scholarly journals Political correctness: back then and now

2020 ◽  
Vol 40 ◽  
pp. 7-34
Author(s):  
I.I. Valuitseva ◽  
◽  
M.O. Krukovskaia ◽  
Keyword(s):  
New York ◽  
Public Space ◽  
Political Correctness ◽  
New York Times ◽  
Black Population ◽  
Time Intervals ◽  
Race And Gender ◽  
Social Events ◽  
The Social ◽  
And Gender

ork Age, Atlanta Voice, The Atlantic and others. Materials from early newspapers were taken from the New York Times official archives. The presented research aims, among other things, to identify the social factors that affect certain politically taboo vocabulary units in relation to the black population in America, how the environment and social events have influenced the politically correct language. The following analysis has identified the most frequently tabooed lexical units for a given period of time and the frequency of their occurrence in American public opinion at different time intervals. The article provides concrete examples of language changes at the morphological and lexical level as a response to an existing social demand in society, such as combating discrimination on the grounds of race and gender in public space, in employment or in personal interaction, combating xenophobia and segregation at the level of politically correct language. Projections, concerning the derivation in ethically appropriate language, are made on the basis of the obtained data about the future development vector of political correctness indicators.

Rewriting the Body: Aida Overton Walker and the Social Formation of Cakewalking

1996 ◽  
Vol 37 (2) ◽  
pp. 67-92 ◽  
Author(s):  
David Krasner
Keyword(s):  
New York ◽  
New York City ◽  
Performing Arts ◽  
West African ◽  
Turn Of The Century ◽  
The Body ◽  
Race And Gender ◽  
The Social ◽  
Anna Julia Cooper ◽  
And Gender

Although Aida Overton Walker (1880–1914) belonged to the same generation of turn-of-the-century African American performers as did Bob Cole, J. Rosamond Johnson, Bert Williams, and George Walker, she had a rather different view of how best to represent her race and gender in the performing arts. Walker taught white society in New York City how to do the Cakewalk, a celebratory dance with links to West African festival dance. In Walker's choreography of it, it was reconfigured with some ingenuity to accommodate race, gender, and class identities in an era in which all three were in flux. Her strategy depended on being flexible, on being able to make the transition from one cultural milieu to another, and on adjusting to new patterns of thinking. Walker had to elaborate her choreography as hybrid, merging her interpretation of cakewalking with the preconceptions of a white culture that became captivated by its form. To complicate matters, Walker's choreography developed during a particularly unstable and volatile period. As Anna Julia Cooper remarked in 1892.

American Modernity

2011 ◽  
Author(s):  
Lawrence A. Scaff
Keyword(s):  
Social Capital ◽  
New York ◽  
Religious Faith ◽  
Church Of Christ ◽  
Religious Ethics ◽  
Ethical Culture ◽  
Race And Gender ◽  
The Social ◽  
And Gender ◽  
The Relationship

This chapter examines Max Weber's thoughts on American modernity based on his observations during his trip to New York City. It first considers Max and Marianne Weber's experience with religious services in New York, including a Presbyterian service at the Marble Collegiate Church, the service of the First Church of Christ Scientist, and the service of the Ethical Culture Society. It then discusses Max's views about the social implications of religious faith and social capital, as well as Marianne's thoughts about Americanization. It also analyzes Weber's account of the “cool objectivity of sociation” and his ideas on the issues of class, race, and gender; the relationship between religious ethics and economic action; and cultural pluralism.

PAR Method

2010 ◽  
Vol 3 (3) ◽  
pp. 355-375 ◽  
Author(s):  
Michelle Billies
Keyword(s):  
New York ◽  
Low Income ◽  
Critical Consciousness ◽  
Design Method ◽  
Participatory Action ◽  
Community Members ◽  
Context Analysis ◽  
Gender Nonconforming ◽  
The Social ◽  
And Gender

The work of the Welfare Warriors Research Collaborative (WWRC), a participatory action research (PAR) project that looks at how low income lesbian, gay, bisexual, transgender, and gender nonconforming (LG-BTGNC) people survive and resist violence and discrimination in New York City, raises the question of what it means to make conscientization, or critical consciousness, a core feature of PAR. Guishard's (2009) reconceptualization of conscientization as “moments of consciousness” provides a new way of looking at what seemed to be missing from WWRC's process and analysis. According to Guishard, rather than a singular awakening, critical consciousness emerges continually through interactions with others and the social context. Analysis of the WWRC's process demonstrates that PAR researchers doing “PAR deep” (Fine, 2008)—research in which community members share in all aspects of design, method, analysis and product development—should have an agenda for developing critical consciousness, just as they would have agendas for participation, for action, and for research.

Impoliteness in hip-hop music

2021 ◽  
Author(s):  
Panagiotis Delis
Keyword(s):  
African American ◽  
Black Male ◽  
Hip Hop ◽  
Selection Process ◽  
White Male ◽  
White Female ◽  
Race And Gender ◽  
The Social ◽  
Determining Factors ◽  
And Gender

Abstract The aim of this paper is to examine the functionality of impoliteness strategies as rhetorical devices employed by acclaimed African American and White hip-hop artists. It focuses on the social and artistic function of the key discursive element of hip-hop, namely aggressive language. The data for this paper comprise songs of US African American and White performers retrieved from the November 2017 ‘TOP100 Chart’ for international releases on Spotify.com. A cursory look at the sub-corpora (Black male/ Black female/ White male/ White female artists’ sub-corpus) revealed the prominence of the ‘use taboo words’ impoliteness strategy. The analysis of impoliteness instantiations by considering race and gender as determining factors in the lyrics selection process unveiled that both male groups use impoliteness strategies more frequently than female groups. It is also suggested that Black male and White female singers employ impoliteness to resist oppression, offer a counter-narrative about their own experience and self (re)presentation and reinforce in group solidarity.

IN PURSUIT OF SOCIAL PROGRESS

2018 ◽  
Vol 34 (3) ◽  
pp. 443-449
Author(s):  
Matthew Adler ◽  
Marc Fleurbaey
Keyword(s):  
Social Sciences ◽  
New York ◽  
Academic Career ◽  
New York Times ◽  
Social Progress ◽  
University Professors ◽  
University Campuses ◽  
International Panel ◽  
The Social ◽  
The World

In 2014, the New York Times columnist Nicholas Kristof wrote: ‘Some of the smartest thinkers on problems at home and around the world are university professors, but most of them just don't matter in today's great debates … I write this in sorrow, for I considered an academic career and deeply admire the wisdom found on university campuses. So, professors, don't cloister yourselves like medieval monks – we need you!’ At that time, a group of academics were working to launch the International Panel on Social Progress, with the aim of preparing a report analysing the current prospects for improving our societies.1 It gathered about 300 researchers from more than 40 countries and from all disciplines of the social sciences, law and philosophy.

scholarly journals In self defense : black female journalists' advocacy in the Cold War

2018 ◽  
Author(s):  
◽  
Rachel (Rachel Lindsey) Grant
Keyword(s):  
New York ◽  
Cold War ◽  
Civil Rights ◽  
White Woman ◽  
Black Female ◽  
Race And Gender ◽  
Self Defense ◽  
Female Journalists ◽  
And Gender ◽  
The Cold War

"Mary Church Terrell, Black female journalist and civil rights activist, stood in front of the United Nations board in Lake Success, New York, on Sept. 21, 1949, to present a brief on Rosa Lee Ingram. Ingram and her two sons had been sentenced in 1948 to life in prison after they were accused of murdering John Stratford, their white neighbor who attacked Ingram after her livestock ventured onto his Georgia property. As a mother of 14 children, Ingram believed she acted in self-defense, but the Southern justice of an all-white jury convicted her. In front of an audience of 75 people, Terrell stated: "Under similar circumstances it is inconceivable that such an unjust sentence would have been imposed upon a white woman and her sons." She went further in noting the role that both race and gender played in the Ingram case." -- Introduction

Black Queer Freedom

2020 ◽  
Author(s):  
GerShun Avilez
Keyword(s):  
Public Space ◽  
Gender Nonconformity ◽  
Black Diaspora ◽  
Potential Threat ◽  
Contested Space ◽  
Artistic Production ◽  
The Social ◽  
Sexual Meaning ◽  
And Gender ◽  
Black Queer

In this book, GerShun Avilez argues that queerness, here meaning same-sex desire and gender nonconformity, introduces the threat of injury and that artists throughout the Black diaspora use queer desire to negotiate spaces of injury. The space of injury does not necessarily pertain to a particular architecture or location; it concerns the perception and engagement of a body. Black queer bodies are perceived as social threats, and this perception results in threats (physical, psychological, socioeconomic) against these bodies. The space of injury describes the potential threat to queer bodies that lingers throughout the social world. Attending to such threats and challenging them constitute defining elements in Black queer artists’ work. In each of the two parts to the book, the author examines how perceptions of the Black queer body in different environments create uncertainty for that body and make it a contested space because of racial and sexual meaning. Part 1 focuses on movement through public space (through streets and across borders) and on how state-backed interruptions seek to inhibit queer bodies. Part 2 explores movement through institutional spaces (prisons and hospitals), which seek to expose the queer body to make it vulnerable to control. Ultimately, the book insists that desire and artistic production function as means to queer freedom when actual policies and legislation fail to ensure civic rights and social mobility.

Cross Talk in the Press

2017 ◽  
Author(s):  
Susan Scott Parrish
Keyword(s):  
New York ◽  
Cross Talk ◽  
Social Issues ◽  
New York Times ◽  
The Social ◽  
The Press ◽  
Human Practices ◽  
Human Failure

This chapter considers the mainstream white public's growing dissatisfaction with the particular forms of representation that the flood seemed to produce. On May 29, 1927, the New York Times complained of the flood that “the very sweep of such a tragedy makes it hard to grasp it in its full significance.” A June 15 editorial in The Nation agreed: “people can stand only so much calamity. After a while it begins to pall and finally it has no meaning whatever.” The flood had become unsatisfying news because of both its scale and its duration. What was also unsatisfying was the messy cadaverous muck of human failure. Meanwhile, as the social issues and human practices that had turned cyclical overflow into disaster in the first place began to manifest themselves still more visibly in the disaster's developments, a print practice of exposure and blame emerged.

THE PEDIATRICIAN AND THE PUBLIC

PEDIATRICS ◽  
1953 ◽  
Vol 12 (1) ◽  
pp. 88-95
Keyword(s):  
New York ◽  
New York Times ◽  
World Health ◽  
Executive Board ◽  
The Public ◽  
Social Council ◽  
The Social ◽  
The Press ◽  
Health Organization ◽  
Emergency Fund

The General Assembly, the Social Commission and the Economic and Social Council of the World Health Organization are to discuss the future of the United Nations' International Children's Emergency Fund during this year of 1953. Editorials have appeared in the press (New York Times, Apr. 6, 1953 and Chicago Daily Sun-Times, May 27, 1953) criticizing our government for not having paid U.N.I.C.E.F. its 1953 voluntary contribution of $9,814,000. A number of Fellows of the American Academy of Pediatrics have become concerned as to the plight in which U.N.I.C.E.F. finds itself and requested the matter be brought to the attention of the Executive Board at its meeting May 28-31, 1953 in Evanston. It was the opinion of the members contacting the Board that the work of the U.N.I.C.E.F. should be continued. The presence of this item on the agenda inspired the preparation of the enclosed resume of the evolution of W.H.O. and U.N.I.C.E.F. As the Executive Board found this information of value, they have suggested that it might be made available to other Fellows through publication in your section in Pediatrics. Our members may also be interested in the resolution passed by the Executive Board after deliberating on this subject.

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