The History of Golf in Mexico

2019 ◽  
pp. 18-42
Author(s):  
Hugo Cerón-Anaya
Keyword(s):  
Nineteenth Century ◽  
Early Development ◽  
Late Nineteenth Century ◽  
Golf Clubs ◽  
History Of ◽  
Neoliberal Policies ◽  
Late Nineteenth ◽  
Anglo American

Chapter 1 analyzes the history of golf in Mexico, showing a long-term pattern of class and racialized dynamics associated to the sport. The first part describes how wealthy Anglo-American immigrants brought golf to late nineteenth-century Mexico. This section explains how the early development of golf was connected to the spread of modernity, capitalism, and Anglo-American racialized ideas, dynamics that informed the creation of a class- and race-based privileged space. The second part of the chapter chronicles the transformation that golf experienced after the 1940s when a growing number of affluent Mexicans joined this sport. The change, however, did not eradicate some of the early restrictive dynamics. The chapter ends by showing how the neoliberal policies introduced by the late 1980s significantly expanded the number of golf clubs existing in the country. Despite the considerable expansion, golf is still the preserve of the upper middle and upper classes in today’s Mexico.

Inside Views

2018 ◽  
pp. 19-25
Author(s):  
Andrew Warnes
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Self Image ◽  
History Of ◽  
Late Nineteenth ◽  
Self Service ◽  
Sister Carrie ◽  
Individual Self

Chapter 1 offers a brief history of the demise of the shop counter and of the rise of self-service over the late nineteenth century. It offers a brief reading of Sister Carrie, showing how self-service engendered a new relationship to the commodity object, which, in turn, reflected on individual self-image.

scholarly journals Itinerant Jewish and Arabic Trading in the Dene’s North, 1916-1930

2014 ◽  
Vol 24 (1) ◽  
pp. 163-213 ◽  
Author(s):  
George Colpitts
Keyword(s):  
Nineteenth Century ◽  
First Nations ◽  
Contact Zone ◽  
Transport Systems ◽  
Late Nineteenth Century ◽  
History Of Capitalism ◽  
Canadian North ◽  
History Of ◽  
Late Nineteenth

In late nineteenth century and especially in the interwar years, “free traders” took advantage of better transport systems to expand trade with Dene people in the Athabasca and Mackenzie Districts. Well versed in fur grading and supported by credit in the expanding industrializing fur industry in the south, “itinerant” peddlers worked independently and often controversially alongside larger capitalized fur companies such as the Hudson’s Bay Company. A large number of these newcomers were Jews. This article suggests that Jews and, to a lesser extent, Lebanese and other Arabic traders became critical in the modernization of the Canadian North. They helped create an itinerant trader-Dene “contact zone” where the mixed meaning of credit, cash, and goods transactions provided northern Aboriginal trappers the means to negotiate modernism on their own terms in the interwar years. However, by the late 1920s, the state, encouraged by larger capitalized companies, implemented policies to restrict and finally close down this contact zone. The history of itinerant trading, then, raises questions about the long-term history of capitalism and co-related economic neo-colonialism in the Canadian north and their impact on First Nations.

Translating Domesticity in Chinese History and Historiography

2019 ◽  
Vol 124 (4) ◽  
pp. 1278-1289 ◽  
Author(s):  
Elizabeth LaCouture
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
The State ◽  
Pedagogical Practices ◽  
Late Nineteenth Century ◽  
Chinese History ◽  
Gender History ◽  
History Of ◽  
Late Nineteenth ◽  
Anglo American

Abstract This article examines knowledge about “domesticity” in China in the late nineteenth and early twentieth centuries and argues against the naturalization of Euro-American historiographical frameworks around “domesticity.” “Domesticity” was not a Chinese concept: although Confucianism had long connected the household to the state through ideology and prescriptive practices, Anglo-American ideas about “domesticity” were translated into Chinese first by way of Japan in the late nineteenth century, and second by way of American missionary educators in the twentieth century. “Domesticity” did not translate easily into Chinese, however; neither the ideology nor its pedagogical practices ever became popular in China. The history of translating “domesticity” into Chinese thus reveals that Euro-American historiographical terms that were once thought to be universal map poorly onto other places and suggests that we need more inclusive frames for comparative gender history.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp.

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Life Experience ◽  
Late Nineteenth Century ◽  
Foster Mother ◽  
History Of ◽  
Late Nineteenth ◽  
Identity Transitions ◽  
Israeli Kibbutz

This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Law as Institution

2018 ◽  
Author(s):  
Martin Loughlin
Keyword(s):  
Nineteenth Century ◽  
Economic Change ◽  
Historical Context ◽  
Administrative Law ◽  
Late Nineteenth Century ◽  
English Translations ◽  
Late Nineteenth ◽  
Anglo American

Institutionalism is a theory that maintains that law is neither norm nor command but institution. It emerges in the late-nineteenth century primarily through the work of Hauriou in France and Romano in Italy. Their innovative studies are shaped by reflecting on the effects of social and economic change on law, which manifests itself primarily in the emergence of administrative law. In this chapter the importance of institutional jurisprudence is assessed by examining its historical context and offering reflections on its continuing significance. It argues that, partly because of the lack of English translations of its leading exponents, institutionalism has been relatively neglected in Anglo-American jurisprudence, and that it continues to offer acute insights into contemporary juristic controversies.

Schopenhauer’s Pessimism in Context

2020 ◽  
pp. 283-298
Author(s):  
Mark Migotti
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Human Life ◽  
Necessary Condition ◽  
Late Nineteenth Century ◽  
Human Flourishing ◽  
History Of ◽  
Late Nineteenth ◽  
Early Eighteenth Century

In this chapter, the author attempts to establish what is philosophically living and what is philosophically dead in Schopenhauer’s pessimism. Against the background of the intriguing the history of the terms “optimism” and “pessimism”—in debates about Leibniz’s theodicy in the early eighteenth century and the popularity of Schopenhauer in the late nineteenth century, respectively—the author points up the distinction between affirming life, which all living beings do naturally, and subscribing to philosophical optimism (or pessimism), which is possible only for reflective beings like us. Next, the author notes the significance of Schopenhauer’s claim that optimism is a necessary condition of theism and explains its bearing on his pessimistic argument for the moral unacceptability of suicide. The chapter concludes that Schopenhauer’s case for pessimism is not conclusive, but instructive; his dim view of the prospects for leading a truly rewarding, worthwhile human life draws vivid attention to important questions about how and to what degree an atheistic world can nevertheless be conducive to human flourishing.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

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