10 World War i, the October Revolution and Marxism’s Reception in the West and East

2015 ◽  
pp. 258-279
2020 ◽  
Vol 9 (1) ◽  
pp. 74-103
Author(s):  
Aliaksandr Bystryk

Abstract This paper deals with the topic of conservative West-Russianist ideology and propaganda during World War I. The author analyzes the most prominent newspaper of the movement at the time – Severo-Zapadnaia Zhizn (The North-Western Life). The discourse of the newspaper is analyzed from the perspective of Belarusian nation-building, as well as from the perspective of Russian nationalism in the borderlands. The author explores the ways in which the creators of the periodical tried to use the rise of the Russian patriotic feelings to their advantage. Appealing to the heightened sense of national solidarity which took over parts of Russian society, the periodical tried to attack, delegitimize and discredit its ideological and political opponents. Besides the obvious external enemy – Germans, Severo-Zapadnaia Zhizn condemned socialists, pacifists, Jews, borderland Poles, Belarusian and Ukrainian national activists, Russian progressives and others, accusing them of disloyalty, lack of patriotism and sometimes even treason. Using nationalist loyalist rhetoric, the West-Russianist newspaper urged the imperial government to act more decisively in its campaign to end ‘alien domination’ in Russian Empire, and specifically to create conditions for domination of ‘native Russian element’ – meaning Belarusian peasantry, in the Belarusian provinces of the empire.


Artful Noise ◽  
2020 ◽  
pp. 42-63
Author(s):  
Thomas Siwe

Modern dance and music for percussion are linked through the works of musicians who studied with the iconoclastic composer Henry Cowell. This chapter highlights the work of numerous artists who were involved in the dance and music scene along the West Coast of the United States during the 1930s and 1940s. Cowell’s early publishing venture New Music helped launch the careers of composers Johanna Beyer, William Russell, Lou Harrison, John Cage, and others. The latter two composers, Harrison and Cage, also studied with the Austrian American composer Arnold Schoenberg whose use of the twelve-tone technique became central to the music of the twentieth century. The chapter ends with a summary of percussion music’s development from the decades before World War I to the compositional hiatus caused by World War II.


Peter Kapitza (1894—1984) came to England as a member of a Soviet mission sent to renew scientific relations with the West after the upheavals of World War I, the Revolution and the Civil War. He had recently suffered the tragic loss of his wife, their two young children and his father in the epidemics that raged in the Soviet Union at that time. It was partly to distract him from his grief that he was invited to join the mission, and A. F. Joffé, who had been his chief at the Physico-Technical Institute in Petrograd, thought it would be a good thing for him to get some first-hand experience of the latest research techniques by spending the winter in a leading physics laboratory in the West. Eventually, Rutherford agreed to have him in the Cavendish and Kapitza made such an impression by his originality and experimental skill that he was encouraged to extend his stay.


1952 ◽  
Vol 4 (2) ◽  
pp. 239-273 ◽  
Author(s):  
Frank L. Klingberg

There seems little doubt that the defense and strengthening of the “free world” in our time depends largely upon American leadership. Confidence that America will continue to play this role in world affairs is weakened by the memory of America's political isolation following World War I, and by certain currents of American opinion noted by observers since World War II.1 Barbara Ward warns the peoples of the West that “we shall certainly fail unless our effort is at once sustained, calm and supremely positive.”


2012 ◽  
Vol 12 ◽  
Author(s):  
Toshio Miyake

Axis Powers Hetalia (2006–present), a Japanese gag comic and animation series, depicts relations between nations personified as cute boys against a background of World War I and World War II. The stereotypical rendering of national characteristics as well as the reduction of historically charged issues into amusing quarrels between nice-looking but incompetent boys was immensely popular, especially among female audiences in Japan and Asia, and among Euro-American manga, anime, and cosplay fans, but it also met with vehement criticism. Netizens from South Korea, for example, considered the Korean character insulting and in early 2009 mounted a protest campaign that was discussed in the Korean national assembly. Hetalia's controversial success relies to a great extent on the inventive conflation of male-oriented otaku fantasies about nations, weapons, and concepts represented as cute little girls, and of female-oriented yaoi parodies of male-male intimacy between powerful "white" characters and more passive Japanese ones. This investigation of the original Hetalia by male author Hidekaz Himaruya (b. 1985) and its many adaptations in female-oriented dōjinshi (fanzine) texts and conventions (between 2009 and 2011, Hetalia was by far the most adapted work) refers to notions of interrelationality, intersectionality, and positionality in order to address hegemonic representations of "the West," the orientalized "Rest" of the world, and "Japan" in the cross-gendered and sexually parodied mediascape of Japanese transnational subcultures.


2019 ◽  
Vol 24 (1) ◽  
pp. 128-144
Author(s):  
Ning Wang

In commemorating the centenary of the end of World War I, we could not but reflect on many of the valuable legacies and lessons the War has left behind it. To us humanities scholars, what we are most concerned about is the legitimacy of universalism or whether there is such a thing as absolute universalism. The same is true of modernity, for people may well think that modernity represents the great interest of all people in the world. But modernity manifests itself in different modes in different countries and nations as different countries and nations have different conditions, especially in such an ancient country as China. The present article will illustrate how modernity was imported from the West into China and how it has been readjusted according to its own condition and thereby developing in an uneven way. Through some theoretical elaboration the article has deconstructed the so-called “singular” or “universalist” modernity with the Chinese practice and reconsidered the concept of cosmopolitanism which has certain parallel elements in ancient Chinese philosophy. Considering the pluralistic orientation of contemporary cosmopolitanism, the author offers his own reconstruction of a sort of new cosmopolitanism in the era of globalization.


2020 ◽  
Vol 13 (2) ◽  
pp. 100-120
Author(s):  
Mahmoud O. Haddad

This study compiles historical information to highlight the role played by both East and West European countries in the creation of Israel since before World War I. East European countries, especially Russia, Poland, and Romania, were as effective in this regard as the West Europeans. While racial policies were paramount in East Europe, including Germany, religious and strategic policies were as effective in the West, especially in Britain. Two points can be redrawn in this regard: That the question of Palestine was a Western question on both sides of the continent; it had nothing to do with the Eastern question that engulfed the Ottoman Empire before and during World War I. Additionally while World War II did not start the process of creating Israel, it accelerated it since the United States became an active supporter of the Zionist project. The second conclusion explains why all major powers give so much latitude to Israel, regardless of its constant neglect of international law to this very day.


1967 ◽  
Vol 31 (2) ◽  
pp. 97
Author(s):  
Edward M. Coffman ◽  
Trevor N. Dupuy ◽  
Trevor N. Dupy ◽  
Gay M. Hammerman ◽  
Woldzimiez Onacewicz

2020 ◽  
Vol 72 (2) ◽  
Author(s):  
Jakub Michał Niebylski

This article presents the archaeological remains of World War I that were discovered in 2016 at the multicultural site Sadowie-Kielnik 1, Kraków district. The fights that broke out there were part of the Battle of Kraków, which took place between November 16-25, 1914. The parties to the conflict were the armies of the Austro-Hungarian Monarchy and the Russian Empire. The consequence of this battle was the halting of the attack of the Russian Army towards the west, which resulted in pushing them out of Galicia. A collection of 145 artefacts related to both armies was analysed. Additionally, archaeological features – field fortifications – were interpreted as well. This helped to explain their strategic function and to determine which of the two armies built them. It was also possible to determine the date of their construction and the time during which these fortifications were occupied by the army.


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