Digital Critics: The Early History of Online Art Criticism

Leonardo ◽  
2019 ◽  
Vol 52 (1) ◽  
pp. 37-43
Author(s):  
Charlotte Frost
Keyword(s):  
Art Criticism ◽  
Early History ◽  
The Internet ◽  
Electronic Literature ◽  
History Of ◽  
Art Production ◽  
Mainstream Press ◽  
The Way

Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

scholarly journals Art (and) Criticism: Hart Crane and David Siqueiros

Text Matters ◽  
2018 ◽  
pp. 229-243
Author(s):  
Alicja Piechucka
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Present Article ◽  
Art Criticism ◽  
Hart Crane ◽  
Historical Texts ◽  
Art And Literature ◽  
History Of ◽  
The Way

The article focuses on an analysis of Hart Crane’s essay “Note on the Paintings of David Siqueiros.” One of Crane’s few art-historical texts, the critical piece in question is first of all a tribute to the American poet’s friend, the Mexican painter David Siqueiros. The author of a portrait of Crane, Siqueiros is a major artist, one of the leading figures that marked the history of Mexican painting in the first half of the twentieth century. While it is interesting to delve into the way Crane approaches painting in general and Siqueiros’ oeuvre in particular, an analysis of the essay with which the present article is concerned is also worthwhile for another reason. Like many examples of art criticism—and literary criticism, for that matter—“Note on the Paintings of David Siqueiros” reveals a lot not only about the artist it revolves around, but also about its author, an artist in his own right. In a text written in the last year of his life, Hart Crane therefore voices concerns which have preoccupied him as a poet and which, more importantly, are central to modernist art and literature.

Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility

2018 ◽  
pp. 114-138
Author(s):  
Simon Hobbs
Keyword(s):  
Hard Core ◽  
Geographic Mobility ◽  
Artificial Eye ◽  
Art Cinema ◽  
History Of ◽  
Art Production ◽  
French Films ◽  
The Way

This chapter continues the selective history of extreme art cinema instigated in Chapter 3. Focusing predominantly on the releases of Artificial Eye and Tartan Video, the chapter details the re-emergence of extremity in France during the late 1990s and early 2000s, and looks at the paratextual treatment of Gaspar Noé, Catherine Breillat, and Claire Denis. Thereafter, the chapter expands its geographic lens, and examines extreme art production across Europe, with analysis of The Idiots, Man Bites Dog, Tesis, A Hole in my Heart and Dogtooth. The separation of New French Extremity from other forms of European extremity allows the French films’ impact to be appropriately measured. In essence, the chapter argues that the success of the New French Extremity changed paratextual representations of extremism, making them more popular, common and commercially viable. Thereafter, the chapter considers extreme horror narratives such as Martyrs, Frontier[s], and Switchblade Romance, outlining the way they influence and become influenced by paratextual images of extreme art cinema. By adopting this structure, the chapter again exposes the importance of both highbrow and lowbrow taste within the conceptualisation of extreme art cinema.

A Shabby Meanness

2018 ◽  
Author(s):  
Camille Walsh
Keyword(s):  
Twentieth Century ◽  
Civil War ◽  
Civil Rights ◽  
Early History ◽  
Right To Education ◽  
Legal Identity ◽  
History Of ◽  
Civil War Era ◽  
The Way

Chapter One introduces the early history of taxpayer civil rights litigation against segregated and unequal education from the post-Civil War era until the turn of the twentieth century. In these 19th century cases and opinions, there was a continual assertion of a legal identity as taxpayers by families of color, and this chapter traces the way taxpayer citizenship became linked to the idea of a right to education in these families' arguments and claims, and even occasionally in the judges' opinions. Nonetheless, even the victories in many of these segregation cases were in name only, as plaintiffs of color continued to struggle without adequate remedy after courts granted a superficial nod to their taxpayer claims.

Fallen Patriots

Eternal Dawn ◽  
2019 ◽  
pp. 17-61
Author(s):  
Ryan Gingeras
Keyword(s):  
Social Change ◽  
Early History ◽  
Turkish Republic ◽  
Proper Understanding ◽  
Young Turks ◽  
History Of ◽  
The Way

No appreciation for the early history of the Turkish Republic can begin without a proper understanding of the origins, desires, and tribulations of the Young Turks. Their era by no means constituted a mere placeholder or prologue to the dramatic events that occurred thereafter. Turkey, as it came to be defined philosophically, was the unintended offspring of this movement. The most profound attributes of Atatürk’s state, its thirst for radical social change, its predilection for chauvinistic nationalism, and its oligarchic structure, descended directly from the Committee of Union and Progress’ approach towards politics. Ultimately, their displacement from the imperial stage allowed for Mustafa Kemal to rise to prominence and paved the way for an altogether new regime.

Psychoanalysts on the Podium: Sándor Ferenczi and Sándor Feldmann in the Hungarian Daily Press

2020 ◽  
Vol 22 (2) ◽  
pp. 205-226
Author(s):  
Melinda Friedrich
Keyword(s):  
World War Ii ◽  
Early History ◽  
World War ◽  
History Of Psychoanalysis ◽  
Sándor Ferenczi ◽  
Daily Press ◽  
History Of ◽  
Weekly Press ◽  
The Way

This article uses the example of Hungary to present some ways in which the study of old newspapers can contribute to the early history of psychoanalysis and even change the way we think about it. It explores the presence of various psychoanalysts in selected organs of the Hungarian daily and weekly press before World War II. A search was conducted on ten daily papers and two weekly papers ( Az Est, Budapesti Hírlap, Esti Kurir, Magyar Hírlap, Magyarország, Népszava, Pesti Hírlap, Pesti Napló, Ujság, Világ, Színházi Élet, Tolnai Világlapja) for articles by and interviews with psychoanalysts, with a focus on the main representatives of the two major psychoanalytical societies in Hungary – Sándor Ferenczi for the Hungarian Psychoanalytical Society and Sandor Feldmann for the Hungarian section of the Association of Independent Medical Analysts. One of the goals of this paper is to draw attention to the role that the rival psychoanalytical schools and their societies played in the history of psychoanalysis, without which it would not be as we know it today.

Nicolas of Clairvaux and the Twelfth-Century Sequence with Special Reference to Adam of St. Victor

Traditio ◽  
1962 ◽  
Vol 18 ◽  
pp. 149-179 ◽  
Author(s):  
John F. Benton
Keyword(s):  
Special Reference ◽  
Middle Ages ◽  
Twelfth Century ◽  
Early History ◽  
Close Connection ◽  
Modern Drama ◽  
Vast Number ◽  
History Of ◽  
The Middle Ages ◽  
The Way

The vast number and variety of sequences, those liturgical interpolations which in the middle ages commonly followed the repetition of the Alleluia in the Mass, and the freedom of their development, show that they were an outlet for the creative talents of musicians and poets. A sample of sequences from successive periods allows the literary historian to trace the development of rhyme and accentual meter, and a musicologist has described the sequence ‘as the parent of oratorio and the grandparent of modern drama.’ But while a view which encompasses centuries reveals to us variety and change, the compositions of any given time were largely shaped by inherited traditions. Not the least value of studies on the early history of the sequence is their demonstration of the close connection between various Alleluia melodies and their sequences and the way in which appropriate texts were fitted to melodies for specific feasts.

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