“Éloquence magique”, ou descriptions des mondes de l'au-delà explorés par le magnétisme animal: Au carrefour de la Naturphilosophie romantique et de la théosophie chrétienne (première moitié du XIXème siècle) “Magic Eloquence”, or Descriptions of the Worlds of the Beyond Explored by Animal Magnetism: At the Crossroad of Romantic Naturphilosophie and Christian Theosophy (first half of the 19th century)

Aries ◽  
2008 ◽  
Vol 8 (2) ◽  
pp. 191-228 ◽  
Author(s):  
Antoine Faivre

AbstractThe article opens with a distinction between three kinds of “clairvoyance” phenomena. 1) A faculty of seeing/hearing things which are normally outside the reach of the clairvoyant's five senses (like being able to read sentences from a book although it is closed), but which do not extend beyond the domain of our common reality. 2) A “higher” faculty, which consists in seeing/hearing entities like spirits of the dead, angels, demons, etc., and occasionally in having a personal contact with them. 3) A “highest” faculty, of a noetic (“gnostic”) character, which extends beyond the first two and consists in being able to have acess to some sorts of “ultimate realities”: the visions thus imparted to the subject bear on ontological mysteries that concern, for example, the divine world, the cosmos, the hidden sides of Nature, etc. The author bestows the name “magic eloquence” on the narratives of visions pertaining to that third kind of clairvoyance, which are documented in the literature of Christian theosophy (see Jacob Boehme's and Swedenborg' vivions, for instance) and of animal magnetism. After presenting a few examples of magic eloquence chosen in the literature of animal magnetism in the first half of the 19the century, the article discusses the interpretations thereof put forward in the same period by a number of representatives of some German romantic Naturphilosophen who were both interested in animal magnetism and influenced by Christian theosophy. Their interpretations were based, on the one hand, upon the theosophical version of the myth of Fall and Reintegration; on the other hand, upon the “traditional” tripartition spirit/soul/body. On that basis, they constructed a series of heuristic tools successively, around notions like “ethereal light-substance”, “ganglionic system”, and Nervengeist. In the latter, they eventually came to see the cornerstone of the “physicopsycho-spiritual” structure (made of five constitutive elements) of the human being as they imagined it. Moreover, if considered as such, the Nervengeist appears to be the key for understanding the physico-spiritual procedures that undergird the production of magic eloquence. Finally, after presenting a few relevant examples in the literature of fiction inspired by animal magnetism, and some considerations devoted to the continuation of magical eloquence in later spiritual movements, the article draws a parallel between two anthropological “constructs” of the “soul” – namely, by the Naturphilosophie discussed above; and by psychoanalysis.

2020 ◽  
pp. 11-21
Author(s):  
Piotr Zbróg

The subject of interest in this chapter is the concepts of creating apposition groups that appear in the literature on the subject, e.g. zbawiciel Jesus, dziewica Maryja, matka jego, słudze Bryjidzie. Opposing theories on this topic indicated on the one hand that apposition was an element added to the parent unit, and on the other hand, that apposition was the effect of transforming the deep structure into surface constructs. These approaches were, usually intuitive, reflected by language courts describing the title expressions since the beginning of the 19th century. In this study, they were traced and proved the dominance of opinions about the syntactic starting point in the derivative of apposition. In addition, other aspects of the characteristics of the groups of positions are discussed, placing them in the basic dichotomy of the derivation of positions.


2021 ◽  
pp. 430-451
Author(s):  
Monica Lupetti ◽  
Matteo Migliorelli

Within the Italian FL grammatical tradition, the 19th century is a very fruitful period. In other contributions, we have highlighted how several Portuguese and Italian figures connected to the circle of the S. Carlos Theatre in Lisbon act as preceptors and compose some grammars, which contain a strong normative part and, at the same time, connect themselves to the conversational tradition: among these works, the Grammatica da Lingua Italiana para os Portuguezes by Antonio Prefumo (Lisbon, 1829) plays a central role, as it goes through four editions over almost forty years. The paper analyses the social and intellectual context of production of this text, besides outlining the author’s profile and providing a philological reconstruction of the sources and models adopted. Furthermore, the paper attempts an analysis of the Grammatica that, on the one hand, highlights both the heritage of the vernacular and Enlightenment grammatical traditions and its innovative aspects and, on the other hand, compares the various editions through the study of their macro-textual areas. The methodology underlying our description follows that proposed by Swiggers (2006, 168) being based on four aspects: the analysis of the author, the audience, the subject described and its form. This approach places the author at the centre of a historical conjuncture in which the traditional grammatical method was associated with that of conversation, responding to the demand of an audience that increasingly approached the study of FL for practical reasons, rather than to meet the traditional educational demands of the upper classes.


2013 ◽  
Vol 54 (128) ◽  
pp. 401-417
Author(s):  
Paul van Tongeren

Is friendship still possible under nihilistic conditions? Kant and Nietzsche are important stages in the history of the idealization of friendship, which leads inevitably to the problem of nihilism. Nietzsche himself claims on the one hand that only something like friendship can save us in our nihilistic condition, but on the other hand that precisely friendship has been unmasked and become impossible by these very conditions. It seems we are struck in the nihilistic paradox of not being allowed to believe in the possibility of what we cannot do without. Literary imagination since the 19th century seems to make us even more skeptical. Maybe Beckett provides an illustration of a way out that fits well to Nietzsche's claim that only "the most moderate, those who do not require any extreme articles of faith" will be able to cope with nihilism.


2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 


1971 ◽  
Vol 1 (03) ◽  
pp. 369-388
Author(s):  
H. Alimen

Between the two wars, studies on the Quaternary were scarcely in favor in France. However. from the beginning of the 19th century recent terrains had held the attention of our country’s eminent geologists, and later that of the prehistorians, and starting in the 1850s these terrains were given the first chronological classifications based, on the one hand, on the evolution of Mammals. and on the other hand, on the succession of prehistoric civilizations.


1980 ◽  
Vol 12 (2) ◽  
pp. 122-131 ◽  
Author(s):  
David Spring

This brief account of Tocqueville's ideas on aristocratic society and government in England is intended to serve as a sort of introduction to the longer papers that follow in this symposium. For some years the subject of English aristocratic power in the 19th century—especially in connection with the First and Second Reform Acts—has been much discussed. The discussion has dwelt on such questions as whether the aristocracy grew or declined in power, whether the Reform Acts made for a growth or loss of power, whether aristocratic leadership knew precisely what it was doing, and so on. So far this discussion has been carried on, so to speak, exclusively from the inside: that is, in terms of contemporary English events and ideas. In Tocqueville, who was both an Anglophile and an informed and penetrating observer of England from the 1830s until his death in 1859, we have a distinguished outsider. His ideas are always interesting for their own sake. For this symposium they have the added merit of touching on some of its central themes. On occasion, his ideas may strike the reader as exaggerated, ambiguous, even inconsistent, certainly without system. But they are usually suggestive, and merit the historian's serious attention.Tocqueville's first impression of the English aristocracy was one of great power—a power rooted in its monopoly of landowner ship. As he saw it, the contrast between the French landowning aristocracy and the English was that between an aristocracy, on the one hand, that was land poor, and an aristocracy, on the other hand, that was richly endowed in land. Tocqueville also saw that if landed property did not always lead to economic power—since agriculture did not pay that well—it had a special quality, as compared to other forms of wealth, which was bound to lead to political power.


2019 ◽  
Vol 15 (2) ◽  
pp. 116
Author(s):  
Rahimah Hamdan ◽  
Arba’ie Sujud

This paper was aimed at identifying the guidance to parenting that emerged in the first Malay autobiography, the Hikayat Abdullah, and subsequently, to analyse those instructions on parenting in the context of the traditional Malay society of the 19th century. The recognition accorded to Abdullah Munshi as the Father of Modern Malay Literature has attracted various reactions from scholars. Some scholars regard Abdullah Munshi as the one who brought renewal to Malay literature through his courageous criticism of the customs and culture that had been in practice for generations. On the other hand, there are scholars who disapprove of that recognition being given to him and who consider Abdullah Munshi’s criticisms in his works as a deviation from the reality expressed in previous works. Nevertheless, not a single study has suggested that perhaps Abdullah Munshi firmly emphasized those criticisms with the intention of providing some sort of guidance. Hence, by analysing certain texts in the Hikayat Abdullah and by reviewing the evidence from the perspective of Swettenham (1895), who objectively evaluated the thinking and culture of the Malay community, this study was able to rectify the image of Abdullah Munshi, who, all this while, was considered to be pro-British because of his harsh criticism of the Malay community. Moreover, those criticisms were meant to provide guidance for the family institution, especially for parents. This indirectly proves that Abdullah Munshi took a serious view of parenting and believed that improvements were necessary to produce a dignified and civilized generation. In conclusion, the autobiography, the Hikayat Abdullah, was not just a new form of writing that deviated from the conventions of traditional Malay literature, but was the fruit of the wisdom of the author that was meant to benefit his readers.


Author(s):  
Natalya N. Rostova

The article examines the work of Vasily Polenov. The author presents Polenov’s artistic path as the dramatic choice between what is commonly called genre and landscape painting. From the philosophical point of view, the problem consists in concept of understanding art. On the one hand, the essence of art can be reduced to «what», to writing a story, a big sense. On the other hand, art can be understood as «painting for painting’s sake». In this sense, the tension in Polenov’s work arises between the paintings «Moscow Courtyard» and «Christ and the Sinner». The author notes that the way out of this dilemma is to understand art as the subject that reflects the non-objectifiable and devoid of anything essence. The article analyzes the philosophical meaning of Polenov’s paintings of the gospel cycle and provides a philosophical analysis of the artist’s nostalgic paintings. The author comes to the conclusion that Polenov’s paintings are the form that establishes an emotionally experiencing human being


Mäetagused ◽  
2021 ◽  
Vol 80 ◽  
pp. 71-88
Author(s):  
Merili Metsvahi ◽  

The article gives a short overview of the Estonian werewolf tradition in the 16th and 17th centuries and a glimpse into the 19th–20th-century werewolf beliefs. The image of werewolf of the earlier and later periods is compared. The differences between the images of these two periods are explained with the help of the approaches of Tim Ingold and Philipp Descola, which ground the changes in the worldview taking place together with the shift from the pre-modern society into modernity. The mental world of the 16th–17th-century Estonian and Livonian peasant did not encompass the category of nature, and the borders between the human being and the animal on the one side and organism and environment on the other side were not so rigid as they are in today’s people’s comprehension of the world. The ability to change into a wolf was seen as an added possibility of acquiring new experiences and benefits. As the popular ontology had changed by the second half of the 19th century – the human mind was raised into the ultimate position and the animal was comprehended as being inferior – the transformation of a man into an animal, if it was seriously taken at all, seemed to be strange and unnatural.


2021 ◽  
Vol 68 ◽  
pp. 69-84
Author(s):  
Lieven D’hulst

The metaphors of centre and periphery tend to reduce the complexity of language relations and interlingual exchanges that are featured by multilingual societies. At a crucial point of multilingual Belgium’s evolution, i.e. during the 19th century, exchanges between its two major languages, namely French and Flemish, offer a suitable angle to capture the processes of centralisation and peripherisation of both languages. Translingual practices, including translation, are at the heart of these processes. On the one hand, they sustain continuous attempts to impose and maintain the centrality of official French in the legal and administrative domains; on the other hand, they nurture counterbalancing claims for recognition and officialisation of Flemish as an equal language. This contribution puts focus on three major aspects of interlingual exchange: the design and management of Belgian translation policies, the asymmetric translation flows between French and Flemish vs. Flemish and French, and the emancipatory efforts of Flemish and its modest effects, notably in the literary domain.


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