A Study on the Narrative Process of Rumors Appeared in Film 〈Woman Judge〉

2021 ◽  
Vol 60 ◽  
pp. 229-245
Author(s):  
Eun-Young Choi
Keyword(s):  
Narrative Process ◽  
Woman Judge

From Mediation to Medium: Aesthetic and Anthropological Dimensions of the Image (Bild) and the Crisis of Bildung in German Modernism

2005 ◽  
Vol 1 (2) ◽  
pp. 141-180 ◽  
Author(s):  
Thomas Pfau
Keyword(s):  
Georg Simmel ◽  
Cultural Narrative ◽  
Duke University ◽  
Narrative Process ◽  
Radical Transformation

Thomas Pfau (Duke University) explores the radical transformation of the Bildungsroman - and of the image ( Bild ) as its narrative, speculative fuel - in ‘The Magic Mountain’. Contrasting Mann's narrative process with that of Goethe and Hegel, and drawing on the sociological writings of Georg Simmel and Arnold Gehlen, Pfau reads Mann's novel as decisively breaking with Romanticism's self-generating, organicist, and teleological conception of cultural narrative.

Richardson's Pamela: An Interpretation

PMLA ◽  
1973 ◽  
Vol 88 (1) ◽  
pp. 79-91
Author(s):  
Stuart Wilson
Keyword(s):  
Moral Principle ◽  
The Novel ◽  
The Third ◽  
Narrative Process

The heroine of Richardson's first novel is neither a meretricious young hussy nor a paragon of virtue; she is a complex personality who moves from a naive adolescence to a composed maturity in the course of the narrative. The conflict between her devotion to moral principle and her growing affection for Mr. B., which develops in the first, or Bedfordshire, section of the novel, brings a near-psychic collapse in the second, or Lincolnshire, section. The imagery and symbolism show the nature of her torments, her growing awareness of a love that combines eros and agape, and her need for the reconciliation between conscience and libido which is completed after her return to the Bedfordshire estate in the third section. The formal symmetry of the novel evolves from the narrative process within which Pamela is tested and proved capable of an honest love and a tranquil marriage.

The hidden history of Benjamin Montgomery: Slave, manager, and accountant

2021 ◽  
pp. 103237322110581
Author(s):  
Sandra Gates ◽  
Megan Burke ◽  
John Humphreys
Keyword(s):  
United States ◽  
African American ◽  
The United States ◽  
Accounting Profession ◽  
Accounting Practice ◽  
Accounting History ◽  
History Of ◽  
Narrative Process ◽  
Race Ethnicity

Little is known about the contributions of African-American slaves in the histories of various business domains, including accounting. Some authors attribute this scholarly silence to ideological motives due to race-ethnicity and bigotry. Others note that this paucity reflects not only a lack of data but also an inability to adequately approach the contributions of minorities to the accounting profession. Consequently, there are hidden voices in accounting history that should be explored. One of those voices belongs to Benjamin Thornton Montgomery, a Southern slave who became a plantation manager and owner. Observing Montgomery’s practices through the unique historical lens of the ante-bellum period of the United States, we argue that he should also be acknowledged for his responsibilities as an accountant. Accordingly, we use an analytically structured narrative process to examine the compelling case of Ben Montgomery to inform a more accurate and balanced historical foundation of accounting practice in America.

scholarly journals FORMATION OF SOFT SKILLS OF CHILDREN ET PRESCHOOL AGE THROUGH THE USE OF INNOVATIVE TECHNOLOGIES IN WORKING WITH CREATIVE STORYTELING

2018 ◽  
Vol 28 (3) ◽  
pp. 939-943
Author(s):  
Penka Valcheva
Keyword(s):  
Communicative Competence ◽  
Soft Skills ◽  
Preschool Age ◽  
Creative Imagination ◽  
Verbal Creativity ◽  
Narrative Process ◽  
Language Competency ◽  
Speech Interaction ◽  
Linguistic Aspect ◽  
Speech Situation

The development of speech must be seen not only in the linguistic aspect (such as mastering the phonetic, lexical and grammatical habits of the child), but also in the area of communication skills (forming the child's skills to interact with peers and adults) that are important not only for the culture of speech, but also for the culture of communication. Communicative competence in pre-school age is therefore seen as the ability of children not only to form separate phrases but also to choose those that best reflect the necessary concrete behavior in individual speech situations and speech interaction because language as a means of communication it only makes sense in a given context. Namely the relationship between communication and socialization could lead to the formation of children of so-called soft skills. The child's ability to understand a specific speech situation in which he / she is placed allows him / her to actively master the language. In order to structure its narrative and select the correct means of expression, the child is placed in an imaginary speech situation, which largely directs his speech in the service of the specific communicative task and forms the basis of communicative competence. At preschool age, it covers the social context of language competency, that is, everything related to the situation in which the child communicates through language and by all means. The development of the communicative side of the creative storyteling at preschool age requires the development of such a system of speech tasks that stimulates both the creative imagination and the fulfillment of the communicative task set forth in the narrative process. This article focuses on the communicative side of verbal creativity by analyzing the ability of children to organize their own speech in accordance with a specific communicative purpose. It provides a tool for assessing the communicative focus of creative stories by analyzing the correspondence of the produced text with the theme, the preferred speech genre and the speech means that children use in their narrative.

scholarly journals Manning Up: Modern Manhood, Rudimentary Pugilistic Capital, and Esquire Network’s White Collar Brawlers

2019 ◽  
Vol 44 (1) ◽  
pp. 70-92
Author(s):  
Adam Berg ◽  
Andrew D. Linden ◽  
Jaime Schultz
Keyword(s):  
White Collar ◽  
Blue Collar ◽  
Service Economy ◽  
Professional Lives ◽  
Workplace Conflicts ◽  
Blue Collar Workers ◽  
The Social ◽  
Professional Class ◽  
Narrative Process ◽  
Masculine Hegemony

Debuting in 2013, Esquire Network’s first season of White Collar Brawlers features professional-class men with workplace conflicts looking to “settle the score in the ring.” In the show, white-collar men are portrayed as using boxing to reclaim ostensibly primal aspects of masculinity, which their professional lives do not provide, making them appear as better men and more productive constituents of a postindustrial service economy. Through this narrative process, White Collar Brawlers romanticizes a unique fusion of postindustrial white-collar employment and the blue-collar labors of the boxing gym. This construction, which Esquire calls “modern manhood,” simultaneously empowers professional-class men while limiting the social mobility of actual blue-collar workers. Based on a critical textual analysis that adopts provisional and rudimentary aspects of Wacquant’s conception of “pugilistic capital,” we contend that Esquire Network has created a show where men are exposed to and sold an image of “modern manhood” that reifies class-based differences and reaffirms the masculine hegemony of white-collar identities.

Representations of the (woman) judge: Hercules, the little mermaid, and the vain and naked Emperor

Legal Studies ◽  
2002 ◽  
Vol 22 (4) ◽  
pp. 602-624 ◽  
Author(s):  
Erika Rackley
Keyword(s):  
Fairy Tale ◽  
The Other ◽  
Women Judges ◽  
Other Hand ◽  
The One ◽  
The Impact ◽  
Alternative Understanding ◽  
Woman Judge

This paper reconsiders images of the judge and, in particular, the position of the woman judge using fairy tale and myth. It begins by exploring the actuality of women's exclusion within the judiciary, traditional explanations for this and the impact of recent changes. It goes on to consider the image of the Herculean judge, arguing that whilst we may view him as an ideological construct, or even as a fairy tale, we routinely deny this to ourselves and to others. This both ensures the normative survival of Hercules and simultaneously constrains counter-images of judges, including that of the woman judge, who becomes almost a contradiction in terms, faced with the need to shed her difference and fit the fairy tale. Like the little mermaid, the woman judge must trade her voice for partial acceptance in the prince's world.This image of silencing which Andersen's tale so vividly captures highlights a paradox in current discourses of adjudication. On the one hand, women judges are viewed as desirable in order to broaden the range of perspectives on the bench, thus making the judiciary more representative; on the other hand, judges are supposed to be without perspective, thus suggesting there is little need for a representative judiciary. Feminists and other commentators negotiate their way uncomfortably through this territory, acknowledging a gender dimension to adjudication, but failing fully to confront its implications. This paper seeks to ‘undress’ the judge, to flush out images of adjudication which deter or prevent women from joining the judiciary and constrain their potential within it. It highlights both the role of the imagination in existing conceptions of adjudication and the increasing necessity for a re-imagined Hercules – an alternative understanding of the judge which women and other groups currently underrepresented on the bench can comfortably and constructively occupy.

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