Nietzsche’s Entomology: Insect Sociality and the Concept of the Will

2021 ◽  
Vol 50 (1) ◽  
pp. 275-299
Author(s):  
Edgar Landgraf
Keyword(s):  
Emergent Properties ◽  
Will To Power ◽  
Social Phenomena ◽  
Wilhelm Wundt ◽  
The Social ◽  
The Will ◽  
Insect Sociality ◽  
Entomological Research

Abstract The article traces Nietzsche’s references to insects in his published and unpublished writings against the backdrop of his study of the entomological research of his time (esp. through his reading of Alfred Espinas’s Die thierischen Gesellschaften). The first part of the article explores how Nietzsche’s entomology allows us to add a posthumanist perspective to the more familiar poststructuralist readings of Nietzsche, as the entomological research he consulted offered him a model for understanding how rudimentary processes can lead to the formation of structures and higher organizations with emergent properties. The second part of the article revisits Nietzsche’s conceptions of the will and the will to power against the backdrop of his references to insect sociality and the influence of Wilhelm Wundt. It shows that Nietzsche’s deconstruction of the will as an umbrella concept and his will to power are attempts to model the emergence of complex edifices from simple operations under which physical, psychological, and social phenomena must be thought to arise. The article concludes with a reflection of the social and political relevance of what Nietzsche identifies as modernity’s “disgregation of the will.”

Nietzsche’s Entomology: Insect Sociality and the Concept of the Will

2021 ◽  
Vol 50 (1) ◽  
pp. 275-299
Author(s):  
Edgar Landgraf
Keyword(s):  
Emergent Properties ◽  
Will To Power ◽  
Social Phenomena ◽  
Wilhelm Wundt ◽  
The Social ◽  
The Will ◽  
Insect Sociality ◽  
Entomological Research

Abstract The article traces Nietzsche’s references to insects in his published and unpublished writings against the backdrop of his study of the entomological research of his time (esp. through his reading of Alfred Espinas’s Die thierischen Gesellschaften). The first part of the article explores how Nietzsche’s entomology allows us to add a posthumanist perspective to the more familiar poststructuralist readings of Nietzsche, as the entomological research he consulted offered him a model for understanding how rudimentary processes can lead to the formation of structures and higher organizations with emergent properties. The second part of the article revisits Nietzsche’s conceptions of the will and the will to power against the backdrop of his references to insect sociality and the influence of Wilhelm Wundt. It shows that Nietzsche’s deconstruction of the will as an umbrella concept and his will to power are attempts to model the emergence of complex edifices from simple operations under which physical, psychological, and social phenomena must be thought to arise. The article concludes with a reflection of the social and political relevance of what Nietzsche identifies as modernity’s “disgregation of the will.”

Making space for degenerate thinking: revaluing architecture with Friedrich Nietzsche

2021 ◽  
pp. 1-8
Author(s):  
Simon Weir ◽  
Glen Hill
Keyword(s):  
Friedrich Nietzsche ◽  
Will To Power ◽  
Lived Space ◽  
The Social ◽  
The Will

Scholarly analysis of the writings on architecture of philosopher Friedrich Nietzsche (1844–1900) has largely focused on passages in Twilight of the Idols where he claims that ‘Architecture is a kind of eloquence of power in forms – now persuading, even flattering, now only commanding.’1 Yet, considering Nietzsche’s theory of the will-to-power – that an innate drive towards power, might, and self-overcoming is the dominant force of existence – architecture gets interpreted in this passage as he would likely have interpreted sculpture. Any recognition of the social, political, physical, and psychological accommodations of architecture are absent. However, in a passage in Joyful Wisdom entitled ‘Architecture for the Perceptive’, Nietzsche wrote of architecture as a carefully crafted space to inhabit. This discussion of architecture as a lived space has received considerably less attention.

scholarly journals a arte e o afeto na inclusão escolar: potência e o pensamento não representativo

2018 ◽  
Vol 14 (30) ◽  
pp. 517-534 ◽  
Author(s):  
Mateus Freitas Barreiro ◽  
Alonso Bezerra Carvalho ◽  
Marta Regina Furlan
Keyword(s):  
Aesthetic Experience ◽  
Cultural Background ◽  
Inclusive Process ◽  
Social Psychological ◽  
Deleuze And Guattari ◽  
Will To Power ◽  
The Social ◽  
The Will ◽  
To Come ◽  
The Aesthetic

This article has as main objective to investigate art and the affection as options of will to power in the school inclusive process, having as theoretical reference, mainly, the thoughts of Deleuze and Guattari. The discussion begins in the conceptual formation of the notion affect (affection) and its other conceptual components that involve the will to power and the no representative thought. It is now necessary to include a new version of the register of a representative logic that encodes the subject's experience and reduces his/her affective power. In this perspective, the art as aesthetic experience is a way of amplifying power, once they are affected, they are empowered to a differentiated perspective in the means of conceiving and living life. The methodology is theoretical, with reflections on the affections in their relation with the deficient still to come? in the school, in its articulation with art and the aesthetic experience, and it involves the recognition of the social, psychological inequalities, among others. In this sense, art extends the affections, not only in the subjects under consideration, which possess a cultural background, but the appreciation depends on a sensible perception more than on a representative thinking.

“We Speak the Truth!”

2019 ◽  
Vol 12 (2) ◽  
pp. 53-80
Author(s):  
Sari Hanafi
Keyword(s):  
Social Sciences ◽  
Content Analysis ◽  
Social Science ◽  
The Political ◽  
Structured Interviews ◽  
Social Phenomena ◽  
The Social ◽  
Academic Qualifications

This study investigates the preachers and their Friday sermons in Lebanon, raising the following questions: What are the profiles of preachers in Lebanon and their academic qualifications? What are the topics evoked in their sermons? In instances where they diagnosis and analyze the political and the social, what kind of arguments are used to persuade their audiences? What kind of contact do they have with the social sciences? It draws on forty-two semi-structured interviews with preachers and content analysis of 210 preachers’ Friday sermons, all conducted between 2012 and 2015 among Sunni and Shia mosques. Drawing from Max Weber’s typology, the analysis of Friday sermons shows that most of the preachers represent both the saint and the traditional, but rarely the scholar. While they are dealing extensively with political and social phenomena, rarely do they have knowledge of social science

Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni

2014 ◽  
Author(s):  
Dira Herawati
Keyword(s):  
Social Situation ◽  
Work Of Art ◽  
Social Phenomena ◽  
Aesthetic Object ◽  
Human Foot ◽  
Works Of Art ◽  
The Social ◽  
The Creation ◽  
Art Photography ◽  
Artistic Images

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images

The Tinder Games: Collective mobile dating app use and gender conforming behavior

2021 ◽  
pp. 205015792110050
Author(s):  
Sabrina Sobieraj ◽  
Lee Humphreys
Keyword(s):  
Young Adults ◽  
Focus Group ◽  
Research Approach ◽  
Social Phenomena ◽  
Social Nature ◽  
Dating Apps ◽  
The Social ◽  
And Gender ◽  
Multi Phase ◽  
Gender Specific

Mobile dating apps like Tinder became very popular among young adults, and, in contrast to mobile dating websites, they were designed to create a more game-like experience. While it is well documented that seeking entertainment is one core motivation for mobile dating app use, the social nature of entertainment has garnered less attention. Therefore, in this paper we draw on research on entertainment in dating apps and the socio-physical contexts of use to identify patterned behaviors of heterosexual users. To do this, we employed a qualitative multi-phase research approach. First, we conducted 20 interviews with mobile dating app users. Based on the findings from that study, we conducted gender-specific focus groups and a discourse analysis to explore the social phenomena identified in phase one. Our findings suggest the fun of mobile dating is not just interacting with potential matches through the apps, but the use of the apps among one’s friends. These “dating games” are entertaining, but importantly mitigate potential social or physical risks of mobile dating. Unsurprisingly, notions of “play” across the interview, focus group, and discourse analyses reflect highly gendered practices surrounding mobile dating apps and different risks associated with such games.

scholarly journals Power, Agency, Relationality and Welfare Practice

2015 ◽  
Vol 44 (4) ◽  
pp. 687-705 ◽  
Author(s):  
RACHAEL DOBSON
Keyword(s):  
Social Policy ◽  
Practice Research ◽  
Social Worlds ◽  
Social Phenomena ◽  
Working Through ◽  
Starting Point ◽  
The Social ◽  
The Individual ◽  
The Relationship

AbstractThis article argues that constructions of social phenomena in social policy and welfare scholarship think about the subjects and objects of welfare practice in essentialising ways, with negativistic effects for practitioners working in ‘regulatory’ contexts such as housing and homelessness practice. It builds into debates about power, agency, social policy and welfare by bringing psychosocial and feminist theorisations of relationality to practice research. It claims that relational approaches provide a starting point for the analysis of empirical practice data, by working through the relationship between the individual and the social via an ontological unpicking and revisioning of practitioners' social worlds.

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