THE MEANING OF BASIC CATEGORY THEORETICAL NOTIONS IN SOME CATEGORIES OF PARTIAL ALGEBRAS. III

1996 ◽  
Vol 29 (4) ◽  
Author(s):  
Peter Burmeister ◽  
Boleslaw Wojdylo
Keyword(s):  
Basic Category ◽  
Partial Algebras

PUSHOUTS OF PARTIAL HOMOMORPHISMS OF PARTIAL ALGEBRAS II: CLOSED QUOMORPHISMS

2003 ◽  
Vol 02 (04) ◽  
pp. 471-500
Author(s):  
R. ALBERICH ◽  
F. ROSSELLÓ
Keyword(s):  
Basic Problem ◽  
Arbitrary Signature ◽  
Partial Algebras

We characterize the pairs of closed homomorphisms and closed quomorphisms of partial Σ-algebras that have a pushout in the corresponding category, for an arbitrary signature Σ. The latter characterization solves the basic problem previous to the development of a single-pushout approach to the transformation of partial algebras based on closed quomorphisms.

scholarly journals Dramatyzacja tradycji. Dramaturgiczne konfrontacje z kanonem literackim

2021 ◽  
pp. 31-53
Author(s):  
Piotr Dobrowolski
Keyword(s):  
Contemporary Art ◽  
Literary Studies ◽  
Critical Dialogue ◽  
Basic Category ◽  
Dramatic Works ◽  
Critical View ◽  
Polish Literature ◽  
Positive Effects ◽  
Active Reading ◽  
History Of

The article opens with a statement that dramaturgical creativity, long marginalized by literary studies, has returned to the area of its interest together with its researchers’ use of the achievements of performative and cultural turns. Taking these into account allows us to treat drama as a distinctive literary practice in which the reception of a text is exemplary. As the author claims, with the New Humanities, integrating scattered reading perspectives known to the history of literary studies into the horizons of New Positivity, dramatic studies enrich this standpoint and maintain a critical view making creative use of the antagonism of perspectives, confrontation of attitudes, conflict of qualities or different visions and ideas. The potential tensions revealed in the practice of active reading of a literary text in accordance with the dramatic matrix guarantee the positive effects of each act of engaged reading. The dramatization of tradition is a specific field of critical dialogue between the reader and the existing literary tradition. Three dramatic works by Jan Czapliński are indicated as examples of mediators for this dialogue. The work of this playwright presents and suggests a critical reading of the characters and works of Gabriela Zapolska, Henryk Sienkiewicz and Adam Mickiewicz, leading to the emancipation of their works that is situated beyond the framework of the discursively created, existing canon of contemporary Polish literature and culture. A critical view enriches and updates the canon. Dramatization, which allows the revaluation of existing values, appears as the basic category of contemporary art – revealing existing, usually ineffable conflicts and using them to build new, positive values.

scholarly journals Unbounded $C$*-Seminorms and *-Representations of Partial *-Algebras

2001 ◽  
Vol 20 (2) ◽  
pp. 295-314 ◽  
Author(s):  
Fabio Bagarello ◽  
A. Inoue ◽  
Camillo Trapani
Keyword(s):  
Partial Algebras

scholarly journals Weights on Partial *-Algebras

1995 ◽  
Vol 192 (3) ◽  
pp. 920-941 ◽  
Author(s):  
J.P. Antoine ◽  
Y. Soulet ◽  
C. Trapani
Keyword(s):  
Partial Algebras

MEDIA TEXT AS A BASIC CATEGORY OF MEDIA LINGUISTICS: PROBLEMS OF IDENTIFICATION, DELIMITATION, AND TYPOLOGY

2021 ◽  
Author(s):  
Кирилл Александрович Мякшин
Keyword(s):  
Basic Category ◽  
Cultural Field ◽  
The Media ◽  
Media Texts

Статья посвящена исследованию медиатекста в контексте многообразия научных подходов. Определены основные концепты, в которых себя представляет феномен данного текста. Предпринята попытка определить основные контексты существования медиатекстов, что позволяет выделить социально-культурное поле бытия медиатекста, установить его социально-историческую обусловленность. Рассмотрена типология указанного вида текста. The article deals with the study of media text in the context of a variety of scientific approaches. The main concepts in which the phenomenon of this text represents itself are defined. An attempt is made to determine the primary contexts of the existence of media texts, which allows identifying the socio-cultural field of the existence of the media text, establishing its socio-historical conditionality. The typology of this type of text is considered.

Partial *-Algebras

2002 ◽  
pp. 257-300
Author(s):  
Jean-Pierre Antoine ◽  
Atsushi Inoue ◽  
Camillo Trapani
Keyword(s):  
Partial Algebras
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