Geographesis, or the Afterlife of Britain in Chaucer

Author(s):  
Jeffrey Jerome Cohen

Through a close reading of several of the Canterbury Tales (but especially the Franklin’s Tale), this chapter maps the glimmers of British (especially Welsh) history within Geoffrey Chaucer’s Anglocentric narrative ambit. The inquiry is framed through the use of postcolonial anthropology and ecomaterialism, and discussion returns repeatedly to how humans compose narratives with and on stone (menhirs, monoliths, Stonehenge), especially because stone’s duration is so vast. A major focus of the chapter is Chaucer’s unspoken debt to the twelfth-century British historian Geoffrey of Monmouth, who stands at the commencement of the Arthur myth that Chaucer so often dismisses as dead or long past. Stone ensures that this history endures.

2019 ◽  
pp. 1-24
Author(s):  
Samantha Katz Seal

This Introduction provides an overview of the pressures that late-fourteenth-century England placed upon traditional models of obtaining human posterity from the achievements of paternity. The introduction sets out the book’s argument that Chaucer himself was deeply concerned with questions of human authority in the face of man’s mortality, providing both biographical detail and a close reading of Chaucer’s discussions of literary fame within his early poem, The House of Fame. This introduction also sets up the book’s methodological priorities, introduces the book’s structure and chapter divisions, and argues in favor of addressing The Canterbury Tales in a fluid, non-traditional order.


2019 ◽  
Author(s):  
Jonathan Fruoco

Geoffrey Chaucer pose dans The Canterbury Tales un regard unique sur l’évolution de la poésie anglaise durant le Moyen Âge. L’alternance de genres et de styles poétiques différents lui permet de refléter tout le potentiel de la littérature par le biais d’un réagencement des images, symboles et conventions qui la définissent. Néanmoins, ce qui fait la force de Chaucer dans The Canterbury Tales, est sa capacité à développer un dialogue entre les différents récits constituant l’œuvre, ainsi que sa facilité à renverser nos attentes en extrayant son public d’un roman de chevalerie pour le propulser dans l’univers carnavalesque du fabliau, comme c’est le cas dans The Merchant’s Tale. En jouant avec l’imaginaire de l’arbre et du fruit, Chaucer nous prive dans ce conte de toute élévation et fait de son poirier un arbre inversé.


1975 ◽  
Vol 70 (2) ◽  
pp. 387
Author(s):  
S. S. Hussey ◽  
Jill Mann ◽  
Meg Twycross ◽  
Robert Worth Frank

Sign in / Sign up

Export Citation Format

Share Document