Epilogue

2020 ◽  
pp. 235-240
Author(s):  
Sarah Meer
Keyword(s):  
Nineteenth Century ◽  
American Culture ◽  
Long Period

I have been arguing that the American claimant, in nineteenth-century British and American culture, embodied a tension between innovation and tradition. Moreover, to focus on such claimants, relatives who are also strangers, exposes unexpected kinships amongst texts. Filaments once ran between—of imagery, and associations, and ideas—but not all of them survive: they become visible only when scatterlings assemble, as some have done in this book. Claimants invoke the restitutive teleology of romance; they can confirm identity, assert authority, demand justice, or narrate a process of transmission. Over a very long period, the idea has helped writers, editors, artists, and students choose an inheritance and decide on a legacy, defining who they are and who they wish to be....

MYTH IN SAM SHEPARD’S “THE GOD OF HELL” AND ITS POLITICAL IMPLICATION

2019 ◽  
pp. 32-38
Keyword(s):  
Literary Criticism ◽  
American Culture ◽  
The Political ◽  
Creative Work ◽  
Political Implication ◽  
Major Work ◽  
Sam Shepard ◽  
Long Period ◽  
Political Myth ◽  
The World

The article introduces the creative work of the famous American playwright Sam Shepard, whose works are almost unknown to our Uzbek reader. His plays are well known throughout the world; they influenced the formation of the worldview of readers of different nations and show the peculiarities of American culture. Despite the worldwide fame of Sam Shepard’s works, they are not studied well by literary critics. In America and Europe his works have been studied in details for a long period, and even several monographs in English have been written. However, neither in the Russian speaking, nor in the domestic literary criticism there is yet no major work on Shepard's works. The article also deals with the artistic features of the political myth of the “American dream” in one of the most scandalous plays, “The God of Hell,” dedicated to the protest against the war in Iraq. Thus, this study, which touches upon some issues of Shepard's creative work in connection with his innovative artistic originality, to a certain extent, seeks to fill this gap.

scholarly journals The boundary between the domains of the Kosaca and the Brankovic south of the Tara river

Balcanica ◽  
2004 ◽  
pp. 91-158
Author(s):  
Milos Lukovic
Keyword(s):  
Nineteenth Century ◽  
River Valley ◽  
Historical Sources ◽  
Accurate Identification ◽  
Long Period ◽  
Feudal Lord ◽  
History Of ◽  
The Moment ◽  
The Village ◽  
Rule Out

With the partitioning in 1373 of the domain of Nikola Altomanovic, a Serbian feudal lord, the old political core of the Serbian heartland was shattered and the feudal Bosnian state considerably extended to the east. The region was crossed by the Tara river, mostly along the southeast-northwest "Dinaric course". Although the line along which Altomanovic?s domain was partitioned has been discussed on several occasions and over a comparatively long period, analyses show that the identification of its section south of the Tara is still burdened by a number of unanswered questions, which are the topic of this paper. An accurate identification of this historical boundary is of interest not only to historiography, but also to archaeology ethnology, philology (the history of language and dialectology in particular) and other related disciplines. The charters of Alphonse V and Friedrich III concerning the domain of herceg Stefan Vukcic Kosaca, and other historical sources relating to the estates of the Kosaca cannot reliably con?rm that the zupa of Moraca belonged to the Kosaca domain. The castrum Moratsky and the civitate Morachij from the two charters stand for the fortress near the village of Gornje Morakovo in the zupa of Niksic known as Mrakovac in the nineteenth century, and as Jerinin Grad/Jerina?s Castle in recent times. The zupa of Moraca, as well as the neighbouring Zupa of Brskovo in the Tara river valley, belonged to the domain of the Brankovic from the moment the territory of zupan Nikola Altomanovic was partitioned until 1455, when the Turks ?nally conquered the region thereby ending the 60-year period of dual, Serbian-Turkish, rule. Out of the domain of the Brankovic the Turks created two temporary territorial units: Krajiste of Issa-bey Ishakovic and the Vlk district (the latter subsequently became the san?ak of Vucitrn). The zupa of Moraca became part of Issa-bey Ishakovic?s domain, and was registered as such, although the fact is more di?cult to see from the surviving Turkish cadastral record. The zupa of Moraca did not belong to the vilayet of Hersek, originally established by the Turks within their temporary vilayet system after most of the Kosaca domain had been seized. It was only with the establishing of the San?ak of Herzegovina that three nahiyes which formerly constituted the Zupa of Moraca (Donja/Lower Moraca, Gornja/Upper Moraca and Rovci) were detached from Issa-bey?s territory and included into the San?ak of Hercegovina. It was then that they were registered as part of that San?ak and began to be regarded as being part of Herzegovina.

Making Advice Modern

2021 ◽  
pp. 9-21
Author(s):  
Julie Golia
Keyword(s):  
Nineteenth Century ◽  
Gender Roles ◽  
Cultural Change ◽  
American Culture ◽  
Conduct Books ◽  
Traditional Gender Roles ◽  
Eighteenth And Nineteenth Centuries ◽  
The Way

From early periodicals to conduct books, advice in the seventeenth, eighteenth, and nineteenth centuries was largely a one-way transmission from advice giver to receiver. It also served conservative ends, reinforcing traditional gender roles to wide audiences, and soothing male anxieties about cultural change. But transformations in media and in American culture at the end of the nineteenth century paved the way for a new and strikingly modern paradigm of advice—one that was interactive, public, flexible in topic and form, and woman-centered. This chapter offers an overview of the rise of the advice column and frames its genesis in the context of the changing newspaper and advertising industries.

Beyond the Iconoclastic Republic

2019 ◽  
pp. 1-12
Author(s):  
Thomas J. Brown
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Civil War ◽  
American Revolution ◽  
Military Service ◽  
Early Republic ◽  
American Culture ◽  
The United States ◽  
Public Monuments ◽  
Compulsory Military Service

This introduction traces antebellum American skepticism about public monuments to the distrust of standing armies that was central to the ideology of the American Revolution. The popularity of Independence Day illustrates the iconoclasm of the early republic, which paralleled a widespread resistance to compulsory military service. Remembrance of the Civil War vastly increased the number of public monuments in the United States. In the last decades of the nineteenth century, these memorials became a vehicle for the militarization of American culture.

Introduction

2021 ◽  
pp. 1-13
Author(s):  
Christopher Grasso
Keyword(s):  
Nineteenth Century ◽  
American Culture ◽  
Adult Males ◽  
Nineteenth Century America ◽  
The Feminine

A through-line in Kelso’s multifaceted life is his commitment to manhood. “Manhood” in nineteenth-century America was about more than the gendered distinctions between the masculine and the feminine. It was what distinguished the human from the beast, and the adult from the child. It had both political and economic characteristics. It demanded that the man take action according to the dictates of conscience. Moreover, there were different dialects of manliness, even among men of the same race, class, ethnicity, and region: competitive or fraternal, passionate or stoic, explosively violent or piously persevering. For Kelso manhood was at once an expectation for all adult males, a quality of character to be developed and expressed, and a prized achievement earned from others. This theme helps us see how aspects of nineteenth-century American culture that might seem worlds apart were in fact experientially connected.

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