scholarly journals Arthur Prior A ‘Young Progressive’ Letters to Ursula Bethell and to Hugh Teague 1936-1941.

Author(s):  
Peter Whiteford

Arthur Prior is scarcely a household name in New Zealand, but in some respects his story repeats a narrative we like to think of as quintessentially Kiwi—that of the small town boy who ‘makes it’ on the world stage. Born and raised in the rural township of Masterton in 1914, Prior became a leading philosopher of the 20th century, feted for his invention of tense logic (or temporal logic as it is now called), invited by no less a figure than Gilbert Ryle to deliver the prestigious John Locke lectures in Oxford in 1956, offered a Chair in Philosophy at Manchester in 1958, then a Fellowship at Balliol College, Oxford, in 1966. Tragically, he died at the relatively young age of 54, but he remains one of the central figures in the development of logic in the 20th century.

2021 ◽  
Vol 9 (2) ◽  
pp. 170-178
Author(s):  
Jacques Van der Meer

Apart from the current Covid19 context, the higher education sectors across the world have been faced with major challenges over the last few decades (Auerbach et al., 2018; Haggis, 2004), including increased numbers and diversity. Considering the many challenges in higher education, especially the rise of students’ mental health issues, I am strongly convinced that education sectors, but in particular the higher education sector, have a societal responsibility to not just focus on students as learners of knowledge and/or professional skills, but to support them in being developed as “whole students”. All these challenges also raise a need for research into the broader context to identify how we can better support the diverse student population as they transition into higher education, but also how to prepare them for a positive experience during and beyond their time in higher education. Overall, it can be said that the contributions to this special issue beneficially addressed some of the main foci to widening the perspectives on diversity related to the transition into higher education. The contribution came from different European countries, including Belgium, Germany, Italy, Sweden, Switzerland, The Netherlands and the United Kingdom. De Clercq et al. (in this special issue) indicated that environmental characteristics, such as distinctiveness of countries, is often overlooked in research. In this discussion article, therefore, some particular references will also be made to a specific country, New Zealand. This may be of interest and relevant for the particular questions raised in this special issue as focusing on student diversity in educational contexts has been considered important for some time in this country. Aoteraroa New Zealand is a country in the South Pacific colonised by Europeans in the 19th century. In the second part of the 20th century, the focus across the New Zealand education sectors, including higher education, started to develop beyond just a European perspective, and started to focus more on recognition of student diversity. Initially, the main focus was on the indigenous population, the Māori people. In the last few decades of the 20th century, the focus was extended to the Pacific Island people, many of whom migrated to New Zealand from a wide range of different islands in the South Pacific. In the 21st century, the focus on Culturally and Linguistically Diverse (CALD) groups was further extended, and over the last decade also because of the increase of refugees from the Middle East and Asia. Providing some insights from the other end of the world, in quite a different and de-colonised ex-European nation may help European (and other) countries to reflect on their own approaches.


Schulz/Forum ◽  
2018 ◽  
pp. 3-4
Author(s):  
Stanisław Rosiek

Nowadays it is impossible to think about Schulz outside Drogobych. Wherever else he showed up, be it Vienna, Marienbad, Kudowa, Zakopane, Warsaw or Paris, he was a refugee, a patient, a visitor or a tourist – always a stranger. And he considered himself one, while others did the same. To an extent, it was his own fault. It could perhaps be otherwise if he did not so often write in his letters (and most likely said in conversations) that he was unable to live and work outside his hometown. But the words of the writer could only encourage others to contribute to a stereotype of a “modest schoolteacher from a small town.” The provincial status of Schulz, however, is not so obvious. At the end of the 19th century, thanks to oil Drogobych reached the end of centuries long stasis from which even the salt mines opened in the Middle Ages could not save it. Oil changed the life of many people in Galicia. Without leaving Drogobych, Schulz could actually watch and personally experience in doses which let him keep his independence and inner stability the rise of a metropolitan mentality described by Georg Simmel. Yet Paris was too much for him – after three weeks he escaped from the French capital with not a single word of commentary. To live in the capital of the 19th century, as Walter Benjamin called it, would have been a torture for him. Thus Schulz did not cancel the opposition of center and periphery, the capital and the provinces, but turned such distinctions upside down. Thanks to writing, the center of the world moved to his hometown so that perhaps Drogobych became the capital of the 20th century.


Te Kaharoa ◽  
2020 ◽  
Vol 16 (5) ◽  
Author(s):  
Kararaina Melbourne-Gibson
Keyword(s):  

Ko Pohutukawa tōku ingoa, Pohutukawa is the name. My mum named me Pohutukawa because I was conceived under the biggest Pohutukawa tree in the world! Pretty mean aye? You would think she named me Pohutukawa because my red cheeks reminded her of those flowers, or because my eyes shine like stars - those damn stars. I live on the East Coast of New Zealand, in the small town of Te Araroa, where the biggest Pohutukawa tree also resides. A place where the birds can swim, the fish can fly, and where you can get an ice block at the shop for free! It's also where my missus lives. She comes to visit me now and then, but I usually just follow that amateur around, sticking to her like a fly on a bloody teko; at least this teko is an East Coast teko. The East Coast provides only the best of everything! Best kina, best awa, best stags, and the best kōtiro. Have you met an East Coast girl? They’re pretty fly, they make me wanna touch the sky; they make me wanna pop their tops off with my lighter. My East Coast girl is as beautiful as Rehua on a hot summer night. What the fuck is this lovey-dovey shit? You know, I was never into stars until I met her; Kamaea Rora.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


Author(s):  
Peter Hoar

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.


Author(s):  
S. E. Sidorova ◽  

The article concentrates on the colonial and postcolonial history, architecture and topography of the southeastern areas of London, where on both banks of the River Thames in the 18th–20th centuries there were located the docks, which became an architectural and engineering response to the rapidly developing trade of England with territories in the Western and Eastern hemispheres of the world. Constructions for various purposes — pools for loading, unloading and repairing ships, piers, shipyards, office and warehouse premises, sites equipped with forges, carpenter’s workshops, shops, canteens, hotels — have radically changed the bank line of the Thames and appearance of the British capital, which has acquired the status of the center of a huge empire. Docks, which by the beginning of the 20th century, occupied an area of 21 hectares, were the seamy side of an imperial-colonial enterprise, a space of hard and routine work that had a specific architectural representation. It was a necessary part of the city intended for the exchange of goods, where the usual ideas about the beauty gave way to considerations of safety, functionality and economy. Not distinguished by architectural grace, chaotically built up, dirty, smoky and fetid, the area was one of the most significant symbols of England during the industrial revolution and colonial rule. The visual image of this greatness was strikingly different from the architectural samples of previous eras, forcing contemporaries to get used to the new industrial aesthetics. Having disappeared in the second half of the 20th century from the city map, they continue to retain a special place in the mental landscape of the city and the historical memory of the townspeople, which is reflected in the chain of museums located in this area that tell the history of English navigation, England’s participation in geographical discoveries, the stages of conquering the world, creating an empire and ways to acquire the wealth of the nation.


2018 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Venelin Terziev ◽  
Marin Georgiev

The subject of this article is the genesis of the professional culture of personnel management. The last decades of the 20th century were marked by various revolutions - scientific, technical, democratic, informational, sexual, etc. Their cumulative effect has been mostly reflected in the professional revolution that shapes the professional society around the world. This social revolution has global consequences. In addition to its extensive parameters, it also has intensive ones related to the deeply-rooted structural changes in the ways of working and thinking, as well as in the forms of its social organization. The professional revolutions in the history of Modern Times stem from this theory.Employees’ awareness and accountability shall be strengthened. The leader must be able to formulate and bring closer to the employees the vision of the organization and its future goal, to which all shall aspire. He should pay attention not to the "letter" but to the "spirit" of this approach.


Author(s):  
E.S. Zenkevich ◽  
N.V. Popov

During the second half of 20th century, a high level of plague incidence in the world was in 1960–1979 and 1990–2009. The significant decrease of infection cases was in 1950–1959, 1980–1989, 2010–2015. It is noticed, that the observed cyclical nature of the alternation of high and low incidence plague’s periods, in many respects related to modern trend of climate fluctuations.


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