scholarly journals «Preferiría verte (muerta) a mis pies». Eróticas maternas e infancias butch en Radclyffe Hall

Author(s):  
Camila Arbuet Osuna ◽  

We will analyze the counterpoint versions of motherhood and butch childhoods in those novels by Radclyffe Hall addressing “sexual inversion,” the lesbian bestseller The Well of Loneliness (1928) and The Unlit Lamp (1924), which present significant differences regarding the conditions of possibility and the misfortunes of a queer life. We will concern ourselves with the representations of maternal abjection, in the light of the importance that Radclyffe assigns to this deeply disturbing erotic bond (whether aversion or attraction) for the development of butch childhoods. We will argue that a careful reading of the perversions of this bond makes clear that Radclyffe’s perspective –for all of its morality, sexual shame and desire to be admitted within the privileges of heterosexuality– allows for a critique of exclusivist, monogamous, and unconditional emotional pacts, as well as of the conception of happiness they give rise to.

Author(s):  
Julian Gunn

Radclyffe Hall was a British novelist, poet, and lyricist. A contemporary of the Bloomsbury Group and proponent of Havelock Ellis's sexological theories, Hall is best known for the ground-breaking novel of sexual inversion, The Well of Loneliness (1928). The novel was the center of a landmark obscenity trial, and has continued to attract controversy. Its depiction of inversion has been both lauded and criticized by feminist, queer, and trans theorists. Hall was born Marguerite Antonia Radclyffe-Hall on August 12, 1880 to wealthy parents who divorced in 1883. She briefly attended King's College London and spent a year studying in Germany. In 1912 Hall converted to Catholicism with her partner at the time, the singer Mabel Batten. At Batten’s request, Hall did not serve in the women’s ambulance corps during the Great War (Baker). However, a number of Hall’s fictional characters find autonomy and sexual identity through their war service.


1984 ◽  
Vol 3 (1/2) ◽  
pp. 197
Author(s):  
George Wickes ◽  
Claudia Stillman Franks

Author(s):  
Penny Farfan

This introduction sets forth the book’s central argument and establishes the historical, theoretical, and critical context for its case studies. In the late nineteenth and early twentieth centuries, modern sexual identities emerged into view while at the same time being rendered invisible, as in Oscar Wilde’s 1895 trial on charges of gross indecency and the 1928 obscenity trial of Radclyffe Hall’s The Well of Loneliness. Early stage representations of homosexuality were typically coded or censored, yet the majority of the works considered in this book were highly visible in their subversions of conventional gender and sexual norms. Queer readings of these plays and performances establish connections across high and popular cultural domains, demonstrating that some of traditional modernism’s perceived failures, rejects, and outliers were modernist through their sexual dissidence. These insights in turn contribute to a more precise understanding of how modernity was mediated and how such mediations enacted change.


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