Comparison of fire scars, fire atlases, and satellite data in the northwestern United States

2007 ◽  
Vol 37 (10) ◽  
pp. 1933-1943 ◽  
Author(s):  
Lauren B. Shapiro-Miller ◽  
Emily K. Heyerdahl ◽  
Penelope Morgan

We evaluated agreement in the location and occurrence of 20th century fires recorded in digital fire atlases with those inferred from fire scars that we collected systematically at one site in Idaho and from existing fire-scar reconstructions at four sites in Washington. Fire perimeters were similar for two of three 20th century fires in Idaho (1924 and 1986). Overall spatial agreement was best in 1924 (producer’s accuracy = 94% and 68% and user’s accuracy = 90% and 70% for the 1924 and 1986 fires, respectively). In 1924, fire extent from the atlas was greater than for fire scars, but the reverse was true for 1986. In 1986, fire extent interpreted from the delta normalized burn ratio derived from pre- and post-fire satellite imagery was similar to that inferred from the fire-scar record (producer’s accuracy = 92%, user’s accuracy = 88%). In contrast, agreement between fire-scar and fire-atlas records was poor at the Washington sites. Fire atlases are the most readily available source of information on the extent of late 20th century fires and the only source for the early 20th century. While fire atlases capture broad patterns useful at the regional scale, they should be field validated and used with caution at the local scale.

2021 ◽  
Vol 72 (3) ◽  
pp. 201-213
Author(s):  
Christoph Von Blumröder

The term "Neue Musik" was coined for a special concept of fundamental musical innovation within Austro-German music theory of the early 20th century, and it found no terminological equivalent beyond the German language. Established by Paul Bekker with his lecture “Neue Musik” in 1919, composers such as Stockhausen or Ligeti embraced the term with its emphatic claim to innovation and new departures. However, one hundred years on the term "Neue Musik" is often used mainly as a synonym for any type of contemporary music. This article questions whether the term "Neue Musik" is still an appropriate framework for a current theory of musical composition. Not only have the specific musical circumstances changed within the course of the 20th century, but also the political and social conditions have altered drastically after two world wars which had given special impulses to those composers who strove for a new foundation of music after 1918 and 1945 respectively. This article argues that the age of "Neue Musik" has come to an end in the late 20th century, and thus it is now necessary to introduce alternative terminological concepts and methodical directions for music historiography.


2018 ◽  
Vol 8 (1) ◽  
pp. 11-20
Author(s):  
Vladimir Shaidurov

The period between the 19th – early 20th century witnessed waves of actively forming Polish communities in Russia’s rural areas. A major factor that contributed to the process was the repressive policy by the Russian Empire towards those involved in the Polish national liberation and revolutionary movement. Large communities were founded in Siberia, the Volga region, Caucasus, and European North of Russia (Arkhangelsk). One of the largest communities emerged in Siberia. By the early 20th century, the Polonia in the region consisted of tens of thousands of people. The Polish population was engaged in Siberia’s economic life and was an important stakeholder in business. Among the most well-known Polish-Siberian entrepreneurs was Alfons Poklewski-Koziell who was called the “Vodka King of Siberia” by his contemporaries. Poles, who returned from Siberian exile and penal labor, left recollections of their staying in Siberia or notes on the region starting already from the middle of the 19th century. It was this literature that was the main source of information about the life of the Siberian full for a long time. Exile undoubtedly became a significant factor that was responsible for Russia’s negative image in the historical memory of Poles. This was reflected in publications based on the martyrological approach in the Polish historiography. Glorification of the struggle of Poles to restore their statehood was a central standpoint adopted not only in memoirs, but also in scientific studies that appeared the second half of the 19th – early 20th century. The martyrological approach dominated the Polish historiography until 1970s. It was not until the late 20th century that serious scientific research started utilizing the civilizational approach, which broke the mold of the Polish historical science. This is currently a leading approach. This enables us to objectively reconstruct the history of the Siberian Polonia in the imperial period of the Russian history. The article is intended to analyze publications by Polish authors on the history of the Polish community in Siberia the 19th – early 20th century. It focuses on memoirs and research works, which had an impact on the reconstruction of the Siberian Polonia’s history. The paper is written using the retrospective, genetic, and comparative methods.re.


1990 ◽  
Vol 6 (2) ◽  
pp. 326-332 ◽  
Author(s):  
Bernard S. Bloom

The focus of this article is on contemporary roots of medical care quality measurement, while it also examines some of the most important historical precedents. Specifically, it singles out Dr. Ernest Avery Codman and his early 20th-century work emphasizing the assessment of outcome as the paramount indicator of medical care quality. The standard that he set for himself and others is the one that late 20th-century researchers must uphold, and to which we must answer.


2012 ◽  
Vol 34 (1) ◽  
pp. 10-15
Author(s):  
Sarbendra Pradhananga ◽  
Jon R. Sayers

Hormone therapies have been used since the early 20th Century and belong to a group of drugs that has recently become known as ‘biologics’. Biologics are medicinal products that have been produced by biological processes as opposed to chemically synthesized drugs. The term biologics spans a wide range of products that include therapeutics such as organs, tissue, cells, blood or blood components, vaccines and proteins. This ‘proteins’ subgroup can be further subdivided into therapeutics such as antibodies, enzymes and hormones. The first hormone therapeutics were extracted from human or animal sources; however, with the advent and development of cloning and protein production technologies from the late-20th Century onwards, protein hormone therapeutics are now produced by recombinant DNA technology.


Religions ◽  
2019 ◽  
Vol 10 (3) ◽  
pp. 195
Author(s):  
Anita Stasulane

In the early 20th century, Dievturība, a reconstructed form of paganism, laid claim to the status of an indigenous religious tradition in Latvia. Having experienced various changes over the course of the century, Dievturība has not disappeared from the Latvian cultural space and gained new manifestations with an increase in attempts to strengthen indigenous identity as a result of the pressures of globalization. This article provides a historical analytical overview about the conditions that have determined the reconstruction of the indigenous Latvian religious tradition in the early 20th century, how its form changed in the late 20th century and the types of new features it has acquired nowadays. The beginnings of the Dievturi movement show how dynamic the relationship has been between indigeneity and nationalism: indigenous, cultural and ethnic roots were put forward as the criteria of authenticity for reconstructed paganism, and they fitted in perfectly with nativist discourse, which is based on the conviction that a nation’s ethnic composition must correspond with the state’s titular nation. With the weakening of the Soviet regime, attempts emerged amongst folklore groups to revive ancient Latvian traditions, including religious rituals as well. Distancing itself from the folk tradition preservation movement, Dievturība nowadays nonetheless strives to identify itself as a Latvian lifestyle movement and emphasizes that it represents an ethnic religion which is the people’s spiritual foundation and a part of intangible cultural heritage. In the 21st century, Dievturība is characterized by conflicting aspects: on the one hand, a desire is expressed to contrast itself and its ethnic views from globalization tendencies in its activities, but on the other hand New Age concepts and a self-reflexive character has entered its discourse.


Rusin ◽  
2021 ◽  
pp. 115-135
Author(s):  
P. Kokaisl ◽  
◽  
V. Šťastná ◽  

Using the Czech press from the revolutionary 1848 to the period before WWI as the source of information, the authors revise the established view of the Rusin question in the Habsburg Empire in the mid 19th – early 20th century. The analysis suggests that the Slavic population in Galicia and Subcarpathian Rus retained their ethnic identity and distanced themselves from the mainstream population. If in 1848 all Slavic residents of Galicia, whose political leaders opposed the Poles, were referred to as Rusins in the Czech press, by the end of the 19th century the Czech press had already regarded this people as an independent nation.


Author(s):  
A. G. Avdeev

The Russian historiographic sources recognize three probable birth dates of Hadrian, the last Patriarch of Moscow and all Russia in 17th century, i.e.1627, 1637 and 1639. The fourth date, 1636, is not widely recognized. Two epitaphs to the Patriarch Hadrian, both written by Karion Istomin, a major court poet of that time, serve as the main source of information about the life of the head of the Russian Church. The first epitaph is prosaic, mounted on his tomb in the shrine of the heads of the Russian Church in the Assumption Cathedral in the Moscow Kremlin, and the second is poetic, preserved in the papers of the poet. . This paper establishes that the cause of chronological differences were errors in reading and interpreting the date of the Patriarch's death in the prosaic epitaph, which were made in historical studies of the 19th - early 20th century and without cross-checking with the gravestone inscription were reproduced in various publications. A visual study of the prosaic epitaph, conducted by the author in March 2014, indicates that Patriarch Hadrian died on October 2, 1700 at the age of 62 . The same date is written in the poetic epitaph. The “birthday” of Patriarch Hadrian (October 2), also raises doubts; most likely this date originated in the 19th century on the basis of the day of his baptism. The conducted research on the base of combination of archival sources and critical analysis of the writings of historians of the 19th - early 20th centuries established that Patriarch Hadrian was born in 1638.


2012 ◽  
Vol 11 (3) ◽  
pp. 378-399 ◽  
Author(s):  
Hannah Landecker

How do we see life after the century of the gene? This article argues that the post-2000 postgenomic turn was and is a thoroughly visual turn, as well as a theoretical and practical shift away from the central dogma of DNA as master molecule. Live-cell imaging is a rapidly expanding area of scientific visualization of living things whose practice is central in postgenomic biological research and theory. Fluorescent probes enable the visualization of the movement in vivo, over time, of a wide range of vital molecules, for example the movement of motor proteins along the cellular skeleton. Despite its prominence in the life sciences, these moving images have attracted little critical attention outside the scientific community. Comparison with microcinematography of the early 20th century, another time-based medium that also placed the capture of movement at the center of the technique, is used here to frame the emergence of live-cell imaging in the late 20th century and discuss its theoretical significance. This article argues that live-cell imaging was at its origins an animation of a theory of life dominated by the gene. However, focused as it is on the life of proteins, the practice actually facilitated a move away from such dominance, with a rise of a ‘molecular vitalism’: an interest in all cellular molecules as knitted together in a complex moving net in the time and space of the cell. As such, the present moment echoes early 20th-century tensions between the study of structure and function in cellular anatomy versus physiology and puts the focus on molecular movement just as cellular movement was central to earlier practices. Contemporary live-cell imaging does not depict a structure described in a unique moment that explains a life process, but rather visualizes a continuity of movement that constitutes life processes.


Author(s):  
Narmandakh Gombyn ◽  

Introduction. Kazakhs are a Turkic people dominant in present-day Republic of Kazakhstan. The former also reside in adjacent territories of China, Russia, Uzbekistan, Mongolia, and Turkey. Ancient written sources employed quite a number of ethnonyms — including the endonym қазақ (Qazaq) — to denote the ethnos. And the issue of etymology is still debatable. According to the main version, the word қазақ stands for a ‘free, unrestricted, independent person’. Goals. The paper seeks to examine spelling variants of the ethnonym in national languages of bordering countries — Mongolian, Chinese, and Russian. Results. The ethnonym has two spelling variants in Mongolian, namely: хасаг and казак. The former is the traditional spelling adopted by Mongols since ancient times. In Mongolian, the first syllable ка- (ka-) turns into ха- (kha-), which thus gave rise to the mentioned form. The second spelling variant was borrowed in the mid-to-late 20th century from Russian, and is a neologism. The Chinese hasake is as transformed as other ethnonyms, e.g., монгол (Mongol) — menggu, русский (Russian) — eluosi, ойрат (Oirat) — weilate, elute. Russians tended to call Kazakhs ‘Kirghiz-Kaisaks’, or ‘Kirghizes’ till the early 20th century. The latter ethnonym was replaced by қазақ (Qazaq), and further the spelling казах (Kazakh) was officially accepted.


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