Part of Living in the Late Twentieth Century: Notions of Risk and Fear in Relation to Crime

2000 ◽  
Vol 33 (1) ◽  
pp. 21-36 ◽  
Author(s):  
Deborah Lupton

This article reports on some of the findings of a study into fear of crime among a group of Australians, examining the relationship between assessments of personal risk of being a victim of six specified crimes and worry about being a victim of these crimes. The findings revealed that while the two are related, assessments of risk tended to be higher than assessments of worry in relation to the same crime. Participants drew on their perception of their own vulnerability based on such attributes as gender, age and everyday routines, their personal experiences of crime, knowledge of others' experiences and media accounts to explain their assessments. Also underlying their notions of risk and fear were two paradoxical discourses on victimisation. The first discourse represents individuals as able to control their destiny and responsible for protecting themselves from crime. The second represented victimisation as a product of fate, against which it was impossible to fully protect oneself. It is argued that these notions of victimisation are underpinned by wider discourses in western societies that emphasise the vulnerability of individuals to risk and danger but also the importance of approaching the world as an active, entrepreneurial subject who refuses the victim status.

Author(s):  
David Ehrenfeld

The forest was small by American standards, perhaps fifty or sixty acres, but in the rolling Devon countryside with its parceled fields and narrow, hedge-enclosed lanes, it felt appropriately spacious. I was enjoying the guided tour in one of my favorite parts of the world. The light rain and chilly July breezes felt right; the English ivy carpeting the ground seemed right; the leafy hardwoods looked right (although I didn’t know the species and could easily have been fooled); and the probably medieval bank and ditch running through the woods at right angles to the path gave everything an impressive air of authenticity. The path turned. As we rounded the corner, I saw ahead the darker shade of conifers. Soon we were in the midst of a grove of youthful but already towering California-coast redwoods. A deep silence hung like a benediction over the dark wood, but it was quickly shattered. “I’d give anything to be allowed to cut them down,” said our guide, Stephan, in an angry voice. This incident passed out of my thoughts until weeks later back in New Jersey, when I was reading the chapter on conservation in Oliver Rack-ham’s The History of the Countryside, an account of the origins of Britain’s landscapes, flora, and fauna. The British landscape of the late twentieth century, Rack-ham wrote, is suffering from an acute loss of meaning—the unique messages once conveyed by many historic woodlands, witness to millennia of slow and painstaking change, have been garbled beyond recognition in five or six decades of modern planting, “restoration,” development, and agriculture. The more I read in this remarkable book, surely one of the most profound and eloquent descriptions of people and nature ever written, the more I understood Stephan’s feeling that his Devon woodland had been desecrated by the planting of those redwoods. I also began to understand how little I knew about the long discourse between people and trees in Britain, where the history of the relationship is probably as well documented as in any place on earth.


Author(s):  
James Tweedie

Like the tableau vivant, the cinematic still life experienced a stunning revival and reinvention in the late twentieth century. In contrast to the stereotypically postmodern overload of images, the still life in film initiates a moment of repose and contemplation within a medium more often defined by the forward rush of moving pictures. It also involves a profound meditation on the relationship between images and objects consistent with practices as diverse as the Spanish baroque still life and the Surrealist variation on the genre. With the work of Terence Davies and Alain Cavalier’s Thérèse (1986) as its primary touchstones, this chapter situates this renewed interest in the cinematic still life within the context of both the late twentieth-century cinema of painters and a socially oriented art cinema that focuses on marginal people and overlooked objects rather than the hegemonic historical narratives also undergoing a revival at the time.


2013 ◽  
Vol 12 (2) ◽  
pp. 185-202
Author(s):  
Duncan Reid

AbstractIn response to the contemporary ecological movement, ecological perspectives have become a significant theme in the theology of creation. This paper asks whether antecedents to this growing significance might predate the concerns of our times and be discernible within the diverse interests of nineteenth-century Anglican thinking. The means used here to examine this possibility is a close reading of B. F. Westcott's ‘Gospel of Creation’. This will be contextualized in two directions: first with reference to the understanding of the natural world in nineteenth-century English popular thought, and secondly with reference to the approach taken to the doctrine of creation by three late twentieth-century Anglican writers, two concerned with the relationship between science and theology in general, and a third concerned more specifically with ecology.


1996 ◽  
Vol 5 (2) ◽  
pp. 239-273
Author(s):  
Constance Lever-Tracy ◽  
David Ip

This article explores two new and related phenomena of the late twentieth century that will surely play a major role in shaping the world of the twenty-first: the economic development and opening up of China, and the emergence onto the world economic stage of diaspora Chinese businesses, producing a significant, identifiably Chinese current within global capitalism. Each of these has, we believe, been crucial and perhaps indispensable to the other.


1997 ◽  
Vol 73 (2) ◽  
pp. 256
Author(s):  
Frank Hodges ◽  
R. J. Johnston ◽  
Peter J. Taylor ◽  
Michael J. Watts

Author(s):  
Sally Eden

Geographical approaches to human-environment relations have been diverse and dynamic over the last century. They have also been heavily influenced not only by academic disciplines outside geography but by popular and policy concerns outside academia. From an initial flurry of activity about how the environment influences society in the early part of the century, British geography then took a detour to other topics even as other disciplines discovered the environment as a topic of interest. This left geographers playing ‘catch-up’ in the late twentieth century, as the discipline sought to reoccupy the ground previously abandoned. This is not over yet: in the 1990s, research into ‘the environment’ and ‘nature’ was scattered across academia. This chapter examines the relationship between humans and the contemporary environment, focusing on environmental protection, environmental management and ecological science, environmental policy and management, environmentalism, and environment and history.


Author(s):  
Ken van Someren ◽  
Glyn Howatson

Organized physical training in the pursuit of sporting excellence is not a recent phenomenon. Reports of structured athletic training programmes date back to the ancient Greeks, when they were used for both military and Olympic preparation. Despite an extensive history, it was not until the mid to late twentieth century that what is now considered a scientific approach to training theory developed. The description of the General Adaptation Syndrome by Dr Hans Selye in 1956, which examined the relationship between training stress and adaptation, and the work of Metveyev, Harre, and others in the 1970s and 1980s developed the foundation of training theory and its application to athletic training programmes....


Author(s):  
Jean-Luc Marion ◽  
Dan Arbib ◽  
David Tracy

This book provides an introduction to the life and work of philosopher and theologian Jean-Luc Marion through a set of interviews, discussing his educational career, his work on Descartes, his phenomenology, his theology, his philosophical methodology, and his views on the future of Catholicism in France. It presents all of his major ideas in fluid dialogue and conversational tone with his former student Dan Arbib. At the same time, it provides an account of French intellectual life, especially in regard to philosophy and theology, in the late twentieth century. Marion also reflects on the relationship of philosophy to history, theology, aesthetics, and literature. The dialogues include discussions of all of his books and present their central arguments in easily comprehensible fashion. They show the overall unity of his work in terms of its focus on giveness, the gift, and the event.


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