Visual Framing of the Cameroon Anglophone Crisis in Newspapers

Communicatio ◽  
2021 ◽  
pp. 1-24
Author(s):  
Dominic E. Forcha
Keyword(s):  
2015 ◽  
Vol 34 (1) ◽  
pp. 57-72 ◽  
Author(s):  
Melanie A. Sarge ◽  
Matthew S. VanDyke ◽  
Andy J. King ◽  
Shawna R. White

Hydraulic fracturing (HF) is a focal topic in discussions about domestic energy production, yet the American public is largely unfamiliar and undecided about the practice. This study sheds light on how individuals may come to understand hydraulic fracturing as this unconventional production technology becomes more prominent in the United States. For the study, a thorough search of HF photographs was performed, and a systematic evaluation of 40 images using an online experimental design involving$N=250$participants was conducted. Key indicators of hydraulic fracturing support and beliefs were identified. Participants showed diversity in their support for the practice, with 47 percent expressing low support, 22 percent high support, and 31 percent undecided. Support for HF was positively associated with beliefs that hydraulic fracturing is primarily an economic issue and negatively associated with beliefs that it is an environmental issue. Level of support was also investigated as a perceptual filter that facilitates biased issue perceptions and affective evaluations of economic benefit and environmental cost frames presented in visual content of hydraulic fracturing. Results suggested an interactive relationship between visual framing and level of support, pointing to a substantial barrier to common understanding about the issue that strategic communicators should consider.


2020 ◽  
Vol 16 (36) ◽  
pp. 01-20
Author(s):  
Adriana Hoffmann Fernandes ◽  
Helenice Mirabelli Cassino

This article combines thoughts about childhood, visual culture and education. It is known that we live among multiple images that shape the way we see our reality, and researchers in the visual culture field investigate how this role is played out in our culture. The goal is to make some applications those ideas, to think about the relationship between the images and education. This article tries to grasp what visual culture is and in what ways presumptions about childhood generate and are generated by this association. It also discusses the genesis of these presumptions and the images they generate through a philosophical approach, questioning the role of education in a culture tied to the media, and about how children, who are familiar with multiple screens, presage a new visual literacy. We see how images play a fundamental role in the way children give meaning to the world around them and to themselves, in the context of their local culture. Given this context, it is necessary to consider how visual culture is tied to the elementary school, and what challenges confront the generation of wider and more creative ways to approach visual framing in children’s education.


2016 ◽  
Vol 18 (3) ◽  
pp. 462-486 ◽  
Author(s):  
Brandon Valeriano ◽  
Philip Habel
Keyword(s):  

2011 ◽  
Vol 33 (8) ◽  
pp. 1185-1201 ◽  
Author(s):  
Katy Parry

Although the 2003 Iraq invasion was not wholly framed as a ‘humanitarian intervention’, the rhetoric of bringing liberation, democratization and human rights to the Iraqi people was widely advanced by the coalition and supporters as a legitimating reason for war. This article assesses the role played by press photography in legitimizing or challenging this crucial framing during the invasion across a range of UK national newspapers. Privileging visual content in research design, the study presents selected results from a comprehensive content and framing analysis of press photography during the invasion period (March–April 2003), specifically examining the prominence and treatment of photographs in the humanitarian-related visual coverage, along with the accompanying words used to define, support or detract from the events depicted. While finding that the rationale of humanitarianism generally played well for the coalition during this study period, this article explores the problematic nature of the narrative of liberation.


2018 ◽  
Vol 39 (5-6) ◽  
pp. 665-689 ◽  
Author(s):  
Lærke Højgaard Christiansen

This article offers new insights into the organizational framing of social issues by drawing attention to the use of visual framing. These insights are based on a case study of the organization, Drinkaware, and its visual framing of the issue of alcohol-related harm in its campaign material. The study identifies three overall visual framing functions performed by Drinkaware’s campaign material: normalizing alcohol consumption, defining and delimiting the scope of the issue and the responsible parties, and establishing the organization’s identity as an expert. The article contributes to institutional theory, and to organizational theory more broadly by elaborating on the significant role of visuals in the framing of an issue, particularly by providing a systematic elaboration of the visual framing functions and components. The article also extends the literature on issues and issue fields, by showing how visuals contribute to defining and delimiting issues and establishing an expert identity in an issue field.


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