Oneness

2017 ◽  
Author(s):  
Philip J. Ivanhoe
Keyword(s):  
Health Benefit ◽  
The Self ◽  
Relational View ◽  
Proper Understanding ◽  
The Core ◽  
Human Happiness ◽  
The World ◽  
Social Orders ◽  
Central Claim ◽  
New View

At the core of this work lie the oneness hypothesis, which is not a single theory but a family of views found in different forms in a wide variety of disciplines, and its implications for theories of virtue and human happiness. The oneness hypothesis concerns the nature of the world, but it entails a view about the nature of the self and its relationship to other people, creatures, and things. Its core assertion is that we are inextricably intertwined with other people, creatures, and things. The connections the oneness hypothesis advocates are specifically those that conduce to the health, benefit, and improvement of both individuals and the larger wholes of which they are parts. The relational view of the self at the heart of the oneness hypothesis offers an alternative to more individualistic accounts. This new view of the self is a more expansive conception of the self, a self that is less self-centered and instead is seen as intimately connected with other people, creatures, and things. A central claim of this work is that a proper understanding of the underlying oneness of the world will lead one to a greater awareness and appreciation of innate inclinations and resources that when fully developed generate a distinctive set of virtues. A life guided by such virtues enables one to locate oneself within grand natural and social orders that facilitate greater spontaneity, security, and metaphysical comfort, resulting in a special, resilient, and enduring form of happiness.

Power of Darkness: Narrative and Biographical Reflexivity in A Series of Unfortunate Events

2008 ◽  
Vol 1 (2) ◽  
pp. 200-212
Author(s):  
ELIZABETH BULLEN
Keyword(s):  
The Self ◽  
Risk Society ◽  
Project Risk ◽  
Young Readers ◽  
The World ◽  
The Face ◽  
High Earning ◽  
Textual Culture ◽  
Children’S Exposure ◽  
Central Claim

This paper investigates the high-earning children's series, A Series of Unfortunate Events, in relation to the skills young people require to survive and thrive in what Ulrich Beck calls risk society. Children's textual culture has been traditionally informed by assumptions about childhood happiness and the need to reassure young readers that the world is safe. The genre is consequently vexed by adult anxiety about children's exposure to certain kinds of knowledge. This paper discusses the implications of the representation of adversity in the Lemony Snicket series via its subversions of the conventions of children's fiction and metafictional strategies. Its central claim is that the self-consciousness or self-reflexivity of A Series of Unfortunate Events} models one of the forms of reflexivity children need to be resilient in the face of adversity and to empower them to undertake the biographical project risk society requires of them.

scholarly journals KONSEP DIRI SEORANG DA'I

2019 ◽  
Vol 1 (2) ◽  
pp. 207
Author(s):  
Noormawanti, Iswati
Keyword(s):  
Social Interaction ◽  
The Self ◽  
Self Concept ◽  
Social Aspects ◽  
The Core ◽  
Self Development ◽  
The World ◽  
Entire Complex ◽  
The Individual ◽  
Beliefs And Attitudes

The concept of self is an understanding of the attitude of the individual towards himself so that it results in the interaction of two or more people. Self-concept is a factor that communicates with others. The concept of self is the views and attitudes of individuals towards themselves, characteristics and individual and self-motivation. The self-view includes not only individual strengths but also weaknesses and even failures. This self-concept is psychological, social and physical. Self-concept is our views and feelings about ourselves, which include physical, psychological and social aspects. The concept of self is not just a descriptive picture, but also an assessment of ourselves, including what we think and how we feel. Anita Taylor defines self-concept as "all you think and feel about you, the entire complex of beliefs and attitudes you hold abaout yourself '. Human behavior is a product of their interpretation of the world around them through social interaction. Behavior is often a choice as a feasible thing to do based on how it defines the existing situation. The definition they give to other people, situations, objects and even themselves determines their behavior. So it is individuals who are considered active to regulate and determine their own behavior and environment. While the core of the individual is consciousness (consciousness). self-development depends on communication with others, which shape or influence themselves

scholarly journals ‘THE RULE OF THREE’ IN THE GROWTH STORIES – GANGBAIK LEE’S DRAMA “LIKE LOOKING AT THE FLOWER IN THE MIDWINTER”

2016 ◽  
Vol 1 ◽  
pp. 11-22
Author(s):  
Mansu KIM
Keyword(s):  
Fairy Tale ◽  
The Self ◽  
The Real ◽  
Final Destination ◽  
The Third ◽  
The Core ◽  
Rule Of Three ◽  
The Poor ◽  
The World

This paper focused on the structure of the growth stories, especially in surveying Gangbaek Lee’s (이강백) drama “Like Looking at the Flower in the Mid-winter (동지섣달 꽃 본 듯이)”. It is structured by ‘rule of the three’. In this text, three sons go to seek their mother, they experience the tests three times. Third son wins the game because he succeeds to find his true and alternative mother. It is similar to the story of English fairy tale “Three Little Pigs”.  In Freudian terms, the characters of the both texts are superego, ego and id. The core of the growth story is that third son (id) wins the first son (superego) and the second son (ego) by using his own energy (meaningful labor). In Levi Strauss’ terms, the contrast between the third and the others can be schemed the contrast between culture and nature. Lee’s drama presents the third son as the real hero who overcomes two elder brothers. The first is so conservative (oversleep), the second is so selfish (overeat). Two brothers were too political or too ideal to become a true, humanistic and warm-minded adult. In his view, ‘drama’ related to the third son is the most humanistic and warm-minded action in the world. These both stories are based on the plot ‘rags to riches’ which contains the success of the poor and powerless. In other words, the poor and weak child can grow to the true hero, and reach the final destination, according to the Gustav Jung’s expression, ‘the Self as a Whole’.

Blogs as Corporate Tools

2009 ◽  
pp. 128-133
Author(s):  
Michela Cortini
Keyword(s):  
Web Sites ◽  
Iraq War ◽  
New Technologies ◽  
Virtual Community ◽  
The Self ◽  
The Core ◽  
Corporate Blogs ◽  
The World ◽  
Intense Debate

According to The Weblog Handbook (Blood, 2003), Weblogs, or blogs as they are usually called, are online and interactive diaries, very similar to both link lists and online magazines. Up to now, the psychosocial literature on new technologies has studied primarly personal blogs, without giving too much interest to corporate blogs. This article aims to fill such a gap, examining blogs as corporate tools. Blogs are online diaries, where the blogger expresses himself herself, in an autoreferential format (Blood, 2003; Cortini, 2005), as the blogger would consider that only he or she deserves such attention. The writing is updated more than once a day, as the blogger needs to be constantly online and in constant contact with her audience. Besides diaries, there are also notebooks, which are generally more reflexive in nature. There are long comments on what is reported, and there is equilibrium in the discourse between the self and the rest of the world out there, in the shape of external links, as was seen in the first American blogs, which featured an intense debate over the Iraq war (Jensen, 2003). Finally, there are filters, which focus on external links. A blogger of a filter talks about himself or herself by talking about someone and something else and expresses himself or herself in an indirect way (Blood, 2003). In addition, filters, which are less esthetic and more frequently updated than diary blogs or Web sites since they have a practical aim, are generally organized around a thematic focus, which represents the core of the virtual community by which the filter lives.

Self within World

2017 ◽  
Author(s):  
John L. Culliney ◽  
David Jones
Keyword(s):  
Personal Development ◽  
The Self ◽  
The Other ◽  
Human Beings ◽  
Dynamic Flow ◽  
The West ◽  
Self In Relation ◽  
The Core ◽  
The World ◽  
Constructive Interaction

We describe the foundations of the fractal self in relation to the Chinese notion of personal development and enhancement of adeptness in the world and mutualism with the other. This seeking, described in the codified system of Daoism, is a pathway that may progress to the highest level of achievement of such a self: that which defines a sage. The chapter introduces the view that a sage is a fractal self that achieves a peak of intimacy and constructive interaction with the world. We detail the development of human beings on this pathway, emerging beyond the core embodiments of empathy, sympathy, and rudimentary morality observed in apes. The self for the early Chinese was always a being that was embedded in the world and dynamic flow of forces. This self was defined in intimate terms as adaptable and adept, seeking to be a microcosmic contributor to some holistic macrocosm. In this chapter, Daoism leads our thinking on how the fractal self engages with the world. In turn, this way of understanding selfness and its potential to enrich its system from within resonates with discussions of the interactive self of Buddhism and was also in the minds of Pre-Socratic thinkers in the West.

scholarly journals Re-imagining Histories, Re-inventing the Self in Ian McEwan’s Atonement

2019 ◽  
pp. 165-176
Author(s):  
Vanja Vukićević Garić
Keyword(s):  
The Self ◽  
The Novel ◽  
Existential Psychology ◽  
Ethical Dimension ◽  
Creative Imagination ◽  
Main Assumption ◽  
The Core ◽  
The World ◽  
Personal Histories ◽  
The Subject

Justifiably classified as an example of postmodern realism, or a “restorative metafiction” (O’Hara), Ian McEwan’s popular and critically acclaimed novel Atonement (2001) in its entirety reasserts its author’s frequently cited statement that “imagining what it is like to be someone other than yourself is at the core of our humanity.” Focusing mainly on the metafictional ending, which, as a kind of unusual post-scriptum, introduces a thematic, structural and an ontological twist re-directing the whole story, this paper explores the limits and the power of creative imagination to re-generate, amend and meaningfully extend personal histories, pointing to the fundamentally ethical dimension of the contemporary self-conscious fiction. The phenomenological connection between ars memoria, imagining, (re-)writing and the Self is seen through the main assumption of the existential psychology that the subject is capable of transcending oneself, recreating and re-inventing oneself in and by means of narrating the self as well as others. Analysing Briony Tallis as both a character and an author within the novel, in her narrative of her own as well as others’ histories, this paper will address ethical possibilities of the self-reflective fiction to connect subjectivity to the world questioning at the same time the boundaries of past, present and the idea of reality.

scholarly journals Dimension of Dialectic Politics

2004 ◽  
Vol 7 (1) ◽  
pp. 20-28
Author(s):  
Mahendra Bhushan Thapa
Keyword(s):  
Political Science ◽  
Human Nature ◽  
The Self ◽  
View Point ◽  
Law And Order ◽  
Power Politics ◽  
Human Interest ◽  
The Core ◽  
Self Interest ◽  
The World

The world is guided by power politics. The power politics is the core process for regulating human behaviour activised in the society. The society is regulated and maintained with the provision of law and order sanctioned by power politics. Everybody has strong willingness for gaining power for the fulfilment of the self-interest and also for the betterment of the society. But from the view point of human nature, self-interest is more stronger than the interest in the society. The objective of this article is to analyze power politics for the fulfilment of human interest based on the struggle for power. Journal of Political Science Vol.7(1) 2004 20-28

Reading the World, Reading the Self

2020 ◽  
Vol 17 (3) ◽  
pp. 479-496
Author(s):  
Laura Lucia Rossi
Keyword(s):  
World Literature ◽  
The Self ◽  
Literary Texts ◽  
Literary Studies ◽  
The Core ◽  
The World ◽  
Transparent Objects ◽  
Meaning Production

This article is a reflection on the wordy and worldly characters of literary texts that invites us to focus on how their referentiality unfolds in the act of reading. The article focuses in particular on the necessity for world literature to factor in the subjective involvement of the reader entailed by literary communication. It does so by firstly revisiting the old debate about referentiality and contextualization of literary texts in literary studies, and specifically within world literature, which is particularly concerned with understanding the boundaries of literary communication. It then analyses how the worldly and wordy components of literature can be brought together by considering the act of reading as the core of meaning production and as a process of generative construction, which, when based on the interaction between readers and distant texts, like in the specific case of world literature, has the possibility to maximize its potential. Engaging with Iser's and Poulet's phenomenological approaches to the act of reading, the article argues against the vision of literary texts as transparent objects and encourages scholars working on world literature to embrace the translucency and generative potential that literature offers, inviting them to embrace aesthetic and anthropological perspectives so as to understand works of world literature as tools for interpretation both of the world and of ourselves.

Uncertainty and Extremism

2017 ◽  
Author(s):  
Sucharita Belavadi
Keyword(s):  
Identity Theory ◽  
Uncertainty Reduction ◽  
The Self ◽  
Intergroup Conflict ◽  
Group Boundaries ◽  
The Core ◽  
Clear Sense ◽  
The World ◽  
Group Members ◽  
Group Memberships

Uncertainty regarding the self—about who we are, our place in the world, and our future is typically an unsettling and aversive state. It is a state that we are motivated to reduce in order to gain predictability over events in the world around us. One of the most effective ways of managing uncertainty regarding the self is by seeking group memberships and belonging to groups. Thus, uncertainty reduction can be construed as a drive, such that we join and identify with groups in order to manage uncertainty about and related to the self; this is the core tenet of uncertainty-identity theory, which discusses uncertainty reduction as one of the motives for seeking group memberships. Previous work in uncertainty-identity theory has shown that when uncertain about the self, individuals seek highly entitative groups to identify with. Such groups are characterized by clear, distinct boundaries—a clear sense of what the group stands for while spelling out who we are versus who we are not. Highly entitative groups have interdependent members and a clear sense of identity that is distinct from those of other groups. According to uncertainty-identity theory, identifying with such groups can reduce self-uncertainty, as individuals can define the self in terms of a clear, distinct prototype and manage uncertainty regarding who they are. Research in uncertainty-identity theory shows that when uncertain, group members perceptually polarize their group away from the outgroup in order to enhance the perceived entitativity and distinctiveness of their group prototype relative to other groups. Thus, the group moves to an extreme and polarized position that is far removed from that of an outgroup with the need to fashion a distinctive identity. The preference for a clearly defined and highly entitative social identity that helps delineate who we are versus who we are not when group members are self-uncertain should increase group members’ vulnerability to ingroup rhetoric that emphasizes the distinctiveness of group boundaries and an us versus them thinking. This is a dangerous trend, especially in the context of intergroup conflict, as influential group members, such as leaders, might seek to mobilize group members by demonizing outgroup members while attributing suffering and unpredictability experienced by ingroup members to the actions of outgroup members. Thus, gaining an understanding of the processes through which the uncertainty of group members is exploited to mobilize support for extreme ideologies might be one way to explain extremism and radical behavior by groups.

Theater als Medium höfischer Kommunikation

Daphnis ◽  
2013 ◽  
Vol 42 (2) ◽  
pp. 467-489
Author(s):  
Roswitha Jacobsen
Keyword(s):  
Symbolic Representation ◽  
Knowledge Systems ◽  
The Self ◽  
Historical Research ◽  
Straightforward Manner ◽  
The Core ◽  
Courtly Culture ◽  
The World ◽  
New Perspective

Since historical research gave up the paradigm of absolutism a new understanding of dynastic rule, as a process of communication and interaction aimed at securing acceptance, has become established. This has been accompanied by a new perspective on the institutions of courtly culture, which play a key role as important media in this process. In accordance with current media-theoretical discourse, this paper describes the contribution of specific aspects of one particular medium: the theatre. The theatre is embedded in two frames, which themselves are media: the court and the courtly festival. Thanks to its rigid techniques of selection and reduction, theatre is able to construct ‘the world’ according to contemporary knowledge systems in a straightforward manner. It can also serve as a tool for both the symbolic representation and the management of current problems. Above all, it enables the self-reflexivity of courtly society, which is itself characterized to the core by forms of theatricality.

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