9. Längste Leinwand der Welt: Die Pop-Art-Mauer

Die Mauer ◽  
2009 ◽  
pp. 108-118
Author(s):  
Edgar Wolfrum
Keyword(s):  
Pop Art

OS PRIMÓRDIOS DA INSTALAÇÃO ARTÍSTICA

2017 ◽  
Vol 15 (1) ◽  
pp. 22-30
Author(s):  
Dimitrio Joviano Pinel
Keyword(s):  
Pop Art ◽  
Sound Art

O presente artigo discute sobre questões do embate entre o moderno e o contemporâneo, e tentará mostrar como o surgimento da instalação artística tornou-se um gênero essencialmente questionado nas realizações dos artistas que trabalharam o conceito da sound art. Nesse sentido, este artigo terá como recorte os movimentos que tiveram grande dimensão nas décadas de 1950 até 1970, como o minimalismo, a pop art, e particularmente a música experimental. Portanto, nosso ponto de partida começa com o surgimento da instalação artística.

A arte contemporânea: do dadaísmo ao pop art!

2012 ◽  
Vol 1 (6) ◽  
pp. 43
Author(s):  
Merielle Espírito Santo Brandão
Keyword(s):  
Pop Art

A arte contemporânea e as transformações sofridas no século XX. Das vanguardas às novas tendências. Das formas assimétricas, rudes e chocantes,  a arte nas ruas, fora dos museus, desestetizada, do pastiche. O surgimento de novos conceitos artísticos buscando libertação contra o Moderno e o moderno vanguardista, seu hermetismo e subjetivismo, engendram a antiarte e seus movimentos singulares de representação do cotidiano. A sociedade do consumo e da informação como plano de fundo artístisco produzindo uma arte que não só imita, ela é a própria vida.  

Dialogues, Debates and Disputes: Early Responses to American Pop Art

de arte ◽  
1989 ◽  
Vol 24 (39) ◽  
pp. 24-31
Author(s):  
Brenda Schmahmann
Keyword(s):  
Pop Art

Contemporary art and fashion: from Pop to Populist

1989 ◽  
Vol 14 (4) ◽  
pp. 17-21
Author(s):  
Darlene Tong
Keyword(s):  
Popular Culture ◽  
Contemporary Art ◽  
Performing Arts ◽  
Pop Art ◽  
American Artists

During the 1970s and 1980s, a number of American artists have made use of clothing as an art medium. Their work constitutes a new art movement, drawing on, and straddling divisions between, Pop Art, performing arts, popular culture, and fashion; it merits more thorough and accessible documentation, and there is a need for art libraries to make available the elusive information which does exist.

Pop as Translation Strategy: Makishi Tsutomu's Political Pop in Okinawa

ARTMargins ◽  
2018 ◽  
Vol 7 (2) ◽  
pp. 42-71
Author(s):  
Hiroko Ikegami
Keyword(s):  
Vietnam War ◽  
Contemporary Art ◽  
Economic Benefits ◽  
Pop Art ◽  
Cocktail Party ◽  
Lingua Franca ◽  
Avant Garde ◽  
Japanese Imperialism ◽  
Translation Strategy ◽  
The Vietnam War

This essay makes the first sustained study of the Okinawan artist Makishi Tsutomu (1941–2015) who used American Pop Art vocabularies to describe the complex realities of US-occupied Okinawa. Focusing on his 1972 installation Commemorating the Reversion to the Great Empire of Japan, the essay examines the critical ambivalence of Makishi's Political Pop as a translation strategy. Despite his critique of both American and Japanese imperialism, Makishi was aware that Okinawa was inseparably entangled in it, especially in the context of the Vietnam War, which brought violence, but also economic benefits, to Okinawa. Despite his use of the American Pop idiom as a new lingua franca for contemporary art, Makishi's work did not reach either mainland or international audiences as the artist exhibited almost exclusively in Okinawa. By comparing Makishi's artistic strategies with those of a representative Okinawan novelist, Ōshiro Tatsuhiro, especially as articulated in his 1967 novella The Cocktail Party, the essay situates the significance of Makishi's project within the emerging discourse on the global neo-avant-garde.

Candy Christian as a Pop-Art Daisy Miller

1971 ◽  
Vol 5 (2) ◽  
pp. 340-348
Author(s):  
D. M. Murray
Keyword(s):  
Pop Art

On Pop Art, Permissiveness, and Planning

1969 ◽  
Vol 35 (3) ◽  
pp. 184-186 ◽  
Author(s):  
Denise Scott Brown
Keyword(s):  
Pop Art
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