Hippologischer Fachdiskurs und dialogische Fiktion

Daphnis ◽  
2021 ◽  
Vol 49 (3) ◽  
pp. 416-443
Author(s):  
Stefanie Stockhorst

Abstract This contribution analyses the textual strategies in Danup’s literary dialogue, which is enriched in many ways with literary topoi and rhetorical devices. It is, in fact, a specialised text on the art of horsemanship, which proves to be surprisingly innovative in this regard. However, it is not only relevant to the hippological, but also to the political culture of the early modern period. For the author updates a literary genre pattern, takes up literary traditions and uses aesthetic means for successful self-promotion as an expert.

2016 ◽  
Vol 43 (1) ◽  
pp. 3-17
Author(s):  
Fiona Williamson

This article tells the story of a contested provincial election for sheriff which took place in Norwich during 1627. In light of recent scholarly critiques of studies that frame the early-modern period in terms of binary opposites, this article demonstrates that 1620s political culture is hard to define in such stark terms. Through a close reading of the events, characters, and outcomes of the election, this article also shows the importance of embedding local peculiarities into wider historiographical narratives of change, or continuity, and reveals the essential role of the urban middling sorts in shaping the political narratives of the Stuart period.


Genealogy ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 23
Author(s):  
Pablo Sánchez León

This article argues for a renovation in the study of nationalism by addressing the issue of the rationality underlying the decisions by citizens willing to leave their homelands. From the example of unforced exiles from the 1939 Republican diaspora (and inner exiles as well), the text starts with providing a theory of disidentification from a nation for the sake of civic commitment. Having shown the relevance of jointly studying the language of nation and patria, it focuses on Spanish post-Francoist historiography of the Early modern period for showing its unbalanced account of discourse revolving around patria in favor of that of nation. Thereafter, it provides a comparative overview of the scholarly interest in patriotism in modern history as depending on different national trajectories of political culture. Finally, it claims a methodological reorientation in the study of nationalism and patriotism by distinguishing between nation and patria as terms, as concepts, and as analytical categories defining distinctive collective identities.


2009 ◽  
Vol 36 (144) ◽  
pp. 581-597
Author(s):  
Eoin Magennis

The effectiveness of the government of Ireland throughout the period of its rule by England and then Britain depended on the accuracy of the information provided to Dublin Castle and sent from thence to the political masters, based largely in London. The text reproduced below is one of a large number of manuscripts that were sent periodically in the early modern period and the eighteenth century to inform those not resident in Ireland about conditions in the country. Some of these are calls to action for various monarchs or their ministers, with prescriptions for the ‘reform’ of Ireland.


2017 ◽  
Vol 68 (3) ◽  
pp. 529-545
Author(s):  
PETER MATHESON

A distinction is often made between magisterial and radical reformers in the early modern period, Luther and Thomas Müntzer being frequently taken as representatives of two quite different reformations, especially in regard to the understanding of Scripture and of the political realm. It can, however, be argued that the Reformation as a whole was radical, and that it is misleading to characterise one aspect of it as mainstream, another peripheral. The comparison between Müntzer and the Scottish reformer, John Knox, appears to support the contention that the chasm between the two camps is not unbridgeable.


Religions ◽  
2021 ◽  
Vol 12 (11) ◽  
pp. 927
Author(s):  
Jackson Barkley Stephenson

The Apabhraṃśa dohā is a literary medium from Indian antiquity, with early examples appearing in Kālidāsa’s plays around the 5th century and continuing in later Hindi-language Jain and Bhakti works in the early modern period. However, it was within Tantric Buddhist texts and traditions that the dohā truly came into its own as a literary genre. Particularly within the “Yoginī Tantra” strata of the Tantric Buddhist canon, Apabhraṃśa dohās appear in notable and formulaic ways, used within ritual contexts and other significant junctures, signaling the underexamined use of this literary form and its language of composition. This paper examines the use of dohās attributed to the mahāsiddha Saraha as they are used in the Hevajra Tantra, the Buddhakapāla Tantra, and some associated texts. In doing so, this paper demonstrates that as a literary genre, Apabhraṃśa dohās perform a similar function to mantras and dhāraṇīs, but are unique in their attention to phonology and discursive meaning. By examining the uses of these dohās during particular moments of Tantric Buddhist ritual syntax, this paper will then reflect on the later trajectory of these verses after the death of institutional Buddhism in India, and the reasons for their survival.


Author(s):  
Fernando Bouza Álvarez

Los grandes espectáculos cortesanos, así como la etiqueta, el ceremonial palaciego y los distintos rituales monárquicos pueden ser considerados expresiones de la particular cultura política que se desarrolló en Europa a lo largo de la Alta Edad Moderna. El presente trabajo intenta explicar, en primer lugar, cuál era el papel asignado a fiestas y a espectáculos en la declaración de la relación existente entre un rey y su reino: en segundo lugar, cuál fue el proceso del que terminó por surgir un efímero verdaderamente moderno, cuando la generalización de nuevos medios mecánicos, como el grabado. permitieron la difusión a gran escala de la imagen real: y, por último, la efectiva rentabilidad propagandística que cabía obtener de las imágenes puestas al servicio del poder monárquico.The great court spectacles, like etiquette, palace ceremony, and different royal rituals, can be considered expressions of a particular political culture which developed in Europe during tfie early modern period. This chapter seeks to explain, first, whiat was the role given to festivals and spectacles as statement about the relationstiip between a king and his realm: secondly, what was the procese which finally generated a truly modern efimero, when the spread of new mechanical tecnology, such as print, permitted the diffusion on a grand scale of the royal image: and, lastly, the efective propagandistic value which these images pleased at the servIce of royal power.


2021 ◽  
Vol 57 (1) ◽  
pp. 168-194
Author(s):  
Shannon Jane Garner

While much important work has been done on the early modern fascination with the political nature of bees and bee societies, this essay instead takes a closer look at the conflation of honeybees, women, and domestic spaces within the multi-generic textual ecology of early modern beekeeping. In the early modern period women were the primary beekeepers. As key participants in this art of sustained and intimate collaboration across species and environment, these women managed their own hives using the multifaceted skills of the early modern housewife, including textile arts, brewing, distilling, medicine, horticulture, and husbandry. This essay highlights the tension between knowledgeable women apiarists and male textual authorities in early modern apiary treatises and husbandry manuals and focuses on the persistent descriptive slippage between both bees and women and the hive and home in early modern sources. In early modern texts women’s bodies, domestic spaces, and hives are all over-determined entities invested in containment, preservation, and productivity. This essay emphasizes the ways in which early modern women and the occupants of the hives they cared for resisted and worked within the allegorical, anthropocentric, and patriarchal frameworks provided for them in the textual narratives of the early modern period.


2000 ◽  
Vol 33 (1) ◽  
pp. 1-39 ◽  
Author(s):  
Luise Schorn-Schütte

The discussion above can be summarized in three points that refer back to the introductory remarks.1. On the basis of their social origin and social integration, both Protestant pastors and Catholic pastoral clergy were a part of that bourgeois group who acted in the service of the secular authority; this applies to all of early modern Europe. What the pastors' family achieved on the social level through familial contacts in Protestant areas was established through the mediated connections of extended family, clientage, and friendship in Catholic areas. The similarities are strengthened by the comparable form and contents of education and of educational institutions. Insofar as the state of research allows generalization, it seems that the pastoral clergy of both confessions had attained a comparable level of education by the seventeenth century. In Catholic areas university study was the exception but priests were required to complete their education at a seminary, whose standards surely met the qualifications for a specialized professional education. A complete course of study in theology was not the rule within Protestantism, either; having graduated from a philosophical faculty was a sufficient qualification. In comparison with the standards of pre-Reformation education, there was a clear improvement in education that can be called the early modern “path toward a profession.” This, together with the development of a social and familial network, allows us to characterize the pastoral clergy of Europe during the later sixteenth and seventeenth centuries as a part of that “power elite”144 who were essential for the early modern period.2. The formal conditions for the suitability of clerical officeholders reached cum grano salis a comparable level in all confessions throughout Europe during the seventeenth century. The disagreements concerning the evaluation of these conditions stem from the measures by which historical change is characterized. For the group of pastoral clergy examined here, the category of modernization proves to be insufficient, since there was a tendency transcending the confessions to appeal to prereformatory traditions in establishing an understanding of office. Historians must be able to describe how tradition was able both to accommodate and to be transformed.3. From this point of view the question of the clergy’s suitability for the goal of the developing modern state encompasses only half of the historical reality. The clergy and their contemporaries who comprised their congregations were also concerned with their role as mediators of the holy, of “the religious” in the world. Clerical perception of self and of office was decisively stamped by the conviction that despite all contradictions these formed an insoluble unity. For this reason we must also consider for both confessions the broad impact of the doctrine of the Christian state, whose core was the doctrine of the three estates. In the political and social controversies of the late sixteenth century the political impulse of this doctrine grew in strength in a way more clearly seen in Protestantism than in the territories that remained Catholic. Nevertheless the concept of the monarchia temperata in the Catholic understanding of authority also gave the clergy a right to criticize the ruler. The long tradition of the correctio principis was put into practice through the clerical understanding of office in both confessions and became a very concrete reality for people in the sixteenth and seventeenth centuries. This is a typically early modern way of developing tradition further through the consensus of generations, whose relevance the historian of the early modern period must take just as seriously as the attempts of the secular authority to use the power elites in their own interests.


Author(s):  
Luigi Tufano

Through the parchments of the aristocratic archive, the essay reconstructs the events and paths of construction and consolidation of the political and social role of the Albertini of Cimitile, an important family of the Nolan élite, of legal professionals and with consolidated relations with the Orsini count dynasty, in the period between the late Middle Ages and the early modern period.


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