scholarly journals Comunicação visual no filme Trois Couleurs

2020 ◽  
Vol 46 (2) ◽  
pp. 347-363
Author(s):  
Raquel de Araujo Roble ◽  
Denize Araujo
Keyword(s):  
Krzysztof Kieslowski

O objetivo do presente artigo é refletir sobre a comunicação por meio dos elementos visuais e seus significados no filme Trois Couleurs: Bleu (1993), do diretor e roteirista polonês Krzysztof Kieslowski e sobre o resultado imagético desta interface cinema e comunicação visual. A metodologia consiste em isolar imagens e analisar o significado de elementos visuais presentes na composição das mesmas, sob três perspectivas: a da semiótica peirceana, a da teoria da cor e a do conceito de intertextualidade resultante do dialogismo e da polifonia. O artigo é relevante por apresentar estratégias de análise fílmica.

O significado da cor azul no filme Bleu de Kieslowski.

2021 ◽  
Author(s):  
Raquel de Araujo Roble
Keyword(s):  
Blue Color ◽  
Krzysztof Kieslowski

The objective of this study is to analyze the significance of the color blue in the film “Liberty is Blue”, by the Polish director and screenwriter Krzysztof Kieslowski and the imagetic result reached through the interface between cinema and arts. This is the first film of the Three Colors Trilogy.In order to develop this analysis, semiotic concepts will be used, for the understanding of image as icon and color as symbol. The methodology consists in selecting images to analyze the meaning of the blue color in certain moments of the work where color gains relevance. The theoretical from of reference includes concepts of Charles Sandres Peirce, Lucia Santaella and Luciana Martha Silveira.

Lucid Dreams: The Films of Krzysztof Kieslowski

2000 ◽  
Vol 44 (4) ◽  
pp. 681
Author(s):  
Lisa Di Bartolomeo ◽  
Paul Coates ◽  
Annette Insdorf
Keyword(s):  
Krzysztof Kieslowski

scholarly journals “Ledwosz, where is the key?”, or people and animals in Iwona Siekierzyńska’s short student film “Missy”

2019 ◽  
Vol 24 (33) ◽  
pp. 185-196
Author(s):  
Krystian Przybylski
Keyword(s):  
Female Character ◽  
Short Film ◽  
Teenage Girl ◽  
Adult World ◽  
Krzysztof Kieslowski

Iwona Siekierzyńska school film Missy takes up the theme of a girl’s unfulfilled love for a priest. Her dog named Ledwosz not only accompanies her in the experience of encountering the man in cassock, while his anointing of a sick neighbor, but also triggers the situation that caused her infatuation. This brief and accidental contact with the priest turns out to be a breakthrough experience for the teenage girl looking for love and attention. It means her entering the adult world in which it is easy to miss a crucial moment, or hurt somebody’s feelings quite unconsciously. The young girl’s experience of the brief encounter will remain in her forever. The relation between the female character and her dog from the short film was the inspiration to consider the similarities between Missy and Three Colors: Red, by Krzysztof Kieślowski, who was the artistic supervisor of Siekierzyńska’s film. In both films it is a dog that initiates the process resulting in metaphysical experience for the main characters.

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