scholarly journals Sulle varianti d’autore

2020 ◽  
Vol 42 (1) ◽  
pp. 139-158
Author(s):  
Vincenzo Fera
Keyword(s):  
Fourteenth Century

Abstract The aim of this paper is to explore the nature of author variants in the humanistic age, starting from a survey of the variants added by Petrarch to his unfinished work Africa during the revision of the text around the mid-fourteenth century. In particular, two new definitions of variant, which were presented in a previous paper, are here outlined and discussed, that is, ‘active variants’ and ‘working variants’. Furthermore, the so-called Scevola Mariotti’s norm in relation to the author variants’ authenticity is reviewed.

A fourteenth century crown

1989 ◽  
Vol 21 (7) ◽  
pp. 431-432
Author(s):  
Amanda Gray
Keyword(s):  
Fourteenth Century

Lokan?ti: Method of Adaption and New Vocabulary

2017 ◽  
Vol 34 (1) ◽  
pp. 85-114
Author(s):  
Ujjwal Kumar
Keyword(s):  
Fourteenth Century ◽  
Adaptation Method

In this paper I have made an attempt to discuss the adaptation method and new vocabulary employed and introduced by the Lokan?ti (Ln). This text was composed in Burma most probably by Catru?gabala around the fourteenth century CE. In premodern Burma Ln was used in monasteries to inculcate guidance on worldly affairs and everyday morality to the Burmese householders in general and to the Buddhist monks in particular.

Fragments of a fourteenth century french didactic poem

Romania ◽  
1979 ◽  
Vol 100 (400) ◽  
pp. 540-549
Author(s):  
Lynette R. Muir
Keyword(s):  
Fourteenth Century

An Introduction to Islam

2004 ◽  
Vol 21 (4) ◽  
pp. 131-133
Author(s):  
Mohammed Rustom
Keyword(s):  
Fourteenth Century ◽  
Islamic Law ◽  
Cultural Patterns ◽  
Important Work ◽  
Islamic Theology ◽  
Islamic History ◽  
Civil Strife ◽  
Ibn Rushd ◽  
The Status ◽  
Interesting Discussion

An Introduction to Islam by David Waines consists of three parts:“Foundations,” “Islamic Teaching and Practice,” and “Islam in the ModernWorld.” The author begins by characteristically painting the picture of pre-Islamic pagan Arabia on the eve of Islam’s advent. He discusses the role andsignificance the pre-Islamic Arabs accorded their pantheon of deities, as wellas the (largely inherited) moral codes that governed their conduct in tribalsociety. Waines neatly ties this into what follows, where he discusses thebirth of Prophet Muhammad, the event of the Qur’an’s revelation, and theopposition he encountered from his fellow tribesmen in Makkah. This is followedby an analysis of the Qur’an’s significance, its conception of divinity,and the content and importance of the Hadith as a source of guidance forMuslims. The section is rounded off with examinations of such topics as the first period of civil strife (fitnah) after the Prophet’s death and the interestingbody of literature devoted to Muslim-Christian polemics in earlymedieval Islam.The transition from the first part of the book to the second part is ratherfluid, for the second part is essentially an elaboration of the themes discussedin the first. With remarkable ease and accuracy, the author elucidatesthe historical development and main features of Islamic law in both its theoryand practice. Returning to his earlier discussion on the Hadith, here hebriefly outlines how its corpus came to be collected. Readers unfamiliar withthe main theological controversies that confronted Islam in its formativeyears (e.g., the problem of free will and the status of the grave sinner) willfind the section devoted to Islamic theology fairly useful.Waines goes on to explain some of the principle Mu`tazilite andAsh`arite doctrines, and outlines some of the ideas of Neoplatonic Islamicphilosophy, albeit through the lenses of al-Ghazali’s famous refutation.Surprisingly, the author does not address any of the major developments inIslamic philosophy post-Ibn Rushd, such as the important work of theIshraqi (Illuminationist) school (incidentally, the founder of this school,Shihab al-Din Suhrawardi, was a contemporary of Ibn Rushd). The last twochapters are devoted to Sufism and Shi`ism, respectively. Although Wainesdoes misrepresent Ibn al-`Arabi’s metaphysics of Being by calling it a “system”(pp. 153 and 192), on the whole he presents the Islamic mystical traditionin a refreshing and informed manner. His section on Shi`ism is splendid.It is written with considerable care, and he effectively isolates the mainthemes characteristic of Twelver Shi`ite thought and practice.In the third and longest part of this work, Waines incorporates IbnBattutah’s travel accounts into the book’s narrative. This works very well, asit gives readers a sense of the diverse and rich cultural patterns that wereintricately woven into the fabric of fourteenth-century Islamic civilization.After reading through the section, this present reviewer could not help butmarvel at how the observations of a fourteenth-century traveler and legaljudge from Tangiers could so effectively contribute to a twenty-first centuryintroductory textbook on Islam. Additionally, Waines takes readers throughsome of the essential features of the three important “gunpowder” Muslimdynasties, devotes an interesting discussion to the role played by the mosquein a Muslim’s daily life, and outlines some of its different architectural andartistic expressions throughout Islamic history ...

Ethan Campbell, The Gawain-Poet and Fourteenth-Century English Anti-Clerical Tradition. Research in Medieval and Early Modern Culture. Kalamazoo, MI: Medieval Institute Publications / Western Michigan University, 2018, pp. 238.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 427-429
Author(s):  
Jane Beal
Keyword(s):  
Fourteenth Century ◽  
Dual Language ◽  
Pearl Poet ◽  
Modern Culture ◽  
Sir Gawain ◽  
Link Type ◽  
Western Michigan University ◽  
Facsimile Edition ◽  
Scientific Rhetoric ◽  
Gawain Poet

In the past four years, there has been a flurry of valuable new work on the poems of the Gawain-poet (also known as the Pearl-poet), which includes new editions, translations, monographs, pedagogical studies, and online resources. Among the editions and translations are Malcolm Andrew and Ronald Waldron’s excellent facsimile edition and translation of Cotton Nero A.x (Folio Society, 2016), Simon Armitage’s verse translations of Sir Gawain and the Green Knight and Pearl (W.W. Norton, 2008 and 2016 respectively) and, I allow myself to mention, my own dual-language edition-translation of Pearl with supplementary materials for collegiate teaching (Broadview, forthcoming). Academic monographs include Piotyr Spyra’s Epistemological Perspective of the Pearl-Poet (Ashgate, 2014), Cecelia Hatt’s God and the Gawain-Poet: Theology and Genre (Boydell & Brewer, 2015), my Signifying Power of Pearl: Medieval Literary and Cultural Contexts for the Transformation of Genre (Routledge, 2017), and Lisa Horton’s Scientific Rhetoric of the Pearl-Poet (Arc Humanities Press, forthcoming). Editors Mark Bradshaw Busbee and I have published Approaches to Teaching the Middle English Pearl (MLA, 2017), which contains insightful pedagogical essays from several professors. The journal Glossator provides a complete commentary on each section of Pearl, available online (<ext-link ext-link-type="uri" xlink:href="https://glossator.org/2015/03/30/glossator-9-2015-pearl">https://glossator.org/2015/03/30/glossator-9-2015-pearl</ext-link>/), and additional resources are available at “Medieval Pearl” (<ext-link ext-link-type="uri" xlink:href="https://medievalpearl.wordpress.com">https://medievalpearl.wordpress.com</ext-link>). Now Ethan Campbell’s The Gawain-Poet and the Fourteenth-Century English Anticlerical Tradition joins the ranks, making a meaningful contribution to our understanding of the poet in his cultural milieu.

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