Rituals in Committed Romantic Relationships: The Creation and Validation of an Instrument

2010 ◽  
Vol 61 (4) ◽  
pp. 464-483 ◽  
Author(s):  
Judy C. Pearson ◽  
Jeffrey T. Child ◽  
Anna F. Carmon
Humanities ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 5
Author(s):  
Akira Suwa

This article argues that darkness contributes to the creation of, and expands the concept of, heterotopias. In Sarah Waters’s neo-Victorian trilogy, consisting of Tipping the Velvet (1998), Affinity (1999), and Fingersmith (2002), her characters utilize darkness as their queer heterotopic space in order to call into question dominant heteronormative ideologies. Darkness plays an important role at the inception of the characters’ romantic relationships by facilitating space that allows their non-normative feelings to be expressed, thereby bringing queer desire to the forefront of each narrative. Darkness is a critical factor that renders a space heterotopic, as it blurs the boundary between heteronormative and queer, hence allowing transgression of the characters within Waters’s novels. Within queer heterotopic space created out of the darkness, there is a confluence of opposing values that enables the characters to examine the possibility of transcending heteronormativity and envisioning queer futures.


2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.


Author(s):  
Nicholas Temperley
Keyword(s):  

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