Turning Back the Clock

2019 ◽  
pp. 65-77
Author(s):  
Andy Propst
Keyword(s):  
New York ◽  

Betty Comden and Adolph Green received a summons in May 1949 to California from MGM producer Arthur Freed about a movie he needed them to start writing immediately. The project, which would become Singin’ in the Rain, would contain a host of the songs he had written with Nacio Herb Brown. They balked at the assignment, believing their contract did not require them to pen movies that used songs by other writers (except for a handful, such as Richard Rodgers or Cole Porter). Their agreement with the studio contained no such clause, and so they developed the now iconic scenario about the transition from silent movies to talkies and early movie musicals. After they finished this assignment they returned to New York to write sketches and lyrics for the revue Two on the Aisle, which starred Bert Lahr and Dolores Gray.

Ray Bolger ◽  
2019 ◽  
pp. 208-216
Author(s):  
Holly Van Leuven

After Bolger left Broadway, he took up permanent residence in his Beverly Hills home. New York became just a place to visit. He began touring the country’s social clubs with a dance-lecture he called “Ray Bolger’s World.” This allowed him to share his philosophy, nostalgia, and dancing talent in small, intimate settings. He realized he didn’t need the fuss of a big production, the grueling work, the personalities at odds. As Richard Rodgers, in his later years, had said of creating a musical, “I now realize that the whole business, from start to finish, is the most intense collaborative effort in the world, with the possible exception of running a war.”...


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