Carmen and Salome: the theme of “femme fatale” in the ballets of Mukaram Avakhri

Author(s):  
Dilara Shomayeva ◽  

The article deals with the image of the so-called femme fatale in Kazakh choreographic art in the case study of two ballets by Mukaram Avakhri: “Carmen” and “Salome”. The author analyzes the artist’s interpretation of the images of the two title characters as canonical cultural texts in the discourse on the history of female representation. At present, the choreographic theory is at the junction of feminist thought and choreographic interdisciplinary practice that strives to view the dancing female body through alternative means of cognition. The stereotype of femininity in dominant conceptions of the Western culture can be deconstructed through the new experience of female authors that influences the performer and the viewer in a new way. The directing and plastique-based approaches that help the young female Kazakh choreographer to achieve this are of interest to the authors.

2020 ◽  
pp. 1-28
Author(s):  
JAMES McNALLY

Abstract This article addresses an emerging phenomenon in which Brazilian popular musicians have begun to depart from popular song (canção popular) in favour of free improvisation in response to rising authoritarianism. As a case study, I examine the creative project Carta Branca, which brings together popular and experimental musicians from styles such as MPB and hip-hop to perform freely improvised concerts. Following a consideration of the history of Brazilian canção popular, the article discusses how contemporary popular musicians engage in free improvisation as an alternative means of musical critique. I contend that their actions constitute evidence of a broader ‘post-canção’ moment, with the potential to facilitate more flexible and collective ways of responding to Brazil's reactionary moment. The article further discusses how the musicians’ improvisational turn fosters a renewed engagement with a form of cultural improvisation tied to understandings of national identity and being in the world specific to Brazil.


Author(s):  
Areti Andreopoulou ◽  
Visda Goudarzi

This paper investigates the representation of women researchers and artists in the conferences of the International Community for Auditory Display (ICAD). In the absence of an organized membership mechanism and/or publicly available records of conference attendees, this topic was approached through the study of publication and authorship patterns of female researchers in ICAD conferences. Temporal analysis showed that, even though there has been an increase in the number of publications co-authored by female researchers, the annual percentage of female authors remained in relatively unchanged levels (mean = 17.9%) throughout the history of ICAD conferences. This level, even though low, remains within the reported percentages of female representation in other communities with related disciplines, such as the International Computer Music Association (ICMA) and the Conferences of the International Society for Music Information Retrieval (ISMIR), and significantly higher than in more audio engineering-related communities, such as the Audio Engineering Society (AES).


2020 ◽  
Vol 3 (4) ◽  
Author(s):  
Audra Jovani ◽  
◽  
Nur Iman Subono ◽  
Isbodroini Suyanto

East Nusa Tenggara's culture is deeply-rooted in patriarchy. It is more common for women to engage in the private sphere, rather than the public sphere. However, the women of East Nusa Tenggara have recently defied this expectation. In the 2014 Provincial Legislative Election, six women were elected as legislative members for the 2014-2019 period, reflectinga 100 percent increase in the number of women elected as representatives. This event became an important phenomenon, marking the history of women's representation in the parliament. It also became the basis of two questions. First, how the six women managed to enter politics amidst the strong patriarchy in East Nusa Tenggara. Second, the roles of the six women in formulating policies that are gender-responsive.This study focuses on local regulations relating to maternal and child health, the environment, and labor in order to have a holistic view on gender-responsive policies. This study is qualitative in nature and is centered on case study, while information was gathered through an in-depth interview with each of the six female representatives. Furthermore, the administrators of six political parties, namely Nasional Demokrat, GolonganKarya, Demokasi Indonesia Perjuangan, Amanat Nasional, Hati Nurani Rakyat, and Kebangkitan Bangsa were also interviewed. The principal findings of this study show that the election of these women in 2014 are connected to their "acting for" substantive representation and the support given by their families. With the increase of female representation in the legislative sphere, women are encouraged to be engaged in formulating gender-responsive policies in East Nusa Tenggara.


Author(s):  
Corinne Saunders

A properly critical medical humanities is also a historically grounded medical humanities. Such historical grounding requires taking a long cultural perspective, going beyond traditional medical history – typically the history of disease, treatment and practice – to trace the origins and development of the ideas that underpin medicine in its broadest sense – ideas concerning the most fundamental aspects of human existence: health and illness, body and mind, gender and family, care and community. Historical sources can only go so far in illuminating such topics; we must also look to other cultural texts, and in particular literary texts, which, through their imaginative worlds, provide crucial insights into cultural and intellectual attitudes, experience and creativity. Reading from a critical medical humanities perspective requires not only cultural archaeology across a range of discourses, but also putting past and present into conversation, to discover continuities and contrasts with later perspectives. Medical humanities research is illuminated by cultural and literary studies, and also brings to them new ways of seeing; the relation is dynamic. This chapter explores the ways mind, body and affect are constructed and intersect in medieval thought and literature, with a particular focus on how voice-hearing and visionary experience are portrayed and understood.


Author(s):  
Odile Moreau

This chapter explores movement and circulation across the Mediterranean and seeks to contribute to a history of proto-nationalism in the Maghrib and the Middle East at a particular moment prior to World War I. The discussion is particularly concerned with the interface of two Mediterranean spaces: the Middle East (Egypt, Ottoman Empire) and North Africa (Morocco), where the latter is viewed as a case study where resistance movements sought external allies as a way of compensating for their internal weakness. Applying methods developed by Subaltern Studies, and linking macro-historical approaches, namely of a translocal movement in the Muslim Mediterranean, it explores how the Egypt-based society, al-Ittihad al-Maghribi, through its agent, Aref Taher, used the press as an instrument for political propaganda, promoting its Pan-Islamic programme and its goal of uniting North Africa.


2014 ◽  
Vol 17 (1) ◽  
pp. 42
Author(s):  
Shi-Min Yuan

Extracardiac manifestations of constrictive pericarditis, such as massive ascites and liver cirrhosis, often cover the true situation and lead to a delayed diagnosis. A young female patient was referred to this hospital due to a 4-year history of refractory ascites as the only presenting symptom. A diagnosis of chronic calcified constrictive pericarditis was eventually established based on echocardiography, ultrasonography, and computed tomography. Cardiac catheterization was not performed. Pericardiectomy led to relief of her ascites. Refractory ascites warrants thorough investigation for constrictive pericarditis.


2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.


2019 ◽  
Vol 58 (1) ◽  
pp. 147-159
Author(s):  
Young-Seok Seo ◽  
Bong-Seok Kim
Keyword(s):  

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