was a way for Montaigne to construct a self-portrait. Spontaneity of thought is the essence of the person depicted and an experimental literary technique that was unprecedented in its time and has still not been surpassed. Montaigne often writes about freedom of reflection and regards it as an extremely important topic. There have been many attempts to interpret the haphazardness of the Essays as the guiding principle in their composition. According to one such interpretation, the spontaneous digressions and readiness to take up very different philosophical notions is a form of of varietas and distinguo, which Montaigne understood in the context of Renaissance philosophy. Another interpretation argues that the Essays employ the rhetorical techniques of Renaissance legal commentary. A third opinion regards the Essays as an example of sprezzatura, a calculated negligence that calls attention to the aesthetic character of Montaigne’s writing. The author of the article argues for a different interpretation that is based on the concept of idleness to which Montaigne assigned great significance. He had a keen appreciation of the role of otium in the culture of ancient Rome and regarded leisure as an inner spiritual quest for self-knowledge. According to Montaigne, idleness permits self-directedness, and it is an ideal form in which to practice the freedom of thought that brings about consistency in writing, living and reality, in all of which Montaigne finds one general property - complete inconstancy. Socratic self-knowledge, a skepticism derived from Pyrrho of Elis and Sextus Empiricus, and a rejection of the conventions of traditional rhetoric that was similar to Seneca’s critique of it were all brought to bear on the concept of idleness and made Montaigne’s intellectual and literary experimentation in the Essays possible.


2021 ◽  
pp. 174165902110255
Author(s):  
Sune Qvotrup Jensen ◽  
Jeppe Fuglsang Larsen ◽  
Sveinung Sandberg

Recent scholarship has explored the potential of subcultural theory for understanding the convergence of Western street and jihadi subcultures. The role of jihadi rap in this radical hybrid culture, however, is yet uncharted. We argue that subcultural analysis allows an understanding of the aesthetic fascination of jihadism, sometimes referred to as jihadi cool, and that jihadi rap should be seen as an integrated part of this cultural amalgam. To better understand the role of hip-hop in the hybrid street-jihadi culture, this paper offers a historical analysis of the relationship between hip-hop and Islam and detailed insight into the more contemporary, and marginal, phenomena of jihadi rap. We track the continuities and discontinuities from the presence of Black Islam in early hip hop to recent convergences between hip hop and jihadism. Our analysis draws on Lévi-Strauss concepts of bricolage and floating signifiers. Subcultures and hip-hop music are seen as bricolages that draw on a multitude of cultural references with their own particular history. In these cultural bricolages, Islam often acts as a floating signifier, with different and often ambiguous meanings. We argue and demonstrate that Islam has a long history of being part of hip-hop rebellion and attraction and that this, channelled through jihadi rap, can contribute to jihadi cool and the contemporary pull of Western jihadi subcultures.


2021 ◽  

Langtext engl.: Otto von Gierke (1841–1921) has had a lasting influence on key terms and concepts related to the modern understanding of the state. This volume is divided into three systematic parts, in which Gierke's political and legal thinking is analysed from the different specialist perspectives of sociology, history, political science and jurisprudence. The focus of these different perspectives is his organic understanding of law and the state, which he consciously developed in different genres. At the same time, it also becomes clear what, if anything, can be taken from Otto von Gierke’s ideas for our own contemporary understanding of the state. The principle of subsidiarity and Gierke's strong emphasis on the role of communities and corporations below the state level, for example, make this particularly tangible. Gierke's work develops the relationship between cooperative law and constitutional law, thus succeeding in developing an innovative, organic understanding of law and the state on the basis of a comprehensive historical analysis. Prof. Dr. Peter Schröder is Professor of the History of Political Thought in the Department of History at University College London. With contributions by Niall Bond, Martin Espenhorst, Ben Holland, Céline Jouin, Jasper Kunstreich, Peter Nitschke, Tilman Repgen, Joachim Rückert, Jan Schröder, Peter Schröder and Helga Spindler.


1969 ◽  
Vol 38 (4) ◽  
pp. 506-522 ◽  
Author(s):  
N. K. Clifford

During the past forty years Canadian historians have viewed the relationship between religion and the development of Canadian society from three perspectives. None of these perspectives have risen out of the Canadian context; they have been imported and adapted with various degrees of success to the Canadian scene. The assistance they have given Canadian historians in perceiving and highlighting various aspects of the role of religion in their national life has been valuable. Like all perspectives, however, they have often concealed as much as they have revealed. Canadian church historians, of course, have been aware of the limitations which these perspectives have placed upon the story of the religious development of Canadian society. Their comments and criticisms, however, have never been systematically studied nor viewed in the wider context of the development of these perspectives elsewhere. This neglect needs to be remedied for such a study throws light not only on an aspect of the intellectual history of Canada but also on a number of points of emphasis in the use of these perspectives which appear to be distinctively Canadian. In what follows, therefore, an attempt has been made first of all to trace the development and continuing influence of these perspectives on the interpretation of religion in Canadian society; secondly, to assess the adequacy and limitations of these perspectives as interpretive frameworks in the Canadian context; and finally, to point out some of the factors in the present situation which need to be taken into consideration in the development of a new perspective.


2020 ◽  
Vol 54 (4) ◽  
pp. 403-431
Author(s):  
Bulat R. Rakhimzianov

Abstract This article explores relations between Muscovy and the so-called Later Golden Horde successor states that existed during the fifteenth and sixteenth centuries on the territory of Desht-i Qipchaq (the Qipchaq Steppe, a part of the East European steppe bounded roughly by the Oskol and Tobol rivers, the steppe-forest line, and the Caspian and Aral Seas). As a part of, and later a successor to, the Juchid ulus (also known as the Golden Horde), Muscovy adopted a number of its political and social institutions. The most crucial events in the almost six-century-long history of relations between Muscovy and the Tatars (13–18th centuries) were the Mongol invasion of the Northern, Eastern and parts of the Southern Rus’ principalities between 1237 and 1241, and the Muscovite annexation of the Kazan and Astrakhan khanates between 1552 and 1556. According to the model proposed here, the Tatars began as the dominant partner in these mutual relations; however, from the beginning of the seventeenth century this role was gradually inverted. Indicators of a change in the relationship between the Muscovite grand principality and the Golden Horde can be found in the diplomatic contacts between Muscovy and the Tatar khanates. The main goal of the article is to reveal the changing position of Muscovy within the system of the Later Golden Horde successor states. An additional goal is to revisit the role of the Tatar khanates in the political history of Central Eurasia in the fifteenth and sixteenth centuries.


Author(s):  
Thomas Kleinlein

This contribution reflects on the role of tradition-building in international law, the implications of the recent ‘turn to history’ and the ‘presentisms’ discernible in the history of international legal thought. It first analyses how international legal thought created its own tradition in the nineteenth and twentieth centuries. These projects of establishing a tradition implied a considerable amount of what historians would reject as ‘presentism’. Remarkably, critical scholars of our day and age who unsettled celebratory histories of international law and unveiled ‘colonial origins’ of international law were also criticized for committing the ‘sin of anachronism’. This contribution therefore examines the basis of this critique and defends ‘presentism’ in international legal thought. However, the ‘paradox of instrumentalism’ remains: The ‘better’ historical analysis becomes, the more it loses its critical potential for current international law. At best, the turn to history activates a potential of disciplinary self-reflection.


1995 ◽  
Vol 29 (4) ◽  
pp. 817-840 ◽  
Author(s):  
Hiroko Willcock

Inspired by Japanese influences among others the late Qing period saw a great surge in the writing of fiction after 1900. The rate of growth was unprecedented in the history of Chinese literature. The great surge coincided with rapid socio-political changes that China underwent in the last fifteen years of the Qing Dynasty. At the psychological level, the humiliating defeat by Japan in 1895 gave rise to a feeling of urgency for reform among some progressively minded Chinese intellectuals. Those reformers came to view fiction as a powerful medium to further their reform causes and to arouse among the people the awareness of the changes they believed China most urgently required. Fiction was no longer considered as constituting insignificant and trivial writings. It was no longer the idle pastime of retired literati composed to entertain a small circle of their friends, or written by a discontented recluse to vent a personal grudge through a brush. The role of fiction came to be defined in relation to its utility as an influence on politics and society and its artistic quality was subordinated to such a definition.


1984 ◽  
Vol 20 (4) ◽  
pp. 657-667
Author(s):  
Mark Migotti

It is commonplace to observe that the history of thought reveals certain recurring patterns whose mode of expression changes according to context. It is equally apparent that to chart the salient characteristics of an influential way of thinking – to give concrete, clearly defined shape to the usually tangled fundamental impulses informing a cast of mind – is a complex, difficult task which calls for attention from (at least) the historian, the psychologist, the philosopher and, in the case of religious figures and movements, the theologian alike. With regard to the manner of thinking embodied in the theological doctrines of Martin Luther such a task is fraught with more than the usual number of pitfalls. In the first place, following recent Luther scholarship, we must be wary of assuming that the great Reformer held fast to a single set of theological opinions throughout his long career. We shall not, therefore, attempt to reach conclusions applicable to Luther's thought as a whole, but rather shall focus exclusively on a number of key early expositions of the Theologia Crucis. Here, between about 1514 and 1520, we find, according to our argument, enough thematic unity to warrant the search for underlying principles. A second, less easily disposed of difficulty is the lack of a working consensus as to how and with what aims in mind one should even begin an historical analysis of Luther's texts. For example, to the believer who regards Luther's basic tenets as in a straightforward sense divinely inspired, the attempt to extract from his writings the ingredients of a certain thoroughly human way of thinking will seem doomed to inadequacy from the start. Likewise, for different reasons, many of today's.


2021 ◽  
Vol 41 (3) ◽  
pp. 319-324
Author(s):  
Roy Bar Sadeh ◽  
Lotte Houwink ten Cate

Abstract The term minority is today applied to describe beleaguered, persecuted, and exiled people whose subordination is preserved or merely “tolerated” by majoritarian politics inherent to modern states. As this introduction indicates, however, during the nineteenth and twentieth centuries minority politics became a rubric for sociopolitical emancipation, providing a framework for intellectuals in colonized Asia and Africa to question European powers' treatment of marginalized communities. Bar Sadeh and Houwink ten Cate contend that “minority” has unique value as an instrument for historical analysis that is restricted neither solely to minority-majority relations nor to debates about (political) representation. Instead, the authors propose a global intellectual history of “minority” as a concept and experience, which is explored in the essays compiled in this special section, “Minority Questions.” By examining the diverse genealogies of the concept of minority, the essays that follow provide a valuable contribution to efforts to redress historical wrongs, even as they offer a range of explanations for the enduring legacy and power of this multifaceted concept.


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