The Chinese Cultural Revolution and the Decline of the Left in Singapore

2011 ◽  
Vol 7 (2) ◽  
pp. 211-246 ◽  
Author(s):  
Yinghong Cheng
Keyword(s):  
Cultural Revolution ◽  
Chinese Politics ◽  
Overseas Chinese ◽  
Political Opposition ◽  
Ethnic Chinese ◽  
Strength Based ◽  
Chinese Cultural Revolution ◽  
The 1960S ◽  
The Cultural Revolution

Abstract Represented by the Barisan party and mainly participated in by ethnic Chinese, the leftist movement in Singapore was the thrust behind the island’s independence (1965) and the major political opposition to the ruling PAP (People’s Action Party). But within several years after independence, the movement disappeared as the PAP’s one-party regime grew in strength. Based on the leftist publications of that period, this article argues that Maoist China’s influence, the Cultural Revolution in particular, significantly contributed to the decline of the movement. The radicalization and dissolution of Singapore’s leftist movement was one example of the destructive impact of Maoism and the Cultural Revolution on overseas Chinese politics in the 1960s.

Control and Style: Discipline Inspection Commissions Since the 11th Congress

1984 ◽  
Vol 97 ◽  
pp. 24-52 ◽  
Author(s):  
Graham Young
Keyword(s):  
Communist Party ◽  
Cultural Revolution ◽  
Chinese Communist Party ◽  
Political Authority ◽  
Chinese Politics ◽  
Party Organization ◽  
Party Leadership ◽  
The Chinese Communist Party ◽  
The Cultural Revolution

The legacies of the Cultural Revolution have been nowhere more enduring than in the Chinese Communist Party organization. Since late 1967, when the process of rebuilding the shattered Party began, strengthening Party leadership has been a principal theme of Chinese politics; that theme has become even more pronounced in recent years. It is now claimed that earlier efforts achieved nothing, and that during the whole “decade of turmoil” until 1976, disarray in the Party persisted and political authority declined still further. Recent programmes of Party reform, therefore, still seek to overcome the malign effects of the Cultural Revolution in order to achieve the complementary objectives of reviving abandoned Party “traditions” and refashioning the Party according to the new political direction demanded by its present leaders.

Female warriors: a reproduction of patriarchal narrative of Hua Mulan in The Red Detachment of Women (1972)

2020 ◽  
Vol 176 (1) ◽  
pp. 66-77
Author(s):  
Zhuying Li
Keyword(s):  
Cultural Revolution ◽  
Chinese Women ◽  
Gender Discourse ◽  
Patriarchal Family ◽  
Chinese Cultural Revolution ◽  
The Cultural Revolution

During the Chinese Cultural Revolution, the CCP officially claimed that Chinese women achieved an equal position as men, and the Confucian patriarchal family was deconstructed. This article is an ongoing exploration of Maoist gender discourse by analysing the image of female warriors in the revolutionary opera film, The Red Detachment of Women (1972) which was made and popularised during the Cultural Revolution. This article finds that Maoist gender discourse failed to deconstruct the Confucian patriarchy. The image of female warriors in the revolutionary opera films was a reproduction of the patriarchal narrative of Hua Mulan, which served an ethical symbol of loyalty and filial daughter in the discourse of Confucian patriarchy. Similar to Mulan, the masculinised image of female warriors in the revolutionary opera films cannot be identified as a feminist representation yet a cultural and ethical symbol of filial daughter that leads to women’s subordination to men’s needs.

Statistics and the Field Army Loyalty System

1974 ◽  
Vol 57 ◽  
pp. 146-148 ◽  
Author(s):  
William W. Whitson
Keyword(s):  
Cultural Revolution ◽  
Domestic Politics ◽  
Statistical Evidence ◽  
Chinese Politics ◽  
Previous Issue ◽  
Chinese Military ◽  
Military Politics ◽  
The Military ◽  
The Cultural Revolution

Although many readers would probably interpret William Parish's article in the previous issue of The China Quarterly (“Factions in Chinese Military Politics,” CQ, No. 56, pp. 667–699) as an attack on my 1969 assessment of the historic role of the Field Army in post-1950 Chinese politics, I am nevertheless sincerely grateful to him for keeping the dialogue about “loyalty systems” alive. Indeed, I am struck by the irony of our respective positions. He seems to argue that, while the Field Army loyalty system apparently (according to my statistics) had little demonstrable impact on elite assignments before the Cultural Revolution, the same system apparently (according to his statistics) helps clarify factional behaviour within the PLA during and after the Cultural Revolution. The irony of this is doubled since the statistical evidence which I now have available argues that “the old boy net” of the Field Armies actually had a diminishing impact on the domestic politics of China in the late 1960s. By then the Military Region as a geo-political unit had replaced the Field Army as a temporary focus of individual and collective PLA loyalties.

The Chinese Communist Party in the 1960s: Prelude to the Cultural Revolution

1967 ◽  
Vol 32 ◽  
pp. 3-36 ◽  
Author(s):  
Charles Neuhauser
Keyword(s):  
Communist Party ◽  
Cultural Revolution ◽  
Chinese Communist Party ◽  
Commedia Dell'arte ◽  
Great Leap ◽  
Great Leap Forward ◽  
The Chinese Communist Party ◽  
The 1960S ◽  
The Great Leap Forward ◽  
The Cultural Revolution

The recent events in China are surely drama of the highest order, but at times it has seemed that the actors themselves were not entirely sure who was writing the lines. In fact what we seem to be witnessing is a form of commedia dell'arte: improvisation within a certain tacitly understood framework. The cultural revolution appears to have taken new turns and to have broken into new channels precisely because the actors have been faced with new and unforeseen circumstances as it has run its course. No faction in the struggle has been able to impose its will on the Party or the country by fiat; new devices and stratagems have been brought into play in what has looked like desperate attempts to gain the upper hand. It has clearly been a battle of the utmost seriousness, but there appear to have been limitations on the resultant chaos. Economic disorganisation does not seem to have occurred on the scale of the later stages of the Great Leap Forward. Nor, despite the clashes, confusion and bitter infighting, have new centres of power, totally divorced from the Chinese Communist Party (CCP) itself, arisen. The cultural revolution has been pre-eminently a struggle within the Party.

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