Chemistry at Kazan University in the Nineteenth Century: A Case History of Intellectual Lineage

Isis ◽  
1965 ◽  
Vol 56 (2) ◽  
pp. 168-173 ◽  
Author(s):  
S. N. Vinogradov
Keyword(s):  
Nineteenth Century ◽  
Case History ◽  
History Of

The Ceremony of Innocence: Charles Dickens' A Christmas Carol

PMLA ◽  
1975 ◽  
Vol 90 (1) ◽  
pp. 22-31 ◽  
Author(s):  
Elliot L. Gilbert
Keyword(s):  
Nineteenth Century ◽  
Charles Dickens ◽  
Case History ◽  
Spiritual Recovery ◽  
The Face ◽  
History Of

AbstractSophisticated readers of A Christmas Carol, moved though they may be by the dramatic reformation of Scrooge, are frequently inclined to question the psychological validity of the old man's change of heart. Far from being a sign of the story's inadequacy, however, this divided reaction is the key to its effectiveness. Dickens' chief target in A Christmas Carol is Scrooge's nineteenth-century rationalism, and the reader's skepticism about the old man's moral and spiritual recovery is an exact analogue of that rationalism. What the reader's delight, in the face of his skepticism, suggests, therefore, is that there is a level of the story on which Scrooge's regeneration is entirely authentic; that if A Christmas Carol is less than convincing as a psychological case history of an elderly neurotic temporarily reformed by Christmas sentimentality, it is certainly a success as the metaphysical study of a human being's rediscovery of his own innocence.

THE GHOST IN THE CLINIC: GOTHIC MEDICINE AND CURIOUS FICTION IN SAMUEL WARREN'SDIARY OF A LATE PHYSICIAN

2004 ◽  
Vol 32 (2) ◽  
pp. 327-351 ◽  
Author(s):  
Meegan Kennedy
Keyword(s):  
Nineteenth Century ◽  
Case History ◽  
Clinical Medicine ◽  
Medical Discourse ◽  
Critical Element ◽  
The Novel ◽  
Case Histories ◽  
Gothic Novel ◽  
History Of ◽  
Medical Vision

IN 1856, WHEN MANY VICTORIAN PHYSICIANS WERE STRUGGLING TO DEFINE A MODEL OF CLINICAL MEDICINE, the reviewer of one collection of case histories voiced his dismay at the physician-author's preference for “dreadful incidents” and “cases exceptional and strange” (“Works” 473). Indeed, although physicians of the clinical era did not disguise their efforts to achieve a new kind of discourse, productive of a “realist” vision, few acknowledge how often the “clinical” case history of the nineteenth century also shares the romantic discourse of the Gothic, especially its interest in the supernatural and the unexplainable and its narrative aim of arousing suspense, horror, and astonishment in the reader. Literary critics have also focused primarily on the association of medical narrative with a realist literary discourse. Nineteenth-century physicians did campaign for the formal, objective, and professional clinical discourse that serves as their contribution to a realist aesthetic, in the process explicitly rejecting eighteenth-century medicine's fascination with “the curious” and its subterranean affiliation with the unknown, the unexplainable, and the subjective. But, as I show in this article, a discourse of “the curious,” allied with a Gothic literary aesthetic, stubbornly remained a critical element of many case histories, though it often presented under the mask of the more acceptable term, “interesting.” The discourse of Gothic romance in the case history provides a narrative frame that, unlike the essentially realist clinical discourse, could make sense of the physician's curious gaze, which had become nearly unrecognizable as a specifically medical vision. Indeed, a “curious” medical discourse haunts even case histories of the high clinical era, late in the century; and it energizes the nineteenth-century Gothic novel. Samuel Warren's novelPassages from the Diary of a Late Physician–deplored in the quotation above–illuminates this tradition of “Gothic medicine” as it plays out in the nineteenth-century novel. This tradition, I argue, provides the novel with a powerful model of cultural contamination and conflict in its yoking of disparate discourses. Gothic medicine demonstrates the importance of clinical medicine to literary romance, and it cannot help but reveal the ghost of “the curious” in the clinic.

scholarly journals Bodily signs and case history in Indian morgues: what makes a medico-legal autopsy complete?

2017 ◽  
Vol 3 (2) ◽  
pp. 22-37
Author(s):  
Fabien Provost
Keyword(s):  
Nineteenth Century ◽  
Case Studies ◽  
Forensic Medicine ◽  
Case History ◽  
Ethnographic Study ◽  
The Body ◽  
North India ◽  
Post Mortem ◽  
History Of ◽  
Practical Sense

In contemporary forensic medicine, in India, the label of complete autopsy applies to a whole range of post-mortem examinations which can present consid- erable differences in view of the intellectual resources, time, personnel and material means they involve. From various sources available in India and elsewhere, stems the idea that, whatever the type of case and its apparent obviousness, a complete autopsy implies opening the abdomen, the thorax and the skull and dissecting the organs they contain. Since the nineteenth century, procedural approaches of complete autopsies have competed with a practical sense of completeness which requires doctors to think their cases according to their history. Relying on two case studies observed in the frame of an ethnographic study of eleven months in medical colleges of North India, the article suggests that the practical completeness of autopsies is attained when all aspects of the history of the case are made sense of with regard to the observation of the body. Whereas certain autopsies are considered obvious and imply a reduced amount of time in the autopsy room, certain others imply successive redefinitions of what complete implies and the realisation of certain actions which would not have been performed otherwise.

The University and the Hysteric (after Derrida and Freud)

2018 ◽  
Author(s):  
Simon Morgan Wortham
Keyword(s):  
Nineteenth Century ◽  
Case History ◽  
Institutional Politics ◽  
History Of ◽  
The University

This chapter turns to Freud’s writings on hysteria at the end of the nineteenth century, notably the case history of Elisabeth von R., where difficulties in walking, leg pains, uncertain balance and ‘locomotor weakness’ prompted Freud to diagnose a case of hysteria. If this predicament sounds a little remote from more conventional questions of politics, it acquires relevance as a way to extend Derrida’s discussion, in ‘Mochlos’, of the modern, post-Kantian university institution as constituted by a bodily division of its parts aimed at establishing proportion and balance but actually giving rise to certain difficulties that are somewhat akin to the ‘locomotor weakness’ that Freud associated with the hysteric. From this perspective, if it becomes possible to consider speaking of the university as itself hysterical or caught up in a case of hysteria, then this chapter considers the question of the institutional ‘politics’ that hysteria might allow or encourage.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

Adam Zalužanský’s “De sexu plantarum” (1592): an early pioneering chapter on plant sexuality

2013 ◽  
Vol 40 (2) ◽  
pp. 244-256 ◽  
Author(s):  
Holger Funk
Keyword(s):  
Nineteenth Century ◽  
English Translation ◽  
History Of Botany ◽  
Main Work ◽  
Botanical History ◽  
History Of ◽  
The University ◽  
First Time

In the history of botany, Adam Zalužanský (d. 1613), a Bohemian physician, apothecary, botanist and professor at the University of Prague, is a little-known personality. Linnaeus's first biographers, for example, only knew Zalužanský from hearsay and suspected he was a native of Poland. This ignorance still pervades botanical history. Zalužanský is mentioned only peripherally or not at all. As late as the nineteenth century, a researcher would be unaware that Zalužanský’s main work Methodi herbariae libri tres actually existed in two editions from two different publishers (1592, Prague; 1604, Frankfurt). This paper introduces the life and work of Zalužanský. Special attention is paid to the chapter “De sexu plantarum” of Zalužanský’s Methodus, in which, more than one hundred years before the well-known De sexu plantarum epistola of R. J. Camerarius, the sexuality of plants is suggested. Additionally, for the first time, an English translation of Zalužanský’s chapter on plant sexuality is provided.

Correspondence between Adolphe Brongniart and Robert Schomburgk: trading natural history collections for honours

2002 ◽  
Vol 29 (3) ◽  
pp. 333-336
Author(s):  
PIOTR DASZKIEWICZ ◽  
MICHEL JEGU
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Dominican Republic ◽  
Southeast Asia ◽  
Herbarium Specimens ◽  
British Guiana ◽  
Natural History Collections ◽  
History Of ◽  
Source Of Information ◽  
German Naturalist

ABSTRACT: This paper discusses some correspondence between Robert Schomburgk (1804–1865) and Adolphe Brongniart (1801–1876). Four letters survive, containing information about the history of Schomburgk's collection of fishes and plants from British Guiana, and his herbarium specimens from Dominican Republic and southeast Asia. A study of these letters has enabled us to confirm that Schomburgk supplied the collection of fishes from Guiana now in the Laboratoire d'Ichtyologie, Muséum National d'Histoire Naturelle, Paris. The letters of the German naturalist are an interesting source of information concerning the practice of sale and exchange of natural history collections in the nineteenth century in return for honours.

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