scholarly journals 12. The Role of the Arts in Male Courtship Display: Billy Collins’s “Serenade”

2019 ◽  
pp. 246-252
Behaviour ◽  
1996 ◽  
Vol 133 (15-16) ◽  
pp. 1265-1279 ◽  
Author(s):  
Cliff H. Summers ◽  
Thomas J. Andrews

AbstractFemale green anoles, Anolis carolinensis, were paired in terraria to investigate behavioral components of social interaction. Resources (perching sites, prey, and males as potential mates) were limited to assess their importance to cohabiting females. During interaction, paired females exhibited aggressive social behavior which contributed to the development of dominant-subordinate relationships. Dominant status and its relationship to differential resource acquisition was defined primarily by frequency of displacement of another female. Along with displacement, dominant females also had increased frequency of assertion displays, challenge displays, attacks and biting (Figs 1 & 2). Subordinate females were displaced more often and assumed submissive postures. No differences were found between dominant and subordinate females for perch site selection, body color or in prey capturing latency or success (Figs 3 & 4). Perch site elevation was not different between dominant and subordinate females, but was significantly lower than males. The color of paired females was not different unless males were present, in which case dominant females were darker. Paired females also respond differently to courtship display (Fig. 5). Dominant females responded with displays significantly more often than subordinate females to male courtship, indicating receptivity. The role of dominant-subordinate relationships among female A. carolinensis may include courtship and reproductive success as an important component, with consequences for the outcome of aggressive and reproductive social interactions with males.


Ethology ◽  
2006 ◽  
Vol 112 (11) ◽  
pp. 1062-1070 ◽  
Author(s):  
Eileen A. Hebets ◽  
K. Cuasay ◽  
P. K. Rivlin

1969 ◽  
Vol 44 (1) ◽  
pp. 13-22 ◽  
Author(s):  
JUDITH M. STERN ◽  
D. S. LEHRMAN

SUMMARY The effectiveness of progesterone (100 μg./day, × 7) in inducing incubation behaviour in male ring doves is markedly diminished by castration. Priming with testosterone propionate (200 μg./day, × 14) restored the effectiveness of progesterone in eliciting this behaviour to the levels in intact males. The synergistic relationship of these two hormones with regard to incubation behaviour contrasts with the inhibition by progesterone of an androgen-dependent male courtship display, the bowing-coo. The behavioural changes observed after these endocrine treatments are fully consistent with the normal sequence of changes in behaviour characterizing the transition from the courtship phase to the incubation phase of the reproductive cycle.


2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.


2020 ◽  
Vol 11 (1) ◽  
pp. 144-148
Author(s):  
Liuba Zlatkova ◽  

The report describes the steps for creating a musical tale by children in the art studios of „Art Workshop“, Shumen. These studios are led by students volunteers related to the arts from pedagogical department of Shumen University, and are realized in time for optional activities in the school where the child studies. The stages of creating a complete product with the help of different arts are traced – from the birth of the idea; the creation of a fairy tale plot by the children; the characterization of the fairy-tale characters; dressing them in movement, song and speech; creating sets and costumes and creating a finished product to present on stage. The role of parents as a link and a necessary helper for children and leaders is also considered, as well as the positive psychological effects that this cooperation creates.


Author(s):  
Joseph Moreno

While much of contemporary psychotherapy practice often focuses primarily on verbal exchange between therapists and clients, it is important to recognize that verbal expression is just one mode of expression, and not necessarily the deepest or most profound. Many clients in therapy may be more comfortable in expressing themselves in other ways through the modes of music, art, dance and psychodrama. The sources of the arts in healing extend back for many thousands of years and their modern expression through the creative arts therapies are now widely utilized in the mainstream of modern psychotherapy. Traditional healing practices are still widely practiced in many indigenous cultures around the world today and an appreciation of these practices can deeply enrich our understanding of the essential role of the arts in human expression. The aim of this paper is to consider the roots of the arts therapies and really all of psychotherapy, going as far back as pre-historic evidence, followed by an overview of living indigenous healing practices in such settings as Bushman culture in Namibia, Native American Indian culture, as well as in Kenya, Bali, Malaysia, Mongolia and more.


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