The sensational temporality of spoilers in The Woman in White and Avengers: Endgame

2021 ◽  
pp. 1-13
Author(s):  
Anne-Charlotte Mecklenburg
Keyword(s):  
Woman In White

Female Professionals and (Neo-)Victorianism: The Case ofThe Good Wife

2016 ◽  
Vol 6 (1) ◽  
pp. 5-24
Author(s):  
Isabel Santaularia i Capdevila
Keyword(s):  
Television Series ◽  
The Public ◽  
Bleak House ◽  
Professional Success ◽  
The Law ◽  
Good Wife ◽  
Woman In White ◽  
The Public Sphere ◽  
Female Professionals ◽  
Nineteenth Century Novels

The article examines The Good Wife (CBS 2009–), as well as other recent television series with female professionals as protagonists, alongside nineteenth-century novels such as Wilkie Collins's The Woman in White and The Law and the Lady, Charles Dickens's Bleak House, or Bram Stoker's Dracula, which, like The Good Wife, place ‘the law’ and ‘the lady’ in direct confrontation. This comparative analysis reveals that current television series, even those that showcase women's professional success, articulate a discourse that valorises domestic stability and motherhood above professional achievements and, therefore, resonate with Victorian ideologies about the conflicted relation between women and the public sphere. Contemporary television series are not so different from Victorian texts that grant their heroines freedom to move outside home-boundaries, while treating women's public ascendancy as a transgression of normative femininity and using a number of strategies devised to guarantee women's return home and/or an appreciation of what they have to sacrifice in order to advance in their careers.

Man and Wife

2008 ◽  
Author(s):  
Wilkie Collins
Keyword(s):  
Legal Status ◽  
Wilkie Collins ◽  
The Novel ◽  
Country House ◽  
Radical Critique ◽  
Starting Point ◽  
Marriage Laws ◽  
Woman In White ◽  
The Moonstone ◽  
Status Of Women

This time the fiction is founded upon facts' stated Wilkie Collins in his Preface to Man and Wife (1870). Many Victorian writers responded to contemporary debates on the rights and the legal status of women, and here Collins questions the deeply inequitable marriage laws of his day. Man and Wife examines the plight of a woman who, promised marriage by one man, comes to believe that she may inadvertently have gone through a form of marriage with his friend, as recognized by the archaic laws of Scotland and Ireland. From this starting-point Collins develops a radical critique of the values and conventions of Victorian society. Collins had already developed a reputation as the master of the 'sensation novel', and Man and Wife is as fast moving and unpredictable as The Moonstone and The Woman in White. During the novel the atmosphere grows increasingly sinister as the setting moves from a country house to a London suburb and a world of confinement, plotting, and murder.

Wilkie Collins and the Woman in White

PMLA ◽  
1939 ◽  
Vol 54 (1) ◽  
pp. 297-303 ◽  
Author(s):  
Clyde K. Hyder
Keyword(s):  
Wilkie Collins ◽  
Woman In White

Inscribed on a tombstone in Kensal Green Cemetery are the following words: “In memory of Wilkie Collins, author of ‘The Woman in White’ and other works of fiction.” This inscription, written (as his will shows) by Collins himself, pays tribute to the book which probably stands highest among his works in the esteem of his readers.

The Woman in White

1977 ◽  
Vol 7 ◽  
pp. 305
Author(s):  
J. A. Sutherland ◽  
William Wilkie Collins ◽  
Harvey Peter Sucksmith
Keyword(s):  
Woman In White
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