“Child Art,” “Fine Art,” and “Art for Children”: The Shaping of School Practice and Implications for Change

1998 ◽  
Vol 100 (1) ◽  
pp. 3-10 ◽  
Author(s):  
Liora Bresler
Keyword(s):  
Fine Art ◽  
School Practice ◽  
Child Art

Review of Mental hygiene in school practice.

1944 ◽  
Vol 14 (2) ◽  
pp. 371-372
Author(s):  
Irma E. Mohr
Keyword(s):  
Mental Hygiene ◽  
School Practice

Cineplastics: The Fine Art of Motion Painting

1952 ◽  
Vol 6 (4) ◽  
pp. 375-387
Author(s):  
Robert Bruce Rogers
Keyword(s):  
Fine Art

The Fine Art of Investing

CFA Magazine ◽  
2010 ◽  
Vol 21 (3) ◽  
pp. 30-32
Author(s):  
Ed McCarthy
Keyword(s):  
Fine Art

EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"

2020 ◽  
pp. 138-150
Author(s):  
Mariya T. Maistrovskaya ◽  
◽  
Keyword(s):  
Visual Art ◽  
Spatial Organization ◽  
Fine Arts ◽  
Environmental Design ◽  
Exhibition Design ◽  
Fine Art ◽  
Museum Of Fine Arts ◽  
Artistic Images ◽  
Fashion Designers

The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptual and scenographic arrangement of copyright collections in the context of high fine art. The most important conceptual component of the exhibitions was to present the art of fashion designers, juxtaposing, giving rise to associations and building analogies and contexts with visual art, against which unique collections were exhibited and in the circle. With this single conceptual view of their work, and the single space of the museum in which the exhibitions were held, the artistic and architectural strategy of the exhibitions was diametrically opposite, revealing the palette and variety of artistically expressive means and modern exhibition design. Both exhibitions were created by modern foreign curators and designers and represent talented and creative exposition projects, the analysis of which can be useful for domestic environmental design as vivid examples of the exposition as a genre of plastic art, which is considered the modern museum and exhibition exposition at its highest and creative forms.

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