John Lennon and the advisory function of eulogies

1983 ◽  
Vol 34 (3) ◽  
pp. 187-194 ◽  
Author(s):  
Karen A. Foss
Popular Music ◽  
1987 ◽  
Vol 6 (3) ◽  
pp. 273-290
Author(s):  
Peter Ingham ◽  
Toru Mitsui

In April 1961 the Beatles made their second trip to Hamburg, West Germany, to play a three-month engagement at the Top Ten Club. At this time the group comprised five members – John Lennon (rhythm guitar), Paul McCartney (rhythm guitar), George Harrison (lead guitar), Stuart Sutcliffe (bass guitar) and Pete Best (drums).


2005 ◽  
Vol 22 (5) ◽  
pp. 456-461 ◽  
Author(s):  
Robert J. Kruse II
Keyword(s):  

Author(s):  
Antun Rozmarić

The results of a research done in some elementary schools shows that the advisory function of the pedagogue does not fulfil the expectations of the pupils to the required extent.Pupils, on one hand, are not acquainted and encouraged enough to contact, freely with Ike pedagogue of the school, while, on the other hand, pedagogues are not available sufficiently Io Ihe pupils because of their obligations, and especially because of their insufficient knowledge, relevant for their advisory work.The research was done in 1985/86. in some elementary schools all over Zagreb.


M/C Journal ◽  
2000 ◽  
Vol 3 (4) ◽  
Author(s):  
Ulf Wilhelmsson

Editors' Preface When Ulf Wilhelmsson first contacted us about including his "Dialogue on Film and Philosophy" in the M/C 'chat' issue, we were initially taken aback. True, the notion of chat surely must include that of 'dialogue', but Wilhelmsson's idea, as he put it to us, was that of a Socratic dialogue about film. The dialogue "Film och Filosofi" already existed in Swedish, but he had done an initial rough translation of the dialogue on his Website. Since Wilhelmsson put this to us in the very early days of the submission period, we decided to have a look. Wilhelmsson had omitted to mention the fact that his dialogue was amusing as well as informative. Playing Socrates was ... Quentin Tarantino. Tarantino was not just discussing film, but he was moderating a hefty grab-bag of influential philosphers, film-makers, film-scholars and the odd Beatle (John Lennon). Furthermore, creeping in to many of the utterances in the discussion was Wilhelmsson's take on Tarantino's vernacular -- keep an eye out for "Bada boom bada boom, get it?" and "Oh Sartre. Dude, I would also like to provide a similar example". The philosphers sometimes also get a chance to break out of their linguistic bonds, such as Herakleit, who tells us that "War is the primogenitor of the whole shebang". Occasionally, Wilhelmsson lets his conversants get rowdy (St Thomas of Aquinas and Aristotle yell "Tabula Rasa!" in unison), put on accents (Michel Chion with French accent: "Merci merci. Je vous en pris that you are recognising tse sound"), be "dead sure of themselves" (George Lakoff and Mark Johnson; Noam Chomsky thanks us for our attention) and wander in and out of the dialogue's virtual space (at the end, Immanuel Kant returns to us after his daily walk around town). Unfortunately, due to its length, the dialogue can not be supplied in regular M/C 'bits', and so we have made it available as a downloadable Rich Text Format file. Felicity Meakins & E. Sean Rintel -- M/C 'chat' co-editors Download "Dialogue on Film and Philosophy" in Rich Text Format: Citation reference for this article MLA style: Ulf Wilhelmsson. "Dialogue on Film and Philosophy." M/C: A Journal of Media and Culture 3.4 (2000). [your date of access] <http://www.api-network.com/mc/0008/dialogue.php>. Chicago style: Ulf Wilhelmsson, "Dialogue on Film and Philosophy," M/C: A Journal of Media and Culture 3, no. 4 (2000), <http://www.api-network.com/mc/0008/dialogue.php> ([your date of access]). APA style: Ulf Wilhelmsson. (2000) Dialogue on Film and Philosophy. M/C: A Journal of Media and Culture 3(4). <http://www.api-network.com/mc/0008/dialogue.php> ([your date of access]).


2021 ◽  
pp. 105-124
Author(s):  
Cathy Benedict

Music has always been intertwined with social movements. People use songs, and they are mediated by songs. Music shapes society, and society is shaped by music and musicking. Elementary students are more than able to grapple with concepts such as identity construction and representation in song. Music as protest, propaganda, and resistance is also well within their cognitive, if not visceral, understanding. This chapter serves to remind us that listening to and performing music can lead toward a heightened awareness of social inequities. With the help of John Lennon and Sly and the Family Stone, this chapter discusses the ways in which music gets used as well as what happens to musics that were intended for a socially driven purpose but become used in ways that undermine their previous social significance.


2020 ◽  
pp. 33-40
Author(s):  
Yael Tamir

This chapter discusses the establishment of Nutopia, a borderless state anyone can voluntarily join, founded by John Lennon and Yoko Ono. It argues that a borderless world is far from ideal; it can be neither democratic nor just. The chapter also analyzes how a social contract eroded the rationality of transgenerational commitments, as the children of those who now invest in structuring some institution or another will grow up, be educated, mature, and age in another social context. It asserts that Nutopia is an attractive vision for those who do not depend on the existence of a social network for either their security or their livelihood. The chapter then shifts to examine the concept of borders and the movement across borders. It argues that all solutions presuppose closure and some restricted degree of free movement — hence no society is a voluntary association of people gathering together out of their own free will.


Sign in / Sign up

Export Citation Format

Share Document