‘When the Movie Started, We All Got Along’: Generation Y Remembers Movie Night

2011 ◽  
Vol 139 (1) ◽  
pp. 96-102 ◽  
Author(s):  
Janna Jones

Most scholars interested in movie-going have focused their attention on the early twentieth century, when going to the cinema was a common part of public life. More recently, however, sites of film consumption have become increasingly dispersed, encompassing both communal and private spaces. Examining ‘movie night’ – an informal, ritualised event in which contemporary families watch a film together at home or at the theatre – this article aims to broaden our understanding of the phenomenon of movie-going by recovering its present day practices. This analysis draws on the experiences of university students who recall movie nights as a set of comforting and enriching performances that had particular meanings within the complex network of their families. This essay argues that while contemporary movie-going practices are far less public than they once were, many of the fundamental elements of cinema's sociability that existed in cinema's classic era persist into the present.

2018 ◽  
Vol 23 (2) ◽  
pp. 241-274
Author(s):  
John H. Kim

AbstractThis essay rereads the work of Yi Sang (1910–37) against the early twentieth-century revolution in aerial photographic technologies. It argues that the aerial view (and the problem of “blind sight” that attends it) functions as a dynamic organizing principle for understanding the complex network of technoscientific, political, and existential concerns driving Yi’s literary and graphic practice, across both his Japanese and his Korean works. Bringing together a comparative framework with select close readings, the essay shows how aeriality furnished Yi with a particular set of structures and signs with which to engage larger questions around the nature of seeing, the limits of objectivity and rationality, and the possibilities and politics of creative expression.


2014 ◽  
Vol 3 ◽  
pp. 98-116
Author(s):  
Diana Greenwold

Allen Eaton’s Arts and Crafts of the Homelands exhibition premiered in Buffalo, New York in 1919, where it drew record crowds to the Albright Gallery. Iterations of the display soon opened in Albany, Rochester, and then in several other cities across the United States. Arts and Crafts of the Homelands showcased European craftwork of local immigrant groups to celebrate a model of early twentieth-century American pluralism. This article examines the aims of exhibit organizers, immigrant presenters, and native-born visitors to these exhibitions. The structure of the displays—which highlighted domestic tableaux of old-world objects—obfuscated the contemporary contributions of immigrant groups to American cultural and economic forums. I argue, however, that local groups took advantage of the exhibit’s performance spaces to assert their active presence in American public life. 


Itinerario ◽  
2010 ◽  
Vol 34 (3) ◽  
pp. 67-82
Author(s):  
Sarah Paddle

This article explores the experiences of Western women missionaries in a faith mission and their relationships with the women and children of China in the early years of the twentieth century. In a period of twenty years of unprecedented social and political revolution missionaries were forced to reconceptualise their work against a changing discourse of Chinese womanhood. In this context, emerging models of the Chinese New Woman and the New Girl challenged older mission constructions of gender. The Chinese reformation also provided missionaries with troubling reflections on their own roles as independent young women, against debates about modern women at home, and the emerging rights of white women as newly enfranchised citizens in the new nation of Australia.


Author(s):  
M. Anne Crowther

Joseph Lister's painstaking experiments in antiseptic lotions, dressings, and sutures in the 1860s and early 1870s seemed needlessly complex to his critics and were best understood by those who saw him in action. From the 1880s the acrimony subsided, and Lister's international reputation became a major asset to the medical profession, even as it discarded or bypassed many of his techniques. He was claimed as an influence by many new specialties, even though in some cases his links with the discipline were tenuous. By the early twentieth century Lister had become a focus of imperial sentiment, and his legacy is seen at home and abroad through successive generations of students from his Scottish universities.


2021 ◽  
Vol 77 (4) ◽  
pp. 192-197
Author(s):  
Tamara Sabelnykova ◽  
◽  
Olga Novikova ◽  

The article considers the life of the Galician rural community of the early twentieth century, reflected in the works of Vasyl Stefanyk, the embodiment of the writer’s socio-political views. The spiritual foundations of the public rural system, which exist in the people’s consciousness at the genetic level and which act as a regulator and a reliable guardian of public order, have been analyzed. The authors trace how the new socio-political conditions cause changes in public life and what role the educated intelligentsia plays in these processes. In order to lead the people, it is necessary to understand them, to inspire their trust. Fiction is first and foremost an art. In the article, the writer’s ideas are presented through the interpretation of full-length, relief images, artistic details that express his ideas about the rural community. V. Stefanyk is an expressionist, so he portrays a person in extreme situations, in moments of the highest emotional tension, with a naked soul. This style of writing allows the author to achieve the maximum level of truthfulness. As a result, it was noted that at the beginning of the twentieth century there were traditions of collective solution of social problems in Ukraine, peasants sought to develop through education to improve their lives, to learn to defend their rights. Communities also took care of national life: they honored national heroes who became national symbols, because it was clear that without a common cultural memory, the images of which acquire symbolic significance, it was difficult to unite the people. Thus, Ukrainians have long traditions of public life that were interrupted during Soviet totalitarianism, but now the people are gradually returning to them, especially at critical moments in history when it is necessary to unite to confront the threats to democracy. As you can see, socio-political life continues in a cultural context, which is often determined for it. In view of this, it is promising to study the reflection of society in Ukrainian artistic literature, which depicts being in its entirety and diversity.


Lituanistica ◽  
2018 ◽  
Vol 64 (2) ◽  
Author(s):  
Olga Mastianica-Stankevič

In Lithuanian historiography, the metaphor of ‘the split-off branch’ is often used when speaking of the fate of the nobility that did not take an active part in the process of the re-establishment of the modern Lithuanian nation and its state. The majority of the nobility identified themselves with the modern Polish nation, and only individual families of the nobles such as the Biržiška brothers, the Lazdynų Pelėda sisters, Gabrielė Petkevičaitė-Bitė, Šatrijos Ragana (Marija Pečkauskaitė), Sofija Kymantaitė-Čiurlionienė, and some others became involved in the Lithuanian national movement. For many of them, ‘becoming a Lithuanian again’ was a rather complex psychological process when often one not only had to oppose the environment of their parents and extended families, but also to learn the Lithuanian language. The aim of this article is to find out how noble Lithuanian intelligentsia families made the move from using Polish to speaking Lithuanian at home. As an additional theme, the article addresses the question as to which language was used for communication in the families of those who had made up their minds to identify themselves with the modern Lithuanian nation, in other words, which language was used in the families of parents, spouses, and offspring. The article reflects not completed research but only its beginning. Very likely, it pinpoints a new research problem and points to possible ways of approaching it. The first part of the article addresses the question whether there existed an unequivocal requirement in the Lithuanian national discourse of the late nineteenth-early twentieth century for the nobility involved in the Lithuanian national movement to use the Lithuanian language at home as well. The second part of the article dwells on several questions. First of all, an attempt is made to find out which language was used for communication between parents and their children determined to join the Lithuanian national movement. On the other hand, the article also discusses how the Lithuanian language used to be learnt, how Lithuanian functioned among the parents, spouses, and the offspring of noble intelligentsia families. So far, these questions have not been addressed in Lithuanian historiography. Late in the nineteenth-early in the twentieth century, noble Lithuanian intelligentsia families in many instances preserved the Polish language in their written communication, although quite a number of the parents of such families knew and could speak Lithuanian, and there were many who supported the national self-determination of their offspring. It should be pointed out that at that time a growing number of noble intelligentsia families were aspiring at starting nationally-engaged families, in which both the spouses and the children had to learn Lithuanian. The instances when one of the spouses did not support the national self-determination of the other and tried to obstruct the formation of Lithuanian national identity in later generations were gradually becoming rarer.


Author(s):  
Igor Maver

Toe paper compares sorne of the possíble reasons for the radical change of locale and overseas travel far away from home in the case of the New Zealand writer Katherine Mansfield and especially the Slovenian author Alma Maximiliana Karlin in the early twentieth-century, which shows an interesting parallelism and search for the 'othemess' of experience beyond their respective homelands. If Mansfield decided to leave New Zealand for London to study, and for the second time to avoid the provincial climate at home, then the Slovenian travel writer Alma Karlin decided to leave Europe for Asia and New Zealand at roughly the same time as Mansfield arrived in the modemist literary Bloomsbury area in London. Toe publication of Mansfield's famous collection, I11e Carden Parti; and Other Ston·es (1922), and Karlin's travel book, Solitan; Journey (Die Einsame Weltreise, 1929), almost coincided, although the two women authors never met.


2015 ◽  
Vol 94 (2) ◽  
pp. 164-206 ◽  
Author(s):  
Philip Constable

This article analyses the social theology and practice of Scottish presbyterian missionaries towards hinduism in early twentieth-century western India. It reveals a radical contrast in Scottish missionary practice and outlook with the earlier activities of Alexander Duff (1806–78) in India from 1829 to 1864 as well as with contemporaneous discourse on non-christian religion and ethnicity which was prevalent at home in Scotland. The article argues that Scottish presbyterian missionaries selectively adapted and elaborated radical social theology from late nineteenth and early twentieth-century Scotland to deal with the hindu socio-religious out-casting and economic exploitation that they experienced during their christian proselytisation in early twentieth-century western India. In particular, the article analyses the social theology of the United Free Church missionary Reverend Alexander Robertson, who lived and worked in western India from 1902 to 1937. Robertson sought to re-invent and apply radical Scottish social theology to the material development and religious conversion of Dalit or impoverished out-caste hindu populations in western India. The article also contrasts this Scottish missionary social theology and practice with the secular Edwardian Liberal ideas of Benjamin Seebohm Rowntree (1871–1954), which Robertson's colleague and colonial administrator, Harold H. Mann (1872–1961) sought to implement towards Dalit people when he was Agricultural Chemist of Bombay Presidency after 1907 and Director of Agriculture for the Bombay Presidency in Pune from 1918 to 1927. In this context, the article argues more broadly that popular Orientalist discourse on non-christian religion and ethnicity at home in Scotland and perceptions of a subordinate Scottish relationship with the London metropole conceal the radical dimensions of Scottish identity within empire and the ways in which the interaction of radical practices between imperial peripheries like Scotland and India conditioned imperial development.


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