Martin Scorsese’s name has come to symbolize many broad ideas over the past few decades, to the point where he is no longer merely a filmmaker, but rather a cultural touchstone. He is associated with a particular religion (Catholicism), ethnicity (Italian), genre (gangsters), and time period (New Hollywood), while also being the foremost cinephile in American cinema, influencing whole generations in his wake. Consequently, the amount of writing on Scorsese is quite vast, and this bibliography will try to represent that variety while pointing readers to the best of this work. It is thus organized with a focus on Scorsese’s own scholarly contributions, interviews, career overviews, anthologies, major films, documentaries, and influence. There is a temptation to try to divide the work thematically, since so much of the writing centers around either religion, ethnicity, or masculinity, but doing so would risk perpetuating this overemphasis in the scholarship while also not representing the best writing on this important auteur. Thus, while certainly the work on Italian-Catholicism and masculinity will be frequent within the citations to come, they will not predominate among the selections taken as a whole. This bibliography also attempts to give some of the history of Scorsese scholarship itself, focusing on scholarly touchstones that tended to define particular historical moments and how Scorsese has been useful to particular critical approaches and/or arguments.