scholarly journals The birth of contemporary Russia out of the spirit of Russian music

Muzikologija ◽  
2006 ◽  
pp. 63-76
Author(s):  
Ricard Taraskin

In this article, the author observes and discusses the effects of Russian history on Russian music in the second half of the XXth century. Forming part of author?s long-range persistent polemics against Russian exceptionalism and against the kind of romantic overvaluation of art, the article expresses sharp and provocative views of the main stylistic tendencies in Soviet and Russian music during and after the epoch of the Cold War, as well as after the Second Russian Revolution in 1991. Special attention is paid to the activity and works of the most prominent Russian composers of their time Andrey Volkonsky, Edison Denisov, Nikolai Keretnikov, Arvo P?rt, Elena Frisova, Sofia Gubaidulina and Alfred Schnittke.

Author(s):  
Isabella Ginor ◽  
Gideon Remez

This chapter continues description of the disinformation campaign mounted by Egypt and the USSR to implant the deceptive impression that all Soviet advisers were expelled by President Anwar Sadat in July 1972 as part of a rift with Moscow and a shift to the US camp in the Cold War. The advisers were recalled en masse to Cairo, which had to be noticed by foreign observers, but soon were unobtrusively reposted to Egyptian formations where they continued preparations for an anti-Israeli offensive and induction of offensive weapons such as long-range bombers which supposedly had been refused by the Soviets. Among other components of this deception, supposed Israeli spy Ashraf Marwan is documented as falsely advising an MI6 agent that all Soviets were gone and Egypt would revert to procurement of British weapons – which reinforces evidence that he was actually an Egyptian double agent. US statesman Henry Kissinger assisted the ruse by feigning surprise at Sadat’s move, which had actually been coordinated with him at the Moscow Summit, and concealing this from others in the administration as well as from Israel.


2006 ◽  
Vol 30 (4) ◽  
pp. 7-44 ◽  
Author(s):  
Keir A. Lieber ◽  
Daryl G. Press

For nearly half a century, the world's most powerful nuclear-armed states have been locked in a condition of mutual assured destruction. Since the end of the Cold War, however, the nuclear balance has shifted dramatically. The U.S. nuclear arsenal has steadily improved; the Russian force has sharply eroded; and Chinese nuclear modernization has progressed at a glacial pace. As a result, the United States now stands on the verge of attaining nuclear primacy, meaning that it could conceivably disarm the long-range nuclear arsenals of Russia and China with a nuclear first strike. A simple nuclear exchange model demonstrates that the United States has a potent first-strike capability. The trajectory of nuclear developments suggests that the nuclear balance will continue to shift in favor of the United States in coming years. The rise of U.S. nuclear primacy has significant implications for relations among the world's great powers, for U.S. foreign policy, and for international relations scholarship.


2017 ◽  
Vol 25 (3) ◽  
pp. 141-147
Author(s):  
Ben Lewis

AbstractToday, Karl Kautsky (1854–1938) is mainly remembered for his polemics against the young Bolshevik regime or as the ‘renegade’ in Lenin’sThe Proletarian Revolution and the Renegade Kautsky(1918), which pillories him for his wavering stance in opposing World War I and his (later) outright hostility to the Russian Revolution of October 1917. Kautsky’s authority as a Marxist theoretician was seriously called into question ever since Lenin’s polemic. During the Cold War in particular, a consensus emerged which suggested that Kautsky’s views of democracy, organisation and revolutionary change had little or nothing to do with the political practice of Russian Bolshevism and the Russian Revolution of 1917. Recently, however, several studies have challenged this consensus. They highlight the profound impact which Kautsky had on the development of Russian Bolshevism and make the case that – prior to his renegacy in 1914 – thinkers such as Lenin and Trotsky viewed Kautsky as the legitimate intellectual heir of Marx and Engels. This article introduces an autobiographical essay written by Kautsky in 1924 and calls for closer engagement with his œuvre as a whole.


2021 ◽  
Vol 28 (48) ◽  
pp. 327-345
Author(s):  
Thomas K. Lindner

This article examines how anti-imperialist thought in Mexico City inspired internationalism in the 1920s. It uses the concept of “tricontinentalism” to refer to the idea that Latin America, Africa, and Asia should stand in solidarity with each other and argues that tricontinentalist thinking originated not in the Cold War, but in the aftermath of the First World War. The Mexican and the Russian Revolution had demonstrated that radical social change was imaginable. Together with the First World War, which for many in the Americas signaled the demise of European global hegemony, these revolutions represented a new era of political possibilities as well as a tectonic shift in global politics. Consequently, many anti-imperialists in Mexico looked to “the East”, drawing inspiration from the anticolonial revolutions in Africa and Asia. The central question of this article is how anti-imperialist political activists, intellectuals, and artists engaged in tricontinental thinking by writing about China and Morocco. The examined transnational interactions constitute a radical version of an imagined internationalism in the 1920s.


Slavic Review ◽  
1967 ◽  
Vol 26 (1) ◽  
pp. 70-84
Author(s):  
Roman Szporluk

Pokrovskii never wrote the three final volumes of Russkaia istoriia s drevneishkikh vremen that were to carry his synthesis from the eve of 1905 to October 1917; and his postrevolutionary survey of Russian history failed to include the October Revolution. On the basis of his articles and lectures, however, it is possible to present a coherent picture of his ideas on the roots, significance, and prospects of the Russian Revolution. This article is concerned with the long-range issues involved in Pokrovskii's evaluation of the Revolution, though he also wrote a great deal on the immediate causes and the actual course of events between 1905 and 1917 and on the subsequent civil war.


Author(s):  
Peter J. Schmelz

This chapter examines censorship in the Soviet Union during the Cold War by focusing on the experience of composer Alfred Schnittke (1934–1998). More specifically, it looks at Schnittke’s evolving interactions with Soviet political and aesthetic strictures, as well as the representation and interpretation of those interactions abroad, particularly in the United States and the United Kingdom. The chapter explores the increasingly complex, globalized musical economy in which late Soviet censorship played a key role. It also discusses the “harsh censorship” that Schnittke had to endure and how it gave him prominence, and ultimately prestige, with the help of various agents such as Gidon Kremer and the Kronos Quartet, the Soviet copyright agency VAAP (All-Union Agency for the Protection of Authors’ Rights), and the BIS record label. Finally, it highlights the actors (performers, producers, impresarios, critics, and listeners) who affect the way music is shaped and received, bought and sold.


2015 ◽  
Vol 25 (2) ◽  
pp. 299-307
Author(s):  
David Schimmelpenninck van der Oye

What is the state of Russian history on the Canadian campus today? This article addresses the question by discussing the subject’s challenges in the wake of the Soviet Union’s collapse. Much as in the United States, the Cold War made it de rigueur to “know the enemy,” but since the “evil empire’s” collapse over 20 years ago, the field has appeared to be less important to academic administrators. Nevertheless, no serious history department in Canada can claim to be comprehensive without counting in its midst at least one Russianist.


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