Winthrop's Journal in Manuscript and Print: The Temporalities of Early-Nineteenth-Century Transmedial Reproduction

PMLA ◽  
2018 ◽  
Vol 133 (1) ◽  
pp. 88-106 ◽  
Author(s):  
Patricia Jane Roylance
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Early Nineteenth Century ◽  
The Past ◽  
Print Edition ◽  
The Way

In the early nineteenth century, the antiquarian James Savage produced a print edition of John Winthrop's seventeenth-century manuscript journal. This transmedial reproduction illustrates the differing affordances of print and manuscript as vehicles for connecting to the past. Manuscripts offer a tangible link to long-dead people, but manuscripts' rarity encourages their sequestration in archives. In contrast, print editions make historical content more broadly accessible but provide a less direct material link to earlier eras. Print facsimiles of manuscript, such as the reproduction of Winthrop's handwriting included in Savage's edition, seek to embody the best of both media. But print facsimiles' promise of access to manuscript materiality elides their nature as temporal hybrids and their tendency to distort and damage their originals. The way that nineteenth-century antiquarians negotiated manuscript's and print's temporal affordances and juggled the competing prerogatives of past, present, and future makes those antiquarians useful models for understanding the stakes of digitization projects today.

Remembering the Past in Nineteenth-Century Scotland

2014 ◽  
Author(s):  
James J. Coleman
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
19Th Century ◽  
21St Century ◽  
Collective Memories ◽  
The Past ◽  
Prevailing View ◽  
The Way

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry

The Politics of Poetics in Early Qajar Iran: Writing Royal-Commissioned Tazkeras at Fath-ʿAli Shāh’s Court

2017 ◽  
Vol 10 (2) ◽  
pp. 129-157 ◽  
Author(s):  
Naofumi Abe
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
Reciprocal Relationship ◽  
Persian Literature ◽  
Early Nineteenth Century ◽  
Royal Court ◽  
Literary Movement ◽  
Persian Poetry ◽  
Late Eighteenth

Abstract The middle of the eighteenth century reportedly witnessed the emergence of the new literary movement in Persian poetry, called the “bāzgasht-e adabi,” or literary return, which rejected the seventeenth-century mainstream Indian or tāza-guʾi style. This literary movement recently merits increased attention from many scholars who are interested in wider Persianate cultures. This article explores the reception of this movement in late eighteenth- and early nineteenth-century Iran and the role played by the Qajar royal court in it, mainly by the analysis of a specific sub-genre of tazkeras, called “royal-commissioned tazkeras,” which were produced from the reign of the second Qajar monarch Fath-ʿAli Shāh onward. A main focus will be on the reciprocal relationship between the court poets/literati and the shah, which presumably somehow affected our understanding of Persian literature today.

“NOTHING IS THE WAY IT SHOULD BE”: GLOBAL TRANSFORMATIONS OF THE TIME REGIME IN THE NINETEENTH CENTURY

2017 ◽  
Vol 15 (3) ◽  
pp. 821-848 ◽  
Author(s):  
SEBASTIAN CONRAD
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
New Technology ◽  
East India Company ◽  
Dutch East India Company ◽  
Early Modern Europe ◽  
Time Regime ◽  
Modern Europe ◽  
The Way

When European clocks first arrived in seventeenth-century Japan they generated a commotion. The highly complex but also very precise instruments had been brought to Nagasaki by the Dutch East India Company that monopolized the sparse and highly regulated trade between Japan and Europe for more than two centuries. As an expression of the technological sophistication achieved in early modern Europe, mechanical clocks were hi-tech products of their time. They operated with a spring to store the energy, and their making required highly developed skills in casting and metalwork. The new technology made it possible to emancipate the measurement of time from sunshine and to achieve an evenness of temporal rhythms, not only during the day, but also at night.

WOMEN, MARGINALITY AND THE ZULU STATE: WOMEN'S INSTITUTIONS AND POWER IN THE EARLY NINETEENTH CENTURY

1998 ◽  
Vol 39 (3) ◽  
pp. 389-415 ◽  
Author(s):  
SEAN HANRETTA
Keyword(s):  
South Africa ◽  
Nineteenth Century ◽  
State Government ◽  
Gender Relations ◽  
Historical Change ◽  
Political Organization ◽  
Internal Conflict ◽  
Early Nineteenth Century ◽  
The Past ◽  
Definition Of

For a number of years the historiography of Southern Africa has been dominated by a materialist framework that has focused upon modes of production and forms of socio-political organization as the determining factors in historical change. Those historians concerned with the history of women in pre-colonial societies – even those who have privileged gender relations in their analyses – have largely been content to construct women's history by applying the insights of socio-economic and political analyses of the past to gender dynamics, and by projecting the insights of anthropological analyses of present gender relations into the past. Some of these historians have concluded that until the arrival of capitalism no substantial changes in the situations, power or status of women took place within Zulu society, even during the period of systemic transformation known as the mfecane in the early nineteenth century.More recently, Zulu gender history has become part of a larger debate connected to the changing political and academic milieu in South Africa. Representatives of a revived Africanist tradition have criticized materialist historians for writing Zulu history from an outsider's perspective and of focusing overly on conflict and power imbalances within the nineteenth-century kingdom in an effort to discredit contemporary Zulu nationalism. To counter this, historian Simon Maphalala has stressed the harmony of nineteenth-century Zulu society, the power advisors exercised in state government, and the lack of internal conflict. Maphalala also claims that women's subordinate role in society ‘did not cause any dissatisfaction among them’, and argues that ‘[women] accepted their position and were contented’. In recent constitutional debates many South African intellectuals including members of the Congress of Traditional Leaders of South Africa (CONTRALESA), invoked this ‘benign patriarchy’ model of pre-colonial gender relations to oppose the adoption of gender-equality provisions in the new constitution. As Cherryl Walker has noted, the hegemonic definition of traditional gender relations to which such figures have made rhetorical appeals often masks not only the historicity of these relations but also hides dissenting opinions (often demarcated along gender lines) as to what those relations are and have been.

An Anti-Vietnamese Rebellion in Early Nineteenth Century Cambodia: Pre-colonial Imperialism and a Pre-Nationalist Response

1975 ◽  
Vol 6 (1) ◽  
pp. 16-24 ◽  
Author(s):  
David P. Chandler
Keyword(s):  
Nineteenth Century ◽  
Southeast Asia ◽  
Early Nineteenth Century ◽  
Political Thinking ◽  
Before And After ◽  
The Way

The “holy man's” (nak sel) rebellion against the Vietnamese that broke out in 1820 along the Cambodian-Vietnamese border is the best-documented one of its kind in pre-colonial Cambodia, and makes a useful addition to the literature of such revolts in Buddhist Southeast Asia. Its importance in Cambodian terms lies in its anti-Vietnamese character, the participation in its ranks of Buddhist monks, the collusion of Cambodian authorities, and the way in which these themes foreshadow Cambodian political thinking, before and after the arrival of the French.

History and Change

2018 ◽  
pp. 483-500
Author(s):  
David Paroissien
Keyword(s):  
Nineteenth Century ◽  
Historical Novels ◽  
The Past ◽  
Two Cities ◽  
History Of ◽  
The Way

This chapter questions the view that Dickens took little interest in history and remained ignorant of the challenge of writing about the past. Following John Forster’s dismissal of A Child’s History of England as ‘that little book’, which ‘cannot be said to have quite hit the mark’, A Child’s History, Barnaby Rudge, and A Tale of Two Cities have received often unsympathetic treatment, particularly with respect to the way the past is used in his two historical novels. Read within the context of ideas about history advocated by Carlyle and Macaulay in the 1830s, this chapter contends that fresh light can be shed on Dickens’s awareness of historiography and on his familiarity with an invigorated approach to the discipline advocated by the two most prominent historians of the first half of the nineteenth century.

Other-Worldly and This-Worldly Islam and the Islamic Revival

2004 ◽  
Vol 14 (1) ◽  
pp. 47-58 ◽  
Author(s):  
Francis Robinson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Human Life ◽  
Important Change ◽  
Great Power ◽  
Early Nineteenth Century ◽  
Islamic Revival ◽  
The Past ◽  
Nineteenth And Twentieth Centuries ◽  
Islamic Society

In his Islam in Modern History, published in 1957, yet still a work remarkable for its insights, Wilfred Cantwell Smith refers to the extraordinary energy which had surged through the Muslim world with increasing force in the nineteenth and twentieth centuries. He talks of:dynamism, the appreciation of activity for its own sake, and at the level of feeling a stirring of intense, even violent, emotionalism…The transmutation of Muslim society from its early nineteenth-century stolidity to its twentieth-century ebullience is no mean achievement. The change has been everywhere in evidence.This surge of energy is closely associated with a shift in the balance of Muslim piety from an other-worldly towards a this-worldly focus. By this I mean a devaluing of a faith of contemplation of God's mysteries and of belief in His will to shape human life, and a valuing instead of a faith in which Muslims were increasingly aware that it was they, and only they, who could act to fashion an Islamic society on earth. This shift of emphasis has been closely associated with a new idea of great power, the caliphate of man. In the absence of Muslim power, in the absence, for the Sunnis at least, of a caliph, however symbolic, to guide, shape and protect the community, this awesome task now fell to each individual Muslim. I hazard to suggest that this shift towards a this-worldly piety, and the new responsibilities for Muslims that came with it, is the most important change that Muslims have wrought in the practice of their faith over the past one thousand years. It is a change full of possibilities for the future.

The Fools of the Leisure Class. Honor, Ridicule, and the Emergence of Animal Protection Legislation in England, 1740–1840

2006 ◽  
Vol 47 (1) ◽  
pp. 3-35 ◽  
Author(s):  
Stefan Bargheer
Keyword(s):  
Nineteenth Century ◽  
Moral Concern ◽  
Early Nineteenth Century ◽  
Animal Protection ◽  
Leisure Class ◽  
Late Eighteenth ◽  
Drastic Increase ◽  
Protection Legislation ◽  
The Way

The article analyzes the emergence of moral concern for animals in late eighteenth and early nineteenth-century England. This concern was fuelled by a developing aristocratic discourse on civility that was accompanied by a drastic increase in the factual visibility of violence inflicted on animals in the growing cities. In opposition to interpretations based on the concepts of discipline and distinction, the article elaborates the way in which the emergence of moral concern for animals was class-structured without being class-interested.

"The Burning Clime": Charlotte Brontë and John Martin

1995 ◽  
Vol 50 (3) ◽  
pp. 285-321 ◽  
Author(s):  
Christine Alexander
Keyword(s):  
Nineteenth Century ◽  
Personal Development ◽  
Charlotte Bronte ◽  
Early Nineteenth Century ◽  
Dynamic Relationship ◽  
Gradual Shift ◽  
The Way

The name of the Romantic painter and printmaker John Martin has long been associated with the Brontës. His pictures hung on the Brontë Parsonage walls; the Brontë children both copied his images in paint and transposed them into "print" in their tiny handsewn magazines. His sublime landscapes and gigantic imaginary scenes of ancient architecture-an amalgamation of Classical, Egyptian, and Indian styles-provided unlimited scope for the young architects of Glass Town and Angria. Yet the dynamic relationship between Martin's lurid canvases and Charlotte Brontë's writings extends beyond the simple use of pictorialism. In his work she found an analogue for her own frustrating experience, and her response to his work significantly contributed to her personal development as an artist. This essay attempts to trace the way in which Brontë's writings register her early-nineteenth-century response to Martin's work in a gradual shift from her initial enthusiasm for his landscapes toward a distrust of his illusive promises of grandeur.

Morbid Jealousy: Some Clinical and Social Aspects of a Psychiatric Symptom

1961 ◽  
Vol 107 (449) ◽  
pp. 687-753 ◽  
Author(s):  
Michael Shepherd
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Human Nature ◽  
Psychiatric Symptom ◽  
English Language ◽  
Social Aspects ◽  
Early Nineteenth Century ◽  
Green Is ◽  
French Word

Jealousy is more than a psychiatric symptom. Its language is universal: the conduct and feelings of the jealous man and woman have repeatedly drawn the attention of the great observers of human nature, the moralists and the philosophers as well as the poets and the novelists. They have, on the whole, described the reaction more successfully than they have defined it. Even the most celebrated definitions—Descartes' “kind of fear related to a desire to preserve a possession” or Spinoza's “mixture of hate and love”, for example— merely illustrate the complexity of a term whose many nuances of meaning can be detected in its roots. The English adjective “jealous” and the noun “jealousy” are derived respectively from the French “jaloux” and “jalousie”, both taken from the old Provençal “gilos”; “gilos” in turn may be traced back to the vulgar Latin adjective “zelosus” which comes from the late Latin “zelus” and so indirectly from the Greek ζηλoς. In its transmission the word has thus been debased. It has ceased to denote “zeal” or “ardour”; the “noble passion” which stood opposed to “envy” for the Greeks has acquired a pejorative quality. In modern German the distinction is preserved verbally, “Eifersucht” having been formed from the original “Eifer” (zeal) and the suffix “-sucht”, which is cognate with “siech”, meaning “sickly”. Amorous jealousy claims associations of its own. During the seventeenth century the French word “jalousie” acquired the meaning of “blind” or “shutter”; in this sense it entered the English language as a noun in the early nineteenth century; the transmutation is thought to have signified a jocular reference to the suspicious husband or lover who could watch unobserved behind the jalousie; the Italian word “gelosia” is used in this way as early as the middle of the sixteenth century. In the Scandinavian languages separate words designate amorous jealousy. (1) The Swedish “svartsjuk”, literally “black sick”, is taken from an old expression which identified jealousy with the wearing of black socks; the Danish “skinsyg”, “afraid of getting skin (a rebuff)”, harks back to an old link of jealousy with skin which may in turn have been connected with hose or socks. (2) The origin of the colours which are traditionally employed to depict jealousy, especially black, yellow and green, is obscure.

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