scholarly journals Research on the Application of Computer Audio Technology in Piano Education

2021 ◽  
Vol 1915 (3) ◽  
pp. 032074
Author(s):  
Hong Yang
Author(s):  
Mickey Vallee

Through an exploration of the use of technology within bioacoustics and the interpretation of the resultant data in order to assess human acoustic impact on nonhuman species, Mickey Vallee introduces the term “transacoustic community” in order to illustrate the nefarious and transgressive means these data are put to. Vallee makes the charge that the bioacoustics community hears without listening, having a different imagination of sound to other sound-based researchers. This imagination springs not only from the specific aims of that community but also from the audio technology used (that ultimately relies on visualization for its data access), and this leads to a visually biased interpretation rather than a refined aurality.


2020 ◽  
Author(s):  
Yarong Chen ◽  
Jianxin Guo ◽  
Peng Chu ◽  
Kai Wang ◽  
Rui Zhu

Manuscript ◽  
2020 ◽  
pp. 250-254
Author(s):  
Zhongguo Yang ◽  
Keyword(s):  

Resonance ◽  
2020 ◽  
Vol 1 (4) ◽  
pp. 371-375
Author(s):  
Marina L. Peterson ◽  
Vicki L. Brennan

We propose a sonic ethnography that focuses on listening, departing from an investigation of a soundscape to one that attends to how people listen. This, we suggest, is crucial for an anthropological approach that understands sound as processual and relational. Rather than describing what the ethnographer hears, we outline a project of listening with others. Listening is ordinary, something at which everyone is expert, even as it expands beyond the ear and beyond the human. In this way, listening is central to an anthropogenic sensorium that shifts away from human exceptionalism. Always emergent, listening—like climate change—is fundamentally uncertain. And while recording technology has long been central to an anthropology of sound, we invite new ways of engaging audio technology that take seriously its presence in everyday listening as well as its expressive capacities.


2021 ◽  
Author(s):  
Austin Jerald Stanbury ◽  
Ines Said ◽  
Hyo Jeong Kang

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