The Great War, the State, and Working-Class Canada

Author(s):  
Craig Heron ◽  
Myer Siemiatycki
2021 ◽  
Author(s):  
◽  
Ailish Wallace-Buckland

<p>In January 1932, the Sydney-based lifestyle magazine Health and Physical Culture published an article titled ‘The Menace of Effeminacy’. This article, written by Carl Hertzig, and read by magazine-subscribers across the Tasman, documented anxieties around the state of men and masculinity following the upheaval of the Great War. Touching on topics such as gender, psychology, eugenics, and sexuality this article and its concerns represent those that this thesis explores in order to understand what the ‘fear of effeminacy’ actually meant for New Zealanders during the interwar years (c.1918-1939). This thesis documents and analyses contemporary discussions of male sexuality and masculinity through a series of sources in order to establish the ways in which these concepts were understood in interwar New Zealand. Firstly, it examines some of the key pieces of legislation and reports that demonstrated official approaches, and ways of thinking, towards mental defectives, sexual offenders, and those with war neuroses. It then explores medical journals, and the dissertations of medical students; and finally, it analyses parts of popular print culture in Aotearoa/New Zealand, such as magazines and newspapers, in order to investigate and piece together the landscape in which said anxieties around effeminacy, masculinity, mental stability, and other deviations from the societally prescribed norm met. This thesis approaches these primary sources in such a way that acknowledges the evolutionary framework of understanding that was pervasive in medical circles during this era.  By thus examining the connections between constructions of the male body, homosexuality and effeminacy, late nineteenth to early twentieth century ideas around eugenics, and psychology and psychiatry, this work further uncovers the state of masculinity and male sexuality in New Zealand during the interwar period. This thesis argues that the ‘threat’ to masculinity perceived in a variety of venues was a mixture of anxieties around physical and mental wounds inflicted by the Great War; population concerns exacerbated by the exposure of the health-standards of troops, and worries of how to recover and reconstruct a virile society following four years of strife; concerns at the apparent loosening of sexual mores, and the changing manifestations of both masculinity and femininity; and ever increasing interest in the psychology of self, sexuality, and society. It adds to existing work on post-World War One masculinity by centring New Zealand discussions and understandings in a way that contributes to the broader literature on New Zealand twentieth-century masculinity, psychology and psychiatry, eugenics, and male sexuality.</p>


Author(s):  
David J. Bettez

This chapter covers the Spanish flu epidemic’s effects on the state; the Kentucky Council of Defense’s conference on state problems in March 1919; efforts to commemorate war participants in various ways (such as the University of Kentucky’s Memorial Hall and local memorials); and the experience of one Kentucky Gold Star Mother, Nola Miller Kinne Fogg, on her US government–sponsored pilgrimage to her son’s grave in France in the early 1930s. The chapter also draws some conclusions about Kentucky and the Great War, including how the state coalesced in support of the war despite political, economic, and social differences.


1996 ◽  
Vol 20 (1) ◽  
pp. 133-167 ◽  
Author(s):  
Margaret Levi

Johnnie get your gun, get your gun, get your gun,Take it on the run, on the run, on the run,Hear them calling you and me,Ev'ry son of liberty.Hurry right away, no delay, go today,Make your daddy glad to have had such a lad,Tell your sweetheart not to pine,To be proud her boy's in line.George P. Cohan, “Over There” The chronicle of mass conscription in modern democracies is the story of the changing relationship between the state and its citizens, and the Great War is one of the major turning points, especially in the Anglo-Saxon democracies.The institution of conscription significantly extends the obligations of male citizens and the reach of the state.


Author(s):  
Nimisha Barton

This chapter cites Yolanda Foldes's 1937 novel about a Hungarian family in interwar Paris, in which the character Klari Barabas stumbles into the middle of a lovers' quarrel involving Greek Christos and his French wife. It analyses the misfortunes of fictional Christos and his French wife, which suggest men's work, missing wages, and marital discord that were intertwined in the mixed and immigrant working-class households sprouting up throughout France after the Great War. It also discusses the twin middle-class ideals of the male breadwinner and the femme au foyer that governed early twentieth century economic and social life. The chapter recounts how marriage became the most reliable legal means of securing access to a male breadwinner and his wages by the early twentieth century, especially in the event of the union's demise. It talks about alimentary pensions that were paid regularly by estranged husbands and were enforced by officials at the behest of French and foreign wives themselves.


2020 ◽  
pp. 301-316
Author(s):  
Rohan McWilliam

This chapter provides a conclusion to the book. It shows that by 1900 the West End functioned as the heart of empire. This was evident in the Mafeking celebrations but also in the way West End shows helped explain the empire to the British. The conservatism of West End culture provided a backdrop for popular imperialism. Whilst the book has emphasized the West End as the source of a conservative consensus, it ends by drawing on the experience of working-class people to show how its opulence could be the source of resentment and conflict. The chapter discusses the Blood Sunday riots which took place in the pleasure district and ends with the Suffragettes window smashing campaign where women attacked an area that was built to attract them. On the eve of the Great War, the West End served as a magnet for protest and pleasure.


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