scholarly journals Seeing and Being Seen: The Theatre of Ernst Plischke

2021 ◽  
Author(s):  
◽  
Annie James
Keyword(s):  
New Zealand ◽  
Public Spaces ◽  
Architectural Discourse ◽  
Design Language ◽  
Theatrical Design ◽  
The People ◽  
Mise En Scene

<p>Ernst Plischke is one of the most well documented and evaluated architects in the New Zealand architectural discourse. However, when we look at the work he is the most well-known for, such as residences, churches and public spaces there is something missing within the language and value we place on this work. Articulating this lack, this thesis will evaluate the oeuvre of Plischke’s work for a more theatrical interpretation which asks the question: what if Ernst Plischke was viewed as an interior architect?  By consuming a five-course meal of design-led inquiry, this research samples Plischke’s body of work and finds an inherent theatricality within it. In exploring the people-centred aspect of this modernist’s oeuvre will look through the lenses of the total experience such as gesamtkunstwerk and mise-en-scène Pursuing these thematic motifs will produce a restaurant scenography, which will be interpreted at shifting scales to establish a theatrical design language.</p>

scholarly journals Seeing and Being Seen: The Theatre of Ernst Plischke

2021 ◽  
Author(s):  
◽  
Annie James
Keyword(s):  
New Zealand ◽  
Public Spaces ◽  
Architectural Discourse ◽  
Design Language ◽  
Theatrical Design ◽  
The People ◽  
Mise En Scene

<p>Ernst Plischke is one of the most well documented and evaluated architects in the New Zealand architectural discourse. However, when we look at the work he is the most well-known for, such as residences, churches and public spaces there is something missing within the language and value we place on this work. Articulating this lack, this thesis will evaluate the oeuvre of Plischke’s work for a more theatrical interpretation which asks the question: what if Ernst Plischke was viewed as an interior architect?  By consuming a five-course meal of design-led inquiry, this research samples Plischke’s body of work and finds an inherent theatricality within it. In exploring the people-centred aspect of this modernist’s oeuvre will look through the lenses of the total experience such as gesamtkunstwerk and mise-en-scène Pursuing these thematic motifs will produce a restaurant scenography, which will be interpreted at shifting scales to establish a theatrical design language.</p>

MURAL, KEKUATAN MODAL, DAN MASYARAKAT

DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Communication Media ◽  
Mural Painting ◽  
The People ◽  
The Media ◽  
Mural Art ◽  
The City ◽  
The Voice ◽  
Special Region

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.

scholarly journals The ethics of care and transformational research practices in Aotearoa New Zealand

2017 ◽  
Vol 17 (3) ◽  
pp. 340-350 ◽  
Author(s):  
Tula Brannelly ◽  
Amohia Boulton
Keyword(s):  
New Zealand ◽  
Ethics Of Care ◽  
Indigenous Communities ◽  
Practice Research ◽  
Research Partnership ◽  
Research Partnerships ◽  
Aotearoa New Zealand ◽  
The People ◽  
Dialogic Approach ◽  
The Relationship

Democratising methodologies often require research partnerships in practice. Research partnerships between indigenous and non-indigenous partners are commonplace, but there is unsatisfactory guidance available to non-indigene researchers about how to approach the relationship in a way that builds solidarity with the aims of the indigenous community. Worse still, non-indigenous researchers may circumvent indigenous communities to avoid causing offense, in effect silencing those voices. In this article, we argue that the ethics of care provides a framework that can guide ethical research practice, because it attends to the political positioning of the people involved, acknowledges inequalities and aims to address these in solidarity with the community. Drawing on our research partnership in Aotearoa New Zealand, we explain how the ethics of care intertwines with Māori values, creating a synergistic and dialogic approach.

scholarly journals Māori oral histories and the impact of tsunamis in Aotearoa-New Zealand

2018 ◽  
Vol 18 (3) ◽  
pp. 907-919 ◽  
Author(s):  
Darren N. King ◽  
Wendy S. Shaw ◽  
Peter N. Meihana ◽  
James R. Goff
Keyword(s):  
New Zealand ◽  
Knowledge Development ◽  
Oral Histories ◽  
Politics Of Representation ◽  
Close Attention ◽  
Folk Tale ◽  
Aotearoa New Zealand ◽  
The People ◽  
Knowledge Practice ◽  
The Impact

Abstract. Māori oral histories from the northern South Island of Aotearoa-New Zealand provide details of ancestral experience with tsunami(s) on, and surrounding, Rangitoto (D'Urville Island). Applying an inductive-based methodology informed by collaborative storytelling, exchanges with key informants from the Māori kin groups of Ngāti Koata and Ngāti Kuia reveal that a folk tale, published in 1907, could be compared to and combined with active oral histories to provide insights into past catastrophic saltwater inundations. Such histories reference multiple layers of experience and meaning, from memorials to ancestral figures and their accomplishments to claims about place, authority and knowledge. Members of Ngāti Koata and Ngāti Kuia, who permitted us to record some of their histories, share the view that there are multiple benefits to be gained by learning from differences in knowledge, practice and belief. This work adds to scientific as well as Maōri understandings about tsunami hazards (and histories). It also demonstrates that to engage with Māori oral histories (and the people who genealogically link to such stories) requires close attention to a politics of representation, in both past recordings and current ways of retelling, as well as sensitivities to the production of new and plural knowledges. This paper makes these narratives available to a new audience, including those families who no longer have access to them, and recites these in ways that might encourage plural knowledge development and co-existence.

New Zealand wine: The land, the vines, the people

2017 ◽  
Vol 73 (2) ◽  
pp. 146-147
Author(s):  
Glenn Banks
Keyword(s):  
New Zealand ◽  
The People

scholarly journals Exploring, modelling, and simulating the Feeling of Comfort in residential settings

2021 ◽  
Author(s):  
◽  
German Molina
Keyword(s):  
New Zealand ◽  
Science Research ◽  
Personal Factors ◽  
Building Science ◽  
Holistic View ◽  
Research And Practice ◽  
Making Sense ◽  
The People ◽  
The Subject ◽  
The Mind

<p><b>The fact that comfort is a subjective state of the mind is widely accepted by engineers, architects and building scientists. Despite this, capturing all the complexity, subjectivity and richness of this construct in models that are useful in building science contexts is far from straightforward. By prioritizing usability, building science has produced models of comfort (e.g., acoustic, visual and thermal) that overly simplify this concept to something nearly objective that can be directly associated with people’s physiology and measurable and quantifiable environmental factors. This is a contradiction because, even if comfort is supposed to be subjective, most of the complexity of “the subject” is avoided by focusing on physiology; and, even if comfort is supposed to reside in the mind, the cognitive processes that characterize the mind are disregarded. This research partially mitigates this contradiction by exploring people’s non-physical personal factors and cognition within the context of their comfort and by proposing a way in which they can be incorporated into building science research and practice. This research refers to these elements together—i.e., people’s non-physical personal factors and cognition—as “the mind”.</b></p> <p>This research proposes a new qualitative model of the Feeling of Comfort that embraces “the mind”. This model was developed from the results of a first study in which 18 people—from Chile and New Zealand—were asked to describe “a home with good daylight” and “a warm home” in their own words. These results were then replicated in a second study in which another group of 24 people—also from Chile and New Zealand—described “a home with good acoustic performance”, “a home with good air quality” and “a pleasantly cool home”. The Feeling of Comfort model not only was capable of making sense of the new data (gathered in this second study) but also proved to be simple enough to be useful in the context of comfort research and practice. For instance, it guided the development of a quantitative Feeling of Comfort model and also of a prototype building simulation tool that embraces “the mind” and thus can potentially estimate people’s Feeling of Comfort.</p> <p>This research concludes that embracing “the mind” is not only possible but necessary. The reason for this is that “the mind” plays a significant role in the development of people’s comfort. Thus, theories and models of comfort that ignore it fail to represent properly the concept of comfort held by the people for whom buildings are designed. However, incorporating “the mind” into building science’s research and practice implies embracing tools, research methods and conceptual frameworks that have historically not been used by such a discipline. Specifically, it concludes that building science should normalize a more holistic view of comfort and perform more exploratory and qualitative research.</p>

scholarly journals Remembering Gallipoli: Interviews with New Zealand Gallipoli Veterans

2015 ◽  
Author(s):  
Megan Hutching
Keyword(s):  
New Zealand ◽  
Second World War ◽  
World War ◽  
Advisory Body ◽  
The People ◽  
Second World

Before I began my series of books about the Second World War, based on interviews that I and others did with veterans of that conflict, the project was discussed at an advisory body meeting of the History Group (as it then was) of the Ministry for Culture & Heritage. One of the people present wondered how it would be possible to tell the story of the war through interviews as most of the people who knew what had happened – he meant officers – were dead. In Remembering Gallipoli, Chris Pugley and Charles Ferrall have shown that everyone who experiences war knows what happens. They may not have an overview of tactics and plans, but my word, do they understand what it was like to be there. What richness the testimonies in this book add to our understanding of war.

scholarly journals Translation and Continuity of Tradition: An Ongoing Dialogue in Aotearoa (New Zealand)

2021 ◽  
pp. 371-384
Author(s):  
Jaspreet Kaur ◽  
Renata Jadresin Milic
Keyword(s):  
New Zealand ◽  
Current State ◽  
Aotearoa New Zealand ◽  
The People ◽  
The World ◽  
Migratory History ◽  
Architectural Tradition ◽  
Ongoing Dialogue

Though short, Aotearoa/New Zealand’s history is rich and holds an abundance of knowledge preserved in the form of songs, beliefs, practices, and narratives that inform this country’s unique place in the world as well as the identity of its people. This paper observes that with migratory history and a heritage of colonization, the people of Aotearoa/New Zealand express three identities: indigenous, colonial and migrant, all with a claim to appropriate representation in the country’s built fabric. It discusses the current state of knowledge by looking at the history and architectural tradition manifested in Auckland, the largest and fastest-growing city in Aotearoa. It adds that further research is required to understand and develop an appropriate methodology to address Auckland’s growing multiculturalism, which lacks adequate expression.

scholarly journals Exploring, modelling, and simulating the Feeling of Comfort in residential settings

2021 ◽  
Author(s):  
◽  
German Molina
Keyword(s):  
New Zealand ◽  
Science Research ◽  
Personal Factors ◽  
Building Science ◽  
Holistic View ◽  
Research And Practice ◽  
Making Sense ◽  
The People ◽  
The Subject ◽  
The Mind

<p><b>The fact that comfort is a subjective state of the mind is widely accepted by engineers, architects and building scientists. Despite this, capturing all the complexity, subjectivity and richness of this construct in models that are useful in building science contexts is far from straightforward. By prioritizing usability, building science has produced models of comfort (e.g., acoustic, visual and thermal) that overly simplify this concept to something nearly objective that can be directly associated with people’s physiology and measurable and quantifiable environmental factors. This is a contradiction because, even if comfort is supposed to be subjective, most of the complexity of “the subject” is avoided by focusing on physiology; and, even if comfort is supposed to reside in the mind, the cognitive processes that characterize the mind are disregarded. This research partially mitigates this contradiction by exploring people’s non-physical personal factors and cognition within the context of their comfort and by proposing a way in which they can be incorporated into building science research and practice. This research refers to these elements together—i.e., people’s non-physical personal factors and cognition—as “the mind”.</b></p> <p>This research proposes a new qualitative model of the Feeling of Comfort that embraces “the mind”. This model was developed from the results of a first study in which 18 people—from Chile and New Zealand—were asked to describe “a home with good daylight” and “a warm home” in their own words. These results were then replicated in a second study in which another group of 24 people—also from Chile and New Zealand—described “a home with good acoustic performance”, “a home with good air quality” and “a pleasantly cool home”. The Feeling of Comfort model not only was capable of making sense of the new data (gathered in this second study) but also proved to be simple enough to be useful in the context of comfort research and practice. For instance, it guided the development of a quantitative Feeling of Comfort model and also of a prototype building simulation tool that embraces “the mind” and thus can potentially estimate people’s Feeling of Comfort.</p> <p>This research concludes that embracing “the mind” is not only possible but necessary. The reason for this is that “the mind” plays a significant role in the development of people’s comfort. Thus, theories and models of comfort that ignore it fail to represent properly the concept of comfort held by the people for whom buildings are designed. However, incorporating “the mind” into building science’s research and practice implies embracing tools, research methods and conceptual frameworks that have historically not been used by such a discipline. Specifically, it concludes that building science should normalize a more holistic view of comfort and perform more exploratory and qualitative research.</p>

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