Introduction

2018 ◽  
pp. 1-36
Author(s):  
Laura Kounine
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
The Body ◽  
History Of Emotions ◽  
Current State ◽  
History Of ◽  
Western Germany ◽  
The Rich ◽  
The Witch ◽  
Witch Hunts

This Introduction sets out the intentions of this book: to use the rich witch-trial records from the early modern duchy of Württemberg in south-western Germany to explore the central themes of emotions, gender, and selfhood. It provides an overview of the key historiographical debates on witchcraft persecutions in the early modern period, and suggests new questions that need to be asked. It also provides a methodological and theoretical framework in which to address these questions, and provides an overview of the current state of the field of the history of emotions, and, by drawing on psychological approaches to listening to self-narratives, it suggests ways in which historical studies of emotions can be pushed further by incorporating the body and subjective states. It also sets out the legal, political, and religious framework of the Lutheran duchy of Württemberg, in order to put the witch-hunts in this region into context.

Doctoring the Body and Exciting the Soul: Drugs and consumer culture in medieval and early modern Iran

2019 ◽  
Vol 54 (2) ◽  
pp. 554-617
Author(s):  
RANIN KAZEMI
Keyword(s):  
Middle East ◽  
Early Modern ◽  
Social History ◽  
Consumer Culture ◽  
Rural Areas ◽  
Early Modern Period ◽  
The Body ◽  
Mass Consumption ◽  
History Of ◽  
Urban And Rural Areas

AbstractThis article focuses on the development of early modern consumerism in a part of the Middle East that historians of consumer culture are yet to fully explore. Making use of a wide variety of unexplored and underexplored original sources, the article contends that early modern consumer culture in Iran was grounded deeply in the ever-widening patterns of exchange and use that had developed slowly over the course of the previous centuries. The discussion below takes the growing popular interest in a few key psychoactive substances as a useful barometer of the dynamics of mass consumption, and chronicles how the slow and ever-expanding use of alcohol, opium, and cannabis (or a cannabis-like product) in the medieval period led to the popularity of coffee, tobacco, older drugs, and still other commodities in the sixteenth and seventeenth centuries. The aim here is to use the history of drug culture as an entry point to scrutinize the emergence of early modern consumerism among the elites and the non-elites in both urban and rural areas of the Middle East. In doing so, this article reconstructs the cultural and social history of recreational drugs prior to and during the early modern period, and elucidates the socio-economic context that helped bring about a ‘psychoactive revolution’ in the Safavid state (1501–1736).

The Hurt(ful) Body

2017 ◽  
Keyword(s):  
Early Modern ◽  
Cultural History ◽  
Art History ◽  
Interdisciplinary Approach ◽  
Early Modern Period ◽  
The Body ◽  
Literary Studies ◽  
Dialectical Approach ◽  
History Of ◽  
Theatre Studies

This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. It has a sustained focus on visual sources, textual material and documents about actual events rather than well-known thinkers or ‘masterpieces’ of art history, and a preference for cases and historical contexts over systematic theory-building. The hurt(ful) body brings under discussion visual and performative representations of embodied pain, using an insistently dialectical approach that takes into account the perspective of the hurt body itself, the power and afflictions of its beholder and, finally, the routinising and redeeming of hurt within institutional contexts. The volume’s two-fold approach of the hurt body, defining ‘hurt’ both from the perspective of the victim and the beholder (as well as their combined creation of a gaze), is unique. It establishes a double perspective about the riddle of ‘cruel’ viewing by tracking the shifting cultural meanings of victims’ bodies, and confronting them to the values of audiences, religious and popular institutional settings, and practices of punishment. It encompasses both the victim’s presence as an image or performed event of pain and the conundrum of the look – the transmitted ‘pain’ experienced by the watching audience. This will be done through three rubrics: the early modern performing body, beholder or audience responses, and the operations of institutional power. Because of its interdisciplinary approach of the history of pain and the hurt(ful) body, the book will be of interest for Lecturers and students from different fields, like the history of ideas, the history of the body, urban history, theatre studies, literary studies, art history, emotion studies and performance studies

Military Sports and the History of the Martial Body in India

2007 ◽  
Vol 50 (4) ◽  
pp. 490-523 ◽  
Author(s):  
Rosalind O'Hanlon
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
The Body ◽  
Modern Period ◽  
History Of ◽  
Social Diffusion

AbstractCultivation of the bodily skills required in cavalry warfare was a prominent theme in India's pre-colonial societies. Demand for these expertises enabled fighting specialists to develop an India-wide network of patronage and employment. Wrestling and its associated exercises became the indispensable accompaniment to military preparation in the early modern period. Appreciation of the wide social diffusion of these expertises also allows for a better understanding of colonial demilitarization, the displacement of important cultures of the body, as well as the loss of mobility and honorable employment. La formation aux arts de la guerre montée fut une caractéristique dominante important dans les sociétés précoloniales de l'Inde. Grâce à la demande de ces techniques de combat leurs spécialistes surent se créer un réseau de patronage et d'emploi à travers l'Inde. Pendant la période prémoderne les préparatifs de guerre exigèrent toujours l'apprentissage de la lutte à mains nues et des arts de combat associés. En se rendant compte de l'ampleur de la diffusion des ces arts martiaux à travers la société on comprend mieux que la démilitarisation coloniale emmena la déchéance des arts martiaux, ainsi que la perte de mobilité des lutteurs et la possibilité de trouver un emploi honorable.

scholarly journals Wearing images. Introduction = Imágenes portadas. Introducción

2018 ◽  
pp. 15
Author(s):  
Diane H. Bodart
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Social Practices ◽  
The Body ◽  
The Past ◽  
Art Object ◽  
Modern Period ◽  
History Of Art ◽  
History Of ◽  
Modes Of Interaction

In the past decades, studies on the materiality and the efficacy of images, as well as the artistic and social practices related to them, have allowed scholars to explore how much images’ making, use, handling and display contributed to the activation of their powers of presence through their interaction with the viewer. Further, the growing interest in the articulation between the history of art and the anthropology of images has brought to light the close links between the art object and the body: in fact, if the body can be the medium of the animate art object, the art object can potentially act as a substitute of the animate body. But what happens when the body is the support of a distinctive image, when it inscribes an image on its own surface, whether directly on the skin or through intermediary props such as clothing or corporeal parure? Wearing Images investigates the different modes of interaction between the image and the body that wears it in the Early-Modern period, when devotional, political, dynastic or familial images could be worn as medals, jewels, badges, embroidered garments or tattoos.En las últimas décadas, los estudios sobre la materialidad y la eficacia de las imágenes, así como de las prácticas artísticas y sociales asociadas a ellas, han permitido a los historiadores explorar hasta qué punto la fabricación de las imágenes, su uso, manejo y exhibición contribuyó a activar sus capacidades de presentarse a través de su interacción con el espectador. Además, el creciente diálogo entre la historia del arte y la antropología de las imágenes ha puesto de relieve las estrechas conexiones entre el objeto artístico y el cuerpo: en efecto, si el cuerpo puede ser el medio para el objeto artístico animado, el objeto artístico puede actuar potencialmente como sustituto del cuerpo animado. Pero ¿qué ocurre cuando el cuerpo es el soporte de una imagen distintiva, cuando inscribe una imagen en su propia superficie, ya sea directamente en la piel o a través de intermediarios como el vestido o un adorno? Wearin Images investiga las diferentes modalidades de interacción entre la imagen y el cuerpo que se viste con ella en la Edad moderna, en una época en la que imágenes devocionales, políticas, dinásticas o familiares podían vestirse como medallas, joyas, placas, prendas bordadas o tatuajes.

scholarly journals L. F. Marsilji – prvi antikvar Srbije

2016 ◽  
Vol 10 (3) ◽  
pp. 595
Author(s):  
Vladimir V. Mihajlović
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
18Th Century ◽  
Early Modern Period ◽  
History Of Archaeology ◽  
Highly Educated ◽  
New Frontier ◽  
History Of ◽  
The Rich ◽  
The 19Th Century

The all-encompassing changes that have shaped the west of Europe during the early modern period, introducing new ways of perceiving (and investigating) the whole universe, and each individual as well, have decisively influenced the foundations of our discipline. The special credit should be paid to the antiquarian movement and the generations of its followers. On the other hand, according to the general consensus, the region of modern Serbia, being a part of the Ottoman Empire, has not attracted the curiosity of the antiquarians until the second half of the 18th century. Numerous reviews of the history of archaeology in Serbia, both by local and foreign authors, consolidate this view. However, the life and work of Luigi Ferdinando Marsigli (1658–1730) offers a significantly different view of the roots of archaeology in these parts. Born in an aristocratic family in Bologna, highly educated, serving in the Austrian Imperial army by the end of 17th century, Count Marsigli spent almost two decades in the lands of the middle Danube valley. During the Vienna war (1683–1699), and then fortifying the new frontier after the Peace of Karlovac (1699–1701), L. F. Marsigli got acquainted with the rich heritage (above all from the Roman times) of the region. He published the results of his research in the volume entitled Danubius Pannonico-Mysicus. The very title suggests the importance Marsigli assigned to the Classical past, whose vestiges he described in the second of six books of this work. Under the title De antiquitatibus Romanorum ad ripas Danubii, in accordance with the best antiquarian traditions, the learned Count offers a comprehensive and systematic review of the Roman material culture along the Danube banks – in his own words – of Pannonia and Moesia. Marsigli’s antiquarian endeavours in the field and the subsequent published accounts establish a massive contribution to the antiquarian tradition in the region of modern Serbia, and then – indirectly, through the works of the 19th century authors – to Serbian archaeology in general.

History of Ardalānids (1590-1810) by Sharaf al-Dīn bin Shams al-Dīn

2017 ◽  
Vol 5 (1) ◽  
pp. 56-79
Author(s):  
Sara Zandi Karimi
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Historical Narrative ◽  
Modern Period ◽  
History Of ◽  
Critical Translation

This article is a critical translation of the “History of the Ardalānids.” In doing so, it hopes to make available to a wider academic audience this invaluable source on the study of Iranian Kurdistan during the early modern period. While a number of important texts pertaining to the Kurds during this era, most notably the writings of the Ottoman traveler Evliya Chalabi, focus primarily on Ottoman Kurdistan, this piece in contrast puts Iranian Kurdistan in general and the Ardalān dynasty in particular at the center of its historical narrative. Thus it will be of interest not only to scholars of Kurdish history but also to those seeking more generally to research life on the frontiers of empires.Keywords: Ẕayl; Ardalān; Kurdistan; Iran.ABSTRACT IN KURMANJIDîroka Erdelaniyan (1590-1810)Ev gotar wergereke rexneyî ya “Dîroka Erdelaniyan” e. Bi vê yekê, merema xebatê ew e ku vê çavkaniya pir biqîmet a li ser Kurdistana Îranê ya di serdema pêş-modern de ji bo cemawerê akademîk berdest bike. Hejmareke metnên girîng li ser Kurdên wê serdemê, bi taybetî nivîsînên Evliya Çelebî yê seyyahê osmanî, zêdetir berê xwe didine Kurdistana di bin hukmê Osmaniyan de. Lê belê, di navenda vê xebatê de, bi giştî Kurdistana Îranê û bi taybetî jî xanedana Erdelaniyan heye. Wisa jî ew dê ne tenê ji bo lêkolerên dîroka kurdî belku ji bo ewên ku dixwazin bi rengekî berfirehtir derheq jiyana li ser tixûbên împeretoriyan lêkolînan bikin jî dê balkêş be.ABSTRACT IN SORANIMêjûy Erdellan (1590-1810)Em wutare wergêrranêkî rexneyî “Mêjûy Erdellan”e, bew mebestey em serçawe girînge le ser Kurdistanî Êran le seretakanî serdemî nwê bixate berdest cemawerî ekademî. Jimareyek serçawey girîng le ser kurdekan lew serdeme da hen, diyartirînyan nûsînekanî gerîdey ‘Usmanî Ewliya Çelebîye, ke zortir serincyan le ser ‘Kurdistanî ‘Usmanî bûwe. Em berheme be pêçewanewe Kurdistanî Êran be giştî, we emaretî Erdelan be taybetî dexate senterî xwêndinewekewe. Boye nek tenya bo twêjeranî biwarî mêjûy kurdî, belku bo ewaney le ser jiyan le sinûre împiratoriyekan twêjînewe deken, cêgay serinc debêt.

The Russian Holy Synod and the Greeks

2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Critical Assessment ◽  
Peter The Great ◽  
Modern Period ◽  
Greek History ◽  
History Of ◽  
The Creation

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.

An Early Jesuit Encounter with the Qur’an

2017 ◽  
Vol 34 (1) ◽  
pp. 1-22
Author(s):  
Paul Shore
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
European Language ◽  
Intended Audience ◽  
Modern Period ◽  
History Of ◽  
Western European

The manuscipt Animadversiones, Notae ac Disputationes in Pestilentem Alcoranum is an almost entirely unknown translation of the Qur'an into baroque Latin completed by the Jesuit priest Ignazio Lomellini in 1622, of which only one copy exists. It is accompanied by extensive commentaries and includes a complete text of the Qur’an in Arabic and numerous marginalia. It is, therefore, one of the earliest complete translations of the Qur’an into a western European language and a crucial document of the encounter between western Christianity and Islam in the early modern period. This essay examines Lomellini’s understanding of Arabic and, specifically, of the cultural and religious underpinnings of Qur’anic Arabic. Special attention is given to his lexical choices. This essay also deals with the document’s intended audience, the resources upon which he drew (including the library of his patron, Cardinal Alessandro Orsini), and the manuscript’s relationship to the Jesuits’ broader literary and missionary efforts. Finally, it asks why scholars, particularly those who study the history of the Jesuits, have ignored this manuscript and its author.

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