Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka (review)

1999 ◽  
Vol 51 (3) ◽  
pp. 351-351
Author(s):  
Joni L Jones
2017 ◽  
Vol 30 (61) ◽  
pp. 449-464
Author(s):  
Nicola Pizzolato

Abstract The social protest that engulfed Italy in the 1970s found a theoretical analysis in the work of the operaisti. Through a series of concepts, they outlined a new revolutionary practice that aimed to return to a more authentic reading of Marxism. This article focuses on the notion of 'refusal of work' and the ancillary concept of 'appropriation' and examines how these theoretical tools emerged out of radical protest in factories and were put forward by the operaisti as a central plank of a revolutionary strategy for the working class.


2019 ◽  
Author(s):  
AWEJ-tls for Translation & Literary Studies ◽  
Tahar Bayouli ◽  
Imed Sammali

This paper examines the issue of genre classification in Death of a Salesman by focusing on the dialectic relation at the heart of the play’s structure between tragedy and social drama. It argues that the tragic resolution brought to the theme of social protest and the characterization of the protagonist is what gives the play its unique place as the quintessential modern tragedy. It is concluded that tragedy and the social theme are not mutually destructive in Death of a Salesman as some critics stated. Rather, they are combined to make an intense dramatic treatment of the modern American individual’s most pressing issues. Without being constrained by prescriptive standardized rules, Miller produced a dramatic form that rightly claims the status of what can be labeled a modern tragedy, appealing to modern audiences as rarely any other modern play did.


2019 ◽  
Vol 22 (3) ◽  
pp. 187
Author(s):  
Rahmad Hidayat

This article aims to show how the social movement was conducted in the framework of claiming a number of aspects of citizenship, especially environmental rights and political participation, to the local government. The refusal of FRAT Bima over the extractive policy of the Government of Bima District during 2011-2012 becomes a reflective context of the type of social movement with such a framework. This social protest should be explored further because it used acts of vandalism on some public facilities as the chosen way to fight against the environmental and political injustices. Through a case study, the author aims to explore the sequence of repertoires which were applied sequentially by FRAT Bima’s social protest as well as to examine its linkage with environmental citizenship and public distrust. Despite being closely related to citizens' awareness about environmental citizenship, the occurrence of this anarchist movement was also triggered by the low level of "formal legitimacy" of the local government as a seed of public distrust towards the intentions of environmental governance policy that was about to be applied to make the agricultural land owned by villagers as the site of a certain project of mineral extraction. The lack of the government’s formal legitimacy, which was supported by the growing awareness of environmental citizenship, has led the sequential application of conventional and non-conventional strategies in the demands articulation of FRAT Bima. This sequence of repertoires was held due to the low-level of government's responsiveness in accommodating the public claims about the cancellation of an undemocratic environmental policy.


2014 ◽  
Vol 7 (2) ◽  
pp. 179-188
Author(s):  
Ranin Kazemi

This introduction provides a general context for the papers collected in the following symposium. Focused broadly on social protest and resistance in the eastern Islamic lands during the nineteenth century, these articles provide a rare glimpse of grass roots activism and unrest that were so common throughout this world region in a very momentous period of transition. The acts of resistance explained and analyzed here targeted the structure and relations of power that emerged after the advent of new capital and modern state formation. They also shared other common or comparable features in their specific forms and nature, the diversity of groups that participated in them, the social networking that made them possible, the strategies and tactics employed by actors on the ground, and ultimately the language and ideology of dissent.


2021 ◽  
Vol 31 (1) ◽  
pp. 252-279
Author(s):  
Maria Cristina Tortti ◽  

This paper aims at outlining the main processes that, in Argentina’s recent past, may enable us to understand the emergence, development and eventual defeat of the social protest movement and the political radicalization of the period 1960-70s.Here, as in previous papers, we resort to the concept of new left toname the movement that, though heterogeneous and lacking a unified direction, became a major unit in deeds, for multiple actors coming the most diverse angles coincided in opposing the vicious political regime and the social order it supported. Consequently, we shall try to reinstate the presence of such wide range of actors: their projects, objectives and speeches. Some critical circumstances shall be detailed and processes through which protests gradually amalgamated will be shown. Such extended politicization provided the frame for quite radical moves ranging from contracultural initiatives and the classism in the workers’ movement to the actual action of guerrilla groups. Through the dynamics of the events themselves we shall locate the peak moments as well as those which paved the way for their closure and eventual defeat in 1976.


Sociology ◽  
2013 ◽  
Author(s):  
Alford A. Young, Jr.

African Americans have been the focus of wide-ranging studies in sociology for more than a century. Research on this group has been central to the formation of the sociological subfields of race and ethnic relations, urban sociology, and the sociology of identity. In these and other subfields, sociologists have explored how African Americans experienced the transition from the rural South to northeastern and midwestern urban-based communities (occurring from the early to the mid-20th century during a period labeled the Great Migration), how and why they engaged in social protest activities during the late 1950s and 1960s, and how they have experienced and confronted the increasing poverty and socioeconomic despair that unfolded in American cities since the middle of the 20th century. Sociologists also have explored the social identity of African Americans as that identity has been transformed since the mid-20th century and as it has affected, and been affected by, intellectual and political transformations in multiraciality, gender, sexual orientation, and other identities.


LOGOS ◽  
2018 ◽  
Vol 29 (4) ◽  
pp. 14-25
Author(s):  
David Emblidge

Cody’s Books, in Berkeley, California, had its roots during the mid-1950s in the left-wing sympathies of its founders, the husband–wife team of Fred and Patricia Cody. Serving the University of California nearby, the much admired bookstore became a hangout and haven for intellectually curious students and faculty. In the social protest movements of the 1960s, the store functioned as a refuge from street violence as students and police clashed outside. When long-term employee Andy Ross bought the shop upon the Codys’ retirement, it was a thriving business but soon ran into challenges from encroaching chain stores and the emergence of online shopping. Ross responded variously: sometimes with ambitious, effective bookselling tactics, sometimes with ineffective resentment towards consumers who had abandoned the store. Attempts to survive through risky refinancing and the infusion of foreign investment money to support expansion into San Francisco all backfired. The last Cody’s branch closed ignominiously in 2008.


Author(s):  
Susan I. Gatti

A bold, imaginative work, The Star Rover demonstrates Jack London’s inventive approach to the social-protest genre. London mixes in the typical problem-novel ingredients: gritty, realistic details; sympathetic, downtrodden victims; greedy capitalist villains and their muscle-headed henchmen; brisk, often violent, action; outraged invective; individual and collective resistance; and radical action for precipitating change. But, in the process of exposing conditions within American prisons, London deviates sharply and creatively in The Star Rover—not only from the conventions of protest writing but also from the type of writing that normally assured him of good sales and positive reviews.


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