scholarly journals Accounting and music: The role of Giuseppe Verdi in shaping the nineteenth-century culture industry

2021 ◽  
pp. 103237322110260
Author(s):  
Federica Balluchi ◽  
Arianna Lazzini ◽  
Riccardo Torelli

The aim of this research is to investigate the contribution of Giuseppe Verdi and Casa Ricordi in shaping the nineteenth-century music culture industry by adopting a new perspective on accounting and history. In nineteenth-century Italy, opera represented an important phenomenon, both artistically and socially, playing a fundamental role of intermediary between society and the political sphere. The complex relationships between the composer (artist) and the publisher (cultural intermediary) are analysed in the specific field of opera music, outlining the evolution and interweaving of artistic, social and economic aspects. The study embraces the period 1839–1893 and examines the economic and private relations between Giuseppe Verdi and Casa Ricordi and their impacts on the culture industry to this day. This article’s novelty is to adopt a historical perspective to broaden accounting into the field of high music offering possibilities for further studies.

2021 ◽  
Author(s):  
Federica Balluchi ◽  
Arianna Lazzini ◽  
Riccardo Torelli

The aim of this research is to investigate the contribution of Giuseppe Verdi and Casa Ricordi in shaping the 19th century music culture industry by adopting a new perspective on accounting and history. In 19th century Italy, opera represented an important phenomenon, both artistically and socially, playing a fundamental role of intermediary between society and the political sphere. The complex relationships between the composer (artist) and the publisher (cultural intermediary) are analysed in the specific field of opera music, outlining the evolution and interweaving of artistic, social, and economic aspects. The study embraces the period 1839–1893 and examines the economic and private relations between Giuseppe Verdi and Casa Ricordi and their impacts on the culture industry to this day. This paper’s novelty is to adopt a historical perspective to broaden accounting into the field of high music offering possibilities for further studies.


Author(s):  
Duncan Bell

This chapter focuses on John Robert Seeley (1834–95), the most prominent imperial thinker in late nineteenth-century Britain. It dissects Seeley's understanding of theology and religion, probes his views on the sacred character of nationality, and shows how he attempted to reconcile particularism and universalism in a so-called “cosmopolitan nationalist” vision. It argues that Seeley's most famous book, The Expansion of England (1883) should be understood as an expression of his basic political-theological commitments. The chapter also makes the case that he conceived of Greater Britain as a global federal nation-state, modeled on the United States. It concludes by discussing the role of India and Ireland in his polychronic, stratified conception of world order.


2019 ◽  
Vol 20 (3) ◽  
pp. 684-718 ◽  
Author(s):  
GREIG MORDUE

New perspective is provided on a critical period in the development of the Canadian automotive industry. In the 1980s, five foreign manufacturers built new vehicle assembly operations in Canada, effectively transforming that country’s automotive industry. Drawing from a combination of interviews with key actors and a review of archives, this case study makes several contributions. First, gaps are closed in the economic history of one of Canada’s most important industries. Second, the case demonstrates the capacity of using historical perspective to extend an existing theory to a new area of inquiry. In this case, Multiple Streams Theory is employed to explain the process of inward FDI attraction. This includes a description of the role of policy entrepreneurs and their capacity to create and exploit opportunities. Third, the case demonstrates the continuing relevance of integrating historical perspective to contemporary issues in business, management, and public policy.


2003 ◽  
Vol 33 (3) ◽  
pp. 310-327 ◽  
Author(s):  
Cheikh Anta Babou

AbstractThe scholarship on the Muridiyya focuses mainly on the examination of the political and economic aspects of the brotherhood. Dominant scholarly interpretations see the organisation as an effective instrument of adaptation to a turbulent period in history. Disgruntled Wolof farmers joined the Muridiyya as a way of adjusting to the new order brought about by the demise of the pre-colonial kingdoms and the establishment of French domination in Senegal, in the second half of the nineteenth century. Since the role of religious innovations and beliefs was considered peripheral in this process of adjustment, not much attention has been devoted to doctrinal and spiritual issues within the brotherhood. Emphasis had been put on the analysis of the socio-political context of the founding of the Murid brotherhood, and the economic and psychological incentives that might have motivated people to join the organisation. In contrast to this interpretation, I conceive of the Muridiyya as the result of a conscious decision by a Sufi shaikh who saw it primarily as a vehicle for religious change, but also for social and political transformation. Education was the principal tool for the realisation of this social change. This article describes and analyses Amadu Bamba's views on educational theory and practices and explores how his Sufi orientation shaped Murid pedagogy. It reveals the centrality of the theme of education in his writings, sermons and correspondence and documents the continuing influence of this education on the Murid ethos.


Urban History ◽  
1995 ◽  
Vol 22 (2) ◽  
pp. 229-237 ◽  
Author(s):  
Roy Hartnell

This paper looks at Joseph Chamberlain's Birmingham and claims that George Dawson's famous ‘civic gospel’ which laid the ground for the municipal reforms was permeated by a consensus view of the moral and civic role of art. It suggests that it was this combination of philosophy in action through art which created the special Birmingham context for a vibrant civic culture which led to the political and artistic achievements of the 1870s and 1880s. For a few brief years, this combination enabled Birmingham to stand above other British cities and lay claim to the titles of ‘the best-governed city in the world’ and ‘perhaps the most artistic town in England’.


1992 ◽  
Vol 25 (4) ◽  
pp. 397-430 ◽  
Author(s):  
Jonathan Topham

As is widely known, theBridgewater Treatises on the Power, Wisdom and Goodness of God as Manifested in the Creation(1833–36) were commissioned in accordance with a munificent bequest of the eighth Earl of Bridgewater, the Rev. Francis Henry Egerton (1756–1829), and written by seven leading men of science, together with one prominent theological commentator. Less widely appreciated is the extent to which theBridgewater Treatisesrank among the scientific best-sellers of the early nineteenth century. Their varied blend of natural theology and popular science attracted extraordinary contemporary interest and ‘celebrity’, resulting in unprecedented sales and widespread reviewing. Much read by the landed, mercantile and professional classes, the success of the series ‘encouraged other competitors into the field’, most notably Charles Babbage's unsolicitedNinth Bridgewater Treatise(1837). As late as 1882 the political economist William Stanley Jevons was intending to write an unofficialBridgewater Treatise, and even an author of the prominence of Lord Brougham could not escape having hisDiscourse of Natural Theology(1835) described by Edward Lytton Bulwer as ‘thetenthBridgewater Treatise’.


2020 ◽  
Vol 7 (1 (25)) ◽  
pp. 114-124
Author(s):  
Denis A. Konovalov

The article is devoted to the study of modern African dictatorship in the context of the political and economic aspects of symbolic violence. The main characteristics of the symbolic system of economic violence are formulated. The role of the institutional environment in the context of the reproduction of African dictatorship from the perspective of symbolic violence is shown.


2020 ◽  
Vol 1 (2) ◽  
pp. p77
Author(s):  
Cheng Zhan

This paper presents the findings of a corpus-based empirical study on the role of government staff interpreters in the political context of China. Based on a qualitative analysis of discourse documented in authentic encounters between top leaders of Guangdong Province and their foreign visitors in interpreter-facilitated communication, the paper attempts to question the long-held view that government staff interpreters serve as a neutral, transparent non-person. To provide perhaps a new perspective from which the interpreter’s role may be revisited, this paper looks at personal angle shifts in the interpretation done by six staff interpreters of Guangdong Foreign Affairs Office, including shifts between first person and third person angles, and second person and third person angles. With what corpus data reveal, the paper argues that the interpreter’s role as a mediator is conspicuous even in high-level political interpreting. Rather than a transparent non-person, the interpreter constructs and represents her identity as well as the identity of the institution she belongs to by discursive means, and therefore acts as an active party of communication.


2021 ◽  
Vol 236 ◽  
pp. 04018
Author(s):  
Weidong Xu

Culture is the embodiment of a country's social style, as a country’s spiritual embodiment, culture can not only bring economic benefits to a country, but also can show a country’s social style, the role of culture can not be underestimated. Therefore, this paper is mainly based on the “Internet plus” background of the music and cultural industry innovation model to explore. Mainly for two aspects of research and discussion, the first is the current music and cultural industry facing the development of challenges; the second is the current music and cultural industry innovation model and innovative thinking. At the same time, I hope that enterprises can play a certain role in innovation inspiration. It is hoped that this paper can provide a little reference for the relevant research, so as to lay a solid foundation for the development of the relevant music and cultural industry.


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